Wegmarken Des Fernsehdokumentarismus Book PDF, EPUB Download & Read Online Free

Wegmarken des Fernsehdokumentarismus
Author: Christian Hißnauer, Bernd Schmidt
Publisher:
ISBN: 3867643873
Pages: 359
Year: 2013
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Personen beschreiben, Leben erzählen
Author: Christian Hißnauer
Publisher: Springer-Verlag
ISBN: 3658173173
Pages: 211
Year: 2017-05-05
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Das jeweils einzigartige Œuvre von Georg Stefan Troller und Hans-Dieter Grabe wird hier erstmals werk- und fernsehhistorisch umfassend analysiert. Ausführlich werden die dokumentarischen Methoden dieser wichtigen Wegbereiter des deutschen Fernsehdokumentarismus erläutert und ihre dramaturgischen und ästhetischen Konzepte beschrieben.
Transmediale Genre-Passagen
Author: Ivo Ritzer, Peter W. Schulze
Publisher: Springer-Verlag
ISBN: 3658094265
Pages: 478
Year: 2015-09-11
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​Genres unterliegen stets Transformationsprozessen und stehen in Wechselbeziehungen zu anderen Genres - nicht nur intramedial, sondern in einer medienpluralisierten globalen Gesellschaft immer stärker auch medienübergreifend. Daher lassen sich anhand generischer Strukturen auch komplexe mediale und kulturelle Austauschprozesse beobachten und analysieren. Dieser Band fokussiert transmediale Erscheinungen und bietet eine interdisziplinäre Plattform, um verschiedene Forschungsperspektiven miteinander zu verbinden, die sich in Bezug auf Genre-Muster in differenten Medien traditionell eher isoliert entwickelt und auch unterschiedlich konzipierte Terminologien hervorgebracht haben.
Medienkulturen des Dokumentarischen
Author: Carsten Heinze, Thomas Weber
Publisher: Springer-Verlag
ISBN: 3658146982
Pages: 486
Year: 2016-11-14
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Der Band analysiert dokumentarische Formen des Films, die in aktuellen Medienkulturen eine zunehmend wichtigere Rolle spielen und für die Kommunikation in modernen Gesellschaften maßgeblich verantwortlich sind. Durch neue Technologien und veränderte Formen der Produktion, Distribution und Rezeption sowie innovative ästhetische Konzepte kommt es zu einer Ausdifferenzierung der dokumentarischen Praktiken in ihren jeweiligen Medienkulturen, die nicht zuletzt auch das Verständnis dessen verändern, was unter dokumentarischen Filmen jeweils zu verstehen ist. Diese Entwicklungen werfen Fragen auf, auf die Autorinnen und Autoren aus der Medien- und Kulturwissenschaft, der Geschichtswissenschaft, der Kunstwissenschaft und der Soziologie in diesem Band Antworten geben.
Technikreflexionen in Fernsehserien
Author: Hirsch-Weber, Andreas, Scherer, Stefan
Publisher: KIT Scientific Publishing
ISBN: 3731503360
Pages: 182
Year: 2015-04-29
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Zwischen Serie und Werk
Author: Christian Hißnauer, Stefan Scherer, Claudia Stockinger
Publisher: transcript Verlag
ISBN: 3839424593
Pages: 414
Year: 2014-11
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Trotz einiger Studien zum »Tatort« gibt es bislang kaum übergreifende Analysen, die auf der Gesamtheit der Produktion seit 1970 basieren. Dieser Band untersucht die traditionsreiche ARD-Krimireihe als (Kunst-)Werk im Verhältnis zu seiner seriellen Struktur. Er verbindet eine mentalitätsgeschichtliche Argumentation mit fernsehgeschichtlichen und -praktischen Aspekten und verknüpft die Ansprüche des öffentlich-rechtlichen Fernsehens mit den Fragen nach filmischen Qualitäten. Die Beiträge zielen damit auf die genauere Reflexion der spezifischen Medialität und der ästhetischen Mittel der Reihe.
New Challenges for Documentary
Author: Alan Rosenthal, John Corner
Publisher: Manchester University Press
ISBN: 0719068991
Pages: 507
Year: 2005-05-13
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The first edition of this book provided a major stimulus for teaching about documentary film and television and fresh encouragement for critical thinking about practice. This second edition brings together many new contributions both from academics and filmmakers, reflecting shifts both in documentary production itself, and in ways of discussing it. Once again, the emphasis has been on clear and provocative writing, sympathetic to the practical challenges of documentary filmmaking but making connections with a range of work in media and communications analysis.With its wide range of contributors and the international scope of its agenda, this will be essential reading for general filmmakers and documentary students both of academic and practical inclinations.
Docufictions
Author: John Parris Springer
Publisher: McFarland
ISBN: 1476610495
Pages: 304
Year: 2017-08-25
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Through most of the 20th century, the distinction between the fictional narrative film and the documentary was vigorously maintained. The documentary tradition developed side by side with, but in the shadow of, the more commercially successful feature film. In the latter part of the century, however, the two forms merged on occasion, and mockumentaries (fictional works in a documentary format) and docudramas (reality-based works in a fictional format) became part of the film and television landscape. The 18 essays here examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in such diverse films and shows as Citizen Kane, M*A*S*H, This Is Spinal Tap, and Destination Moon. Topics include the docudrama in early cinema, the industrial film as faux documentary, the fear evoked in 1950s science fiction films, the selling of “reality” in mockumentaries, and reality television and documentary forms. The essays provide a foundation for significant rethinking of film history and criticism, offering the first significant discussion of two emerging and increasingly important genres. Instructors considering this book for use in a course may request an examination copy here.
Iconology
Author: W. J. T. Mitchell
Publisher: University of Chicago Press
ISBN: 022614805X
Pages: 236
Year: 2013-05-03
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"[Mitchell] undertakes to explore the nature of images by comparing them with words, or, more precisely, by looking at them from the viewpoint of verbal language. . . . The most lucid exposition of the subject I have ever read."—Rudolf Arnheim, Times Literary Supplement
Claiming the Real
Author: Brian Winston
Publisher: British Film Institute
ISBN: 1844572722
Pages: 336
Year: 2009-01-15
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Claiming the Real II describes the origins, development and current state of documentary cinema, and the social, political, industrial and ethical factors that determine its production. This new edition addresses the ethical quagmires, digital technologies and proliferating forms that have transformed documentary cinema.
Television and History
Author: Colin McArthur
Publisher:
ISBN:
Pages: 59
Year: 1978
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The Sociology of Journalism
Author: Brian McNair
Publisher: Oxford University Press
ISBN: 0340706155
Pages: 184
Year: 1998-08-28
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Journalism is a privileged cultural form. It is the main source of our knowledge about the world and our place in it, and the point at which the individual and the social worlds meet. Referring to cases from both the US and UK, including the White House sex scandals and the death of Diana, this book examines the various factors involved in the making of contemporary journalism, including economic and political pressures, changes in the technology of news gathering and production, and the growing role of sources and "source strategies." The text analyzes how such factors come to exert influence on the form, content, and style of journalism, and reviews current approaches to the sociological impact of journalism on individuals, groups, and organizations.
Transnational Perspectives on Graphic Narratives
Author: Shane Denson
Publisher: A&C Black
ISBN: 1441185755
Pages: 294
Year: 2013-05-23
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Bringing together an international team of scholars, this book charts and analyzes the ways in which comic book history and new forms of graphic narrative have been impacted by aesthetic, social, political, economic, and cultural interactions that reach across national borders in an increasingly interconnected and globalizing world. Exploring the tendencies of graphic narratives - from popular comic book serials and graphic novels to manga - to cross national and cultural boundaries, Transnational Perspectives on Graphic Narratives addresses a previously marginalized area in comics studies. Placing graphic narratives in the global flow of cultural production and reception, the book investigates controversial representations of transnational politics, examines transnational adaptations of superhero characters, and maps many of the translations and transformations that have come to shape contemporary comics culture on a global scale.
The Hollywood Economist 2.0
Author: Edward Jay Epstein
Publisher: Melville House
ISBN: 1612190510
Pages: 240
Year: 2012-01-24
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A fully revised edition of the popular guide to Hollywood finances, updated to reflect even newer films and trends In a Freakonomics-meets-Hollywood saga, veteran investigative reporter Edward Jay Epstein goes undercover to explore Hollywood’s “invisible money machine,” probing the dazzlingly complicated finances behind the hits and flops, while he answers a surprisingly difficult question: How do the studiosmake their money? We also learn: + How and why the studios harvest silver from old film prints ... + Why stars do—or don’t do—their own stunts ... + The future of Netflix: Why the “next big thing” now seems in such deep trouble... + What it costs to insure Nicole Kidman’s right knee… + How Hollywood manipulates Wall Street: including the story of the acquisition of MGM… wherein a consortium of banks and hedge funds lost some $5 billion… while Hollywood made millions. + Why Arnold Schwarzenegger is considered a contract genius… + The fate of serious fare: How HBO, AMC, and Showtime have found ways to make money offer adult drama, while the Hollywood studios prefer to cater to teen audiences. + Why Lara Croft: Tomb Raider is considered a “masterpiece” of financing ... From the Trade Paperback edition.
From Comic Strips to Graphic Novels
Author: Daniel Stein, Jan-Noël Thon
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110427729
Pages: 422
Year: 2015-04-24
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This essay collection examines the theory and history of graphic narrative as one of the most interesting and versatile forms of narrative beyond traditional literary texts. Analyzing a wide range of texts, genres, and narrative strategies from both theoretical and historical perspectives, its various contributors offer state-of-the-art research on graphic narrative in the context of an increasingly postclassical and transmedial narratology.

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