Turkish German Cinema In The New Millennium Book PDF, EPUB Download & Read Online Free

Turkish German Cinema in the New Millennium
Author: Sabine Hake, Barbara Mennel
Publisher: Berghahn Books
ISBN: 0857457683
Pages: 251
Year: 2012-10-15
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In the last five years of the twentieth century, films by the second and third generation of the so-called German guest workers exploded onto the German film landscape. Self-confident, articulate, and dynamic, these films situate themselves in the global exchange of cinematic images, citing and rewriting American gangster narratives, Kung Fu action films, and paralleling other emergent European minority cinemas. This, the first book-length study on the topic, will function as an introduction to this emergent and growing cinema and offer a survey of important films and directors of the last two decades. In addition, it intervenes in the theoretical debates about Turkish German culture by engaging with different methodological approaches that originate in film studies.
A New History of German Cinema
Author: Jennifer M. Kapczynski, Michael David Richardson
Publisher: Boydell & Brewer
ISBN: 1571135952
Pages: 673
Year: 2014-01-03
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A dynamic, event-centered exploration of the hundred-year history of German-language film.
Post-Unification Turkish German Cinema
Author: Gozde Naiboglu
Publisher: Springer
ISBN: 3319644319
Pages: 217
Year: 2018-01-10
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This book offers a post-representational approach to a range of fiction and non-fiction films that deal with labour migration from Turkey to Germany. Engaging with materialist philosophies of process, it offers analyses of films by Thomas Arslan, Christian Petzold, Aysun Bademsoy, Seyhan Derin, Harun Farocki, Yüksel Yavuz and Feo Aladag. Shifting the focus from the longstanding concerns of integration, identity and cultural conflict, Gozde Naiboglu shows that these films offer new expressions of lived experience under late capitalism through themes of work, social reproduction, unemployment and insecure work, exhaustion and precarity, thereby calling for a rethinking of the established ideas of class, community and identity.
Mobility and Migration in Film and Moving Image Art
Author: Nilgun Bayraktar
Publisher: Routledge
ISBN: 1317510720
Pages: 214
Year: 2015-12-07
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Mobility and Migration in Film and Moving Image Art explores cinematic and artistic representations of migration and mobility in Europe from the 1990s to today. Drawing on theories of migrant and diasporic cinema, moving-image art, and mobility studies, Bayraktar provides historically situated close readings of films, videos, and cinematic installations that concern migratory networks and infrastructures across Europe, the Middle East, and Africa. Probing the notion of Europe as a coherent entity and a borderless space, this interdisciplinary study investigates the ways in which European ideals of mobility and fluidity are deeply enmeshed with forced migration, illegalization, and xenophobia. With a specific focus on distinct forms of mobility such as labor migration, postcolonial migration, tourism, and refugee mobilities, Bayraktar studies the new counter-hegemonic imaginations invoked by the work of filmmakers such as Ay?e Polat, Fatih Akin, Michael Haneke, and Tony Gatlif as well as video essays and installations of artists such as Kutlu? Ataman, Ursula Biemann, Ergin Çavu?o?lu, Maria Iorio and Raphaël Cuomo. Challenging aesthetic as well as national, cultural, and political boundaries, the works central to this book envision Europe as a diverse, inclusive, and unfixed continent that is reimagined from many elsewheres well beyond its borders.
Post-Unification Turkish German Cinema
Author: Gozde Naiboglu
Publisher: Springer
ISBN: 3319644319
Pages: 217
Year: 2018-01-10
View: 1116
Read: 747
This book offers a post-representational approach to a range of fiction and non-fiction films that deal with labour migration from Turkey to Germany. Engaging with materialist philosophies of process, it offers analyses of films by Thomas Arslan, Christian Petzold, Aysun Bademsoy, Seyhan Derin, Harun Farocki, Yüksel Yavuz and Feo Aladag. Shifting the focus from the longstanding concerns of integration, identity and cultural conflict, Gozde Naiboglu shows that these films offer new expressions of lived experience under late capitalism through themes of work, social reproduction, unemployment and insecure work, exhaustion and precarity, thereby calling for a rethinking of the established ideas of class, community and identity.
Queer Cinema in Europe
Author: Robin Griffiths
Publisher: Intellect Books
ISBN: 1841500798
Pages: 227
Year: 2008
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A collection of insightful essays that explore, for the first time, the questions and conflicts of gender, sexuality and spectatorship in contemporary European cinema. Contributors discuss the shifting deployments of lesbian, gay and queer representation to re-define and deconstruct notions of national identity and culture from within a unique and diverse European context. A number of films, directors and genres are explored for their relevance to new understandings of queer desire in the new millennium.
A Critical History of German Film
Author: Stephen Brockmann
Publisher: Camden House
ISBN: 1571134689
Pages: 522
Year: 2010
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A historical survey of German films as works of art from the beginnings to the present, suitable for classroom use.
Marriage in Turkish German Popular Culture
Author: Heather Merle Benbow
Publisher: Lexington Books
ISBN: 1498522637
Pages: 178
Year: 2015-10-08
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Marriage is a central trope in popular portrayals of Germany’s largest ethnic minority. In exploring Turkish-German matrimony in popular genres including autoethnography, chick lit, wedding film and ethno-sitcom, this book reveals the fascinating interactions of gender, sexuality and ethnicity in contemporary Germany.
German National Cinema
Author: Sabine Hake
Publisher: Routledge
ISBN: 1136020543
Pages: 288
Year: 2013-01-11
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German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to changing definitions of genre, authorship, and film form. The book traces the central role of cinema in the nation’s turbulent history from the Wilhelmine Empire to the Berlin Republic, with special attention paid to the competing demands of film as art, entertainment, and propaganda. Hake also explores the centrality of genre films and the star system to the development of a filmic imaginary. This fully revised and updated new edition will be required reading for everyone interested in German film and the history of modern Germany.
Muslim Women, Transnational Feminism and the Ethics of Pedagogy
Author: Lisa K. Taylor, Jasmin Zine
Publisher: Routledge
ISBN: 1317683064
Pages: 316
Year: 2014-06-27
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Following a long historical legacy, Muslim women’s lives continue to be represented and circulate widely as a vehicle of intercultural understanding within a context of the "war on terror." Following Edward Said’s thesis that these cultural forms reflect and participate in the power plays of empire, this volume examines the popular and widespread production and reception of Muslim women’s lives and narratives in literature, poetry, cinema, television and popular culture within the politics of a post-9/11 world. This edited collection provides a timely exploration into the pedagogical and ethical possibilities opened up by transnational, feminist, and anti-colonial readings that can work against sensationalized and stereotypical representations of Muslim women. It addresses the gap in contemporary theoretical discourse amongst educators teaching literary and cultural texts by and about Muslim Women, and brings scholars from the fields of education, literary and cultural studies, and Muslim women’s studies to examine the politics and ethics of transnational anti-colonial reading practices and pedagogy. The book features interviews with Muslim women artists and cultural producers who provide engaging reflections on the transformative role of the arts as a form of critical public pedagogy.
Postwall German Cinema
Author: Mattias Frey
Publisher: Berghahn Books
ISBN: 0857459481
Pages: 218
Year: 2013-05-30
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Since the fall of the Berlin Wall, there has been a proliferation of German historical films. These productions have earned prestigious awards and succeeded at box offices both at home and abroad, where they count among the most popular German films of all time. Recently, however, the country's cinematic take on history has seen a significant new development: the radical style, content, and politics of the New German Cinema. With in-depth analyses of the major trends and films, this book represents a comprehensive assessment of the historical film in today's Germany. Challenging previous paradigms, it takes account of a postwall cinema that complexly engages with various historiographical forms and, above all, with film history itself.
European Nightmares
Author: Patricia Allmer, David Huxley, Emily Brick
Publisher: Columbia University Press
ISBN: 0231850085
Pages: 288
Year: 2012-05-29
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This volume is the first edited collection of essays focusing on European horror cinema from 1945 to the present. It features new contributions by distinguished international scholars exploring British, French, Spanish, Italian, German and Northern European and Eastern European horror cinema. The essays employ a variety of current critical methods of analysis, ranging from psychoanalysis and Deleuzean film theory to reception theory and historical analysis. The complete volume offers a major resource on post-war European horror cinema, with in-depth studies of such classic films as Seytan (Turkey, 1974), Suspiria (Italy, 1977), Switchblade Romance (France, 2003), and Taxidermia (Hungary, 2006).
Sport and Film
Author: Seán Crosson
Publisher: Routledge
ISBN: 113516746X
Pages: 216
Year: 2013-07-18
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The sports film has become one of commercial cinema's most recognizable genres. From classic boxing films such as Raging Bull (1980) to soccer-themed box-office successes like Bend it Like Beckham (2002), the sports film stands at the interface of two of our most important cultural forms. This book examines the social, historical and ideological significance of representations of sport in film internationally, an essential guide for all students and enthusiasts of sport, film, media and culture. Sport and Film traces the history of the sports film, from the beginnings of cinema in the 1890s, its consolidation as a distinct fiction genre in the mid 1920s in Hollywood films such as Harold Lloyd’s The Freshman (1925), to its contemporary manifestation in Oscar-winning films such as Million Dollar Baby (2004) and The Fighter (2010). Drawing on an extensive range of films as source material, the book explores key issues in the study of sport, film and wider society, including race, social class, gender and the legacy of 9/11. It also offers an invaluable guide to 'reading' a film, to help students fully engage with their source material. Comprehensive, authoritative and accessible, this book is an important addition to the literature in both film and media studies, sport studies and cultural studies more generally.
The Routledge Encyclopedia of Films
Author: Sabine Haenni, Sarah Barrow, John White
Publisher: Routledge
ISBN: 1317682602
Pages: 666
Year: 2014-09-15
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The Routledge Encyclopedia of Films comprises 200 essays by leading film scholars analysing the most important, influential, innovative and interesting films of all time. Arranged alphabetically, each entry explores why each film is significant for those who study film and explores the social, historical and political contexts in which the film was produced. Ranging from Hollywood classics to international bestsellers to lesser-known representations of national cinema, this collection is deliberately broad in scope crossing decades, boundaries and genres. The encyclopedia thus provides an introduction to the historical range and scope of cinema produced throughout the world.
Cities and Cinema
Author: Barbara Mennel
Publisher: Routledge
ISBN: 1134219830
Pages: 256
Year: 2008-03-19
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Films about cities abound. They provide fantasies for those who recognize their city and those for whom the city is a faraway dream or nightmare. How does cinema rework city planners’ hopes and city dwellers’ fears of modern urbanism? Can an analysis of city films answer some of the questions posed in urban studies? What kinds of vision for the future and images of the past do city films offer? What are the changes that city films have undergone? Cities and Cinema puts urban theory and cinema studies in dialogue. The book’s first section analyzes three important genres of city films that follow in historical sequence, each associated with a particular city, moving from the city film of the Weimar Republic to the film noir associated with Los Angeles and the image of Paris in the cinema of the French New Wave. The second section discusses socio-historical themes of urban studies, beginning with the relationship of film industries and individual cities, continuing with the portrayal of war torn and divided cities, and ending with the cinematic expression of utopia and dystopia in urban science fiction. The last section negotiates the question of identity and place in a global world, moving from the portrayal of ghettos and barrios to the city as a setting for gay and lesbian desire, to end with the representation of the global city in transnational cinematic practices. The book suggests that modernity links urbanism and cinema. It accounts for the significant changes that city film has undergone through processes of globalization, during which the city has developed from an icon in national cinema to a privileged site for transnational cinematic practices. It is a key text for students and researchers of film studies, urban studies and cultural studies.

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