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Yo, la peor
Author: Mónica Lavín
Publisher: Planeta México
ISBN: 6070739914
Pages:
Year: 2017-04-17
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«Confieso que no ha sido fácil. Que aproximarme a sor Juana, a su vida, a su tiempo, a su deseo de saber por encima de todo e intentar darle vida, me pareció un atrevimiento. Pero el atrevimiento ha valido la pena. Me acerqué temerosa al cementerio de las luminarias mexicanas; mi quimera era rozar lo inalcanzable. Me quería meter detrás de los ojos de Juana Inés, en su piel, en sus oídos, escuchar su respiración». MÓNICA LAVÍN La novela definitiva sobre sor Juana Inés de la Cruz. Una mujer fuera de época, una escritora flagrante, apasionada y sensual que entregada a la razón y consagrada en su fe, tomó los retos más grandes para lograr que su alma se dejara conducir por los seductores caminos del conocimiento.
Latin American Cinema
Author: Lisa Shaw, Stephanie Dennison
Publisher: McFarland
ISBN: 078648425X
Pages: 228
Year: 2005-02-23
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"These collected essays explore important elements of Latin American cinema and its associated national film industries. These essays examine the impact of modernization on both Latin American screen images and the industry itself, focus on filmmakers who deal with issues of gender and sexuality and discuss the relationship between national identity and the Latin American film industry"--Provided by publisher.
Hispanisms and Homosexualities
Author: Sylvia Molloy
Publisher: Duke University Press
ISBN: 082232198X
Pages: 319
Year: 1998
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A collection of essays addressing gay/lesbian identities and practices in relation to Spanish/Latin American literatures and cultures.
Yo, La Peor de Todas
Author: María Liliana Celorrio, Alicia Batista Piñón
Publisher:
ISBN:
Pages: 76
Year: 2003
View: 182
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Hermann Weber - Yo, la peor de todas, ich, die Schlechteste von allen
Author: Thomas Lindemann
Publisher: Lindemanns Bibliothek
ISBN: 3881905421
Pages: 128
Year: 2009
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An Argentine Passion
Author: John King, Sheila Whitaker, Rosa Bosch
Publisher: Verso
ISBN: 1859843085
Pages: 234
Year: 2000
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Maria Luisa Bemberg, who died in 1995, was one of Latin America's best known and most popular film-makers. The only woman director in the region to have achieved consistent success both nationally and internationally, she is all the more remarkable for having made her first feature at the age of fifty-eight. Born into a traditional, aristocratic Argentine family, her late-blossoming career focused above all on women's issues. The six films she made between 1980 and 1993 all have female protagonists who seek to transgress limits: from Camila O'Gorman, executed in the nineteenth century for her love of a Cathoolic priest, to the remarkable nun Sor Juana Ines de la Cruz, Mexico's foremost colonial poet and intellectual, whose enquiring mind was a threat to the discipline of the Church. Bemberg was, as in the title of her second film, senora de nadie, nobody's woman, someone who found her own way in a national film industry dominated by men, and who brought a new way of seeing, a distinctive visual style, to international film-making. This is the first major study of Maria Luisa Bemberg's work. It containes, uniquely, the views of those who worked with her—her producer, cinematographer, script writer, and actors—alongside her own comments about the film industry and her work in it. In addition to a range of Argentine, British and North American scholars offer readings of each of her films and assess her contribution to contemporary international cinema.
Yo, el peor de todos
Author: RIAL JORGE
Publisher: Grupo Planeta Spain
ISBN: 9504943136
Pages:
Year: 2014-12-08
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Yo, para algunos, soy el peor de todos. El mafioso. El apretador. El que se caga en todo el mundo. El que hace periodismo basura. El que se mete en la vida privada de los demás pero al que no le gusta que hagan lo mismo con la suya. El que se enganchó con una pendeja refuerte porque está lleno de plata y de poder. El que cobró seiscientos mil dólares para entrevistar a Fariña y farandulizar la ruta del dinero K. El periodista elegido por el gobierno para entrevistar a la Presidenta. El que es capaz de hacer cualquier cosa por medio punto de rating. El que echó a su amigo Ventura porque es un hijo de puta que no tiene corazón. El que no se arrepiente de nada Por todo esto, para muchos, soy el peor de todos. Allá ellos. No me conocen nada. Soy algo de eso. Pero también un tipo que recibió los peores golpes en su niñez. Que se crió en la calle. Que se abrió camino en esta picadora de carne de los medios sin padrinos. A pura prepotencia de trabajo. Al que un día le explotó el corazón y se dio cuenta de que estaba solo. El que a los cincuenta años perdió todo y tuvo que volver a empezar. El que tuvo la milagrosa dicha de ser elegido por sus hijas en un acto de amor y de adopción de ida y vuelta. El que encontró el amor cuando ya estaba desahuciado en el amor. El que se bancó tapas de revistas, extorsiones, apretadas y amenazas. Uno de los pocos que desde hace quince años mantiene Intrusos como programa líder de audiencia y la revista Paparazzi como primera en ventas. Soy todo eso. Y mucho más. Por eso decidí hacer mi autobiografía. Escrita a corazón abierto. Sin especular en lo más mínimo. A favor y también en contra mío. Sin pensar en las consecuencias. Brutal, honesta y descarnada. Es decir: como me gusta hacer las cosas a mí. Jorge Rial
Marley y yo
Author: John Grogan
Publisher: Rayo
ISBN: 0062226746
Pages: 352
Year: 2012-07-10
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La conmovedora e inolvidable historia de una familia y su maravillosamente neurótico perro, quien les enseñó lo que realmente importa en la vida.
Based on a True Story
Author: Donald F. Stevens
Publisher: Rowman & Littlefield
ISBN: 0842027815
Pages: 243
Year: 1997
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Combining history with discussions of dramatic cinema, Based on a True Story: Latin American History at the Movies examines how film has portrayed Latin America from the late fifteenth century to the present. The book opens with an introduction on the visual presentation of the past in the movies, while the rest of the book consists of essays that explore the best feature films on Latin America from the professional historian's perspective.
Sor Juana, Or, The Traps of Faith
Author: Octavio Paz, Margaret Sayers Peden
Publisher: Harvard University Press
ISBN: 0674821068
Pages: 547
Year: 1988
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A life of the seventeenth-century poet, intellectual, and feminist who became a nun and eventually gave up secular learning, places her in her times and in Spanish intellectual tradition, and examines the contradictions in her personality.
Neobaroque in the Americas
Author: Monika Kaup
Publisher: University of Virginia Press
ISBN: 0813933145
Pages: 392
Year: 2012-11-07
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In a comparative and interdisciplinary analysis of modern and postmodern literature, film, art, and visual culture, Monika Kaup examines the twentieth century's recovery of the baroque within a hemispheric framework embracing North America, Latin America, and U.S. Latino/a culture. As "neobaroque" comes to the forefront of New World studies, attention to transcultural dynamics is overturning the traditional scholarship that confined the baroque to a specific period, class, and ideology in the seventeenth century. Reflecting on the rich, nonlinear genealogy of baroque expression, Neobaroque in the Americas envisions the baroque as an anti-proprietary expression that brings together seemingly disparate writers and artists and contributes to the new studies in global modernity.
New Queer Cinema
Author: B. Ruby Rich
Publisher: Duke University Press
ISBN: 0822399695
Pages: 352
Year: 2013-02-19
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B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists. As a critic, curator, journalist, and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume presents her new thoughts on the topic, as well as bringing together the best of her writing on the NQC. She follows this cinematic movement from its origins in the mid-1980s all the way to the present in essays and articles directed at a range of audiences, from readers of academic journals to popular glossies and weekly newspapers. She presents her insights into such NQC pioneers as Derek Jarman and Isaac Julien and investigates such celebrated films as Go Fish, Brokeback Mountain, Itty Bitty Titty Committee, and Milk. In addition to exploring less-known films and international cinemas (including Latin American and French films and videos), she documents the more recent incarnations of the NQC on screen, on the web, and in art galleries.
Colonial Itineraries of Contemporary Mexico
Author: Oswaldo Estrada, Anna Mar Nogar
Publisher: University of Arizona Press
ISBN: 0816531080
Pages: 328
Year: 2014-10-30
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"This book discusses rewritings of the Mexican colonia to question present-day realities of marginality and inequality, imposed political domination, and hybrid subjectivities. Critics examine literature and films produced in and around Mexico since 2000to broaden our understanding beyond the theories of the new historical novel and upend the notion of the novel as the sole re-creative genre"--
Sor Juana Inés de la Cruz
Author: Sister Juana Inés de la Cruz, Pamela Kirk Rappaport
Publisher: Paulist Press
ISBN: 0809105306
Pages: 323
Year: 2005
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Inter-America
Author:
Publisher:
ISBN:
Pages:
Year: 1920
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Consists of English translations of articles in the Spanish American press.

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