Turkish German Cinema In The New Millennium Book PDF, EPUB Download & Read Online Free

Turkish German Cinema in the New Millennium
Author: Sabine Hake, Barbara Mennel
Publisher: Berghahn Books
ISBN: 0857457683
Pages: 251
Year: 2012-10-15
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In the last five years of the twentieth century, films by the second and third generation of the so-called German guest workers exploded onto the German film landscape. Self-confident, articulate, and dynamic, these films situate themselves in the global exchange of cinematic images, citing and rewriting American gangster narratives, Kung Fu action films, and paralleling other emergent European minority cinemas. This, the first book-length study on the topic, will function as an introduction to this emergent and growing cinema and offer a survey of important films and directors of the last two decades. In addition, it intervenes in the theoretical debates about Turkish German culture by engaging with different methodological approaches that originate in film studies.
A New History of German Cinema
Author: Jennifer M. Kapczynski, Michael David Richardson
Publisher: Boydell & Brewer
ISBN: 1571135952
Pages: 673
Year: 2014-01-03
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A dynamic, event-centered exploration of the hundred-year history of German-language film.
Post-Unification Turkish German Cinema
Author: Gozde Naiboglu
Publisher: Springer
ISBN: 3319644319
Pages: 217
Year: 2018-01-10
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This book offers a post-representational approach to a range of fiction and non-fiction films that deal with labour migration from Turkey to Germany. Engaging with materialist philosophies of process, it offers analyses of films by Thomas Arslan, Christian Petzold, Aysun Bademsoy, Seyhan Derin, Harun Farocki, Yüksel Yavuz and Feo Aladag. Shifting the focus from the longstanding concerns of integration, identity and cultural conflict, Gozde Naiboglu shows that these films offer new expressions of lived experience under late capitalism through themes of work, social reproduction, unemployment and insecure work, exhaustion and precarity, thereby calling for a rethinking of the established ideas of class, community and identity.
Post-Unification Turkish German Cinema
Author: Gozde Naiboglu
Publisher: Springer
ISBN: 3319644319
Pages: 217
Year: 2018-01-10
View: 1136
Read: 523
This book offers a post-representational approach to a range of fiction and non-fiction films that deal with labour migration from Turkey to Germany. Engaging with materialist philosophies of process, it offers analyses of films by Thomas Arslan, Christian Petzold, Aysun Bademsoy, Seyhan Derin, Harun Farocki, Yüksel Yavuz and Feo Aladag. Shifting the focus from the longstanding concerns of integration, identity and cultural conflict, Gozde Naiboglu shows that these films offer new expressions of lived experience under late capitalism through themes of work, social reproduction, unemployment and insecure work, exhaustion and precarity, thereby calling for a rethinking of the established ideas of class, community and identity.
Marriage in Turkish German Popular Culture
Author: Heather Merle Benbow
Publisher: Lexington Books
ISBN: 1498522637
Pages: 178
Year: 2015-10-08
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Marriage is a central trope in popular portrayals of Germany’s largest ethnic minority. In exploring Turkish-German matrimony in popular genres including autoethnography, chick lit, wedding film and ethno-sitcom, this book reveals the fascinating interactions of gender, sexuality and ethnicity in contemporary Germany.
Muslim Women, Transnational Feminism and the Ethics of Pedagogy
Author: Lisa K. Taylor, Jasmin Zine
Publisher: Routledge
ISBN: 1317683064
Pages: 316
Year: 2014-06-27
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Following a long historical legacy, Muslim women’s lives continue to be represented and circulate widely as a vehicle of intercultural understanding within a context of the "war on terror." Following Edward Said’s thesis that these cultural forms reflect and participate in the power plays of empire, this volume examines the popular and widespread production and reception of Muslim women’s lives and narratives in literature, poetry, cinema, television and popular culture within the politics of a post-9/11 world. This edited collection provides a timely exploration into the pedagogical and ethical possibilities opened up by transnational, feminist, and anti-colonial readings that can work against sensationalized and stereotypical representations of Muslim women. It addresses the gap in contemporary theoretical discourse amongst educators teaching literary and cultural texts by and about Muslim Women, and brings scholars from the fields of education, literary and cultural studies, and Muslim women’s studies to examine the politics and ethics of transnational anti-colonial reading practices and pedagogy. The book features interviews with Muslim women artists and cultural producers who provide engaging reflections on the transformative role of the arts as a form of critical public pedagogy.
New Directions in German Cinema
Author: Paul Cooke, Chris Homewood
Publisher: I.B.Tauris
ISBN: 1848859074
Pages: 308
Year: 2011-10-15
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Having been in the doldrums since the 1980s. German language cinema is again attracting attention at home and abroad with now regualr Oscar nominations and wins for the likes of 'Downfall' and 'The lives of others', as well as attention at all the main international festivals. 'New directions in German cinema' explores German language cinema's developments since 2000. This title examines just what German language film has to offer, from the evolution of the so-called 'heritage films' which dominate the country's mainstream and which examine Germany's problematic pasts, to those which focus on the contemporary social reality of the Berlin Republic
The Routledge Encyclopedia of Films
Author: Sabine Haenni, Sarah Barrow, John White
Publisher: Routledge
ISBN: 1317682602
Pages: 666
Year: 2014-09-15
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The Routledge Encyclopedia of Films comprises 200 essays by leading film scholars analysing the most important, influential, innovative and interesting films of all time. Arranged alphabetically, each entry explores why each film is significant for those who study film and explores the social, historical and political contexts in which the film was produced. Ranging from Hollywood classics to international bestsellers to lesser-known representations of national cinema, this collection is deliberately broad in scope crossing decades, boundaries and genres. The encyclopedia thus provides an introduction to the historical range and scope of cinema produced throughout the world.
Mobility and Migration in Film and Moving Image Art
Author: Nilgun Bayraktar
Publisher: Routledge
ISBN: 1317510720
Pages: 214
Year: 2015-12-07
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Mobility and Migration in Film and Moving Image Art explores cinematic and artistic representations of migration and mobility in Europe from the 1990s to today. Drawing on theories of migrant and diasporic cinema, moving-image art, and mobility studies, Bayraktar provides historically situated close readings of films, videos, and cinematic installations that concern migratory networks and infrastructures across Europe, the Middle East, and Africa. Probing the notion of Europe as a coherent entity and a borderless space, this interdisciplinary study investigates the ways in which European ideals of mobility and fluidity are deeply enmeshed with forced migration, illegalization, and xenophobia. With a specific focus on distinct forms of mobility such as labor migration, postcolonial migration, tourism, and refugee mobilities, Bayraktar studies the new counter-hegemonic imaginations invoked by the work of filmmakers such as Ay?e Polat, Fatih Akin, Michael Haneke, and Tony Gatlif as well as video essays and installations of artists such as Kutlu? Ataman, Ursula Biemann, Ergin Çavu?o?lu, Maria Iorio and Raphaël Cuomo. Challenging aesthetic as well as national, cultural, and political boundaries, the works central to this book envision Europe as a diverse, inclusive, and unfixed continent that is reimagined from many elsewheres well beyond its borders.
Queer Cinema in Europe
Author: Robin Griffiths
Publisher: Intellect Books
ISBN: 1841500798
Pages: 227
Year: 2008
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A collection of insightful essays that explore, for the first time, the questions and conflicts of gender, sexuality and spectatorship in contemporary European cinema. Contributors discuss the shifting deployments of lesbian, gay and queer representation to re-define and deconstruct notions of national identity and culture from within a unique and diverse European context. A number of films, directors and genres are explored for their relevance to new understandings of queer desire in the new millennium.
A Critical History of German Film
Author: Stephen Brockmann
Publisher: Camden House
ISBN: 1571134689
Pages: 522
Year: 2010
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A historical survey of German films as works of art from the beginnings to the present, suitable for classroom use.
German National Cinema
Author: Sabine Hake
Publisher: Routledge
ISBN: 1136020543
Pages: 288
Year: 2013-01-11
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German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to changing definitions of genre, authorship, and film form. The book traces the central role of cinema in the nation’s turbulent history from the Wilhelmine Empire to the Berlin Republic, with special attention paid to the competing demands of film as art, entertainment, and propaganda. Hake also explores the centrality of genre films and the star system to the development of a filmic imaginary. This fully revised and updated new edition will be required reading for everyone interested in German film and the history of modern Germany.
European Nightmares
Author: Patricia Allmer, David Huxley, Emily Brick
Publisher: Columbia University Press
ISBN: 0231850085
Pages: 288
Year: 2012-05-29
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This volume is the first edited collection of essays focusing on European horror cinema from 1945 to the present. It features new contributions by distinguished international scholars exploring British, French, Spanish, Italian, German and Northern European and Eastern European horror cinema. The essays employ a variety of current critical methods of analysis, ranging from psychoanalysis and Deleuzean film theory to reception theory and historical analysis. The complete volume offers a major resource on post-war European horror cinema, with in-depth studies of such classic films as Seytan (Turkey, 1974), Suspiria (Italy, 1977), Switchblade Romance (France, 2003), and Taxidermia (Hungary, 2006).
The Global Film Book
Author: Roy Stafford
Publisher: Routledge
ISBN: 1136474587
Pages: 392
Year: 2014-01-10
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The Global Film Book is an accessible and entertaining exploration of the development of film as global industry and art form, written especially for students and introducing readers to the rich and varied cinematic landscape beyond Hollywood. Highlighting areas of difference and similarity in film economies and audiences, as well as form, genre and narrative, this textbook considers a broad range of examples and up to date industry data from Europe, Africa, Asia, Australasia and Latin America. Author Roy Stafford combines detailed studies of indigenous film and television cultures with cross border, global and online entertainment operations, including examples from Nollywood to Korean Cinema, via telenovelas and Nordic crime drama. The Global Film Book demonstrates a number of contrasting models of contemporary production, distribution and consumption of film worldwide, charting and analysing the past, present and potential futures for film throughout the world. The book also provides students with: a series of exploratory pathways into film culture worldwide illuminating analyses and suggestions for further readings and viewing, alongside explanatory margin notes and case studies a user friendly text design, featuring over 120 colour images a dynamic and comprehensive blog, online at www.globalfilmstudies.com, providing updates and extensions of case studies in the book and analysis of the latest developments in global film issues.
Postwall German Cinema
Author: Mattias Frey
Publisher: Berghahn Books
ISBN: 0857459481
Pages: 218
Year: 2013-05-30
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Since the fall of the Berlin Wall, there has been a proliferation of German historical films. These productions have earned prestigious awards and succeeded at box offices both at home and abroad, where they count among the most popular German films of all time. Recently, however, the country's cinematic take on history has seen a significant new development: the radical style, content, and politics of the New German Cinema. With in-depth analyses of the major trends and films, this book represents a comprehensive assessment of the historical film in today's Germany. Challenging previous paradigms, it takes account of a postwall cinema that complexly engages with various historiographical forms and, above all, with film history itself.