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Theater heute
Year: 2008
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Theatre Is More Beautiful Than War
Author: Marvin Carlson
Publisher: University of Iowa Press
ISBN: 1587298929
Pages: 240
Year: 2009-09-01
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In almost every area of production, German theatre of the past forty years has achieved a level of distinction unique in the international community. This flourishing theatrical culture has encouraged a large number of outstanding actors, directors, and designers as well as video and film artists. The dominant figure throughout these years, however, has remained the director. In this stimulating and informative book, noted theatre historian Marvin Carlson presents an in-depth study of the artistic careers, working methods, and most important productions of ten of the leading directors of this great period of German staging. Beginning with the leaders of the new generation that emerged in the turbulent late 1960s—Peter Stein, Peter Zadek, and Claus Peymann, all still major figures today—Carlson continues with the generation that appeared in the 1980s, particularly after reunification—Frank Castorf, Anna Viebrock, Andrea Breth, and Christoph Marthaler—and concludes with the leading directors to emerge after the turn of the century, Stefan Pucher, Thomas Ostermeier, and Michael Thalheimer. He also provides information not readily available elsewhere in English on many of the leading actors and dramatists as well as the designers whose work, much of it for productions of these directors, has made this last half century a golden age of German scenic design. During the late twentieth century, no country produced so many major theatre directors or placed them so high in national cultural esteem as Germany. Drawing on his years of regular visits to the Theatertreffen in Berlin and other German productions, Carlson will captivate students of theatre and modern German history and culture with his provocative, well-illustrated study of the most productive and innovative theatre tradition in Europe.
Reihe Theater Heute
Year: 1966
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The Theater of Heiner Müller
Author: Jonathan Kalb
Publisher: Cambridge University Press
ISBN: 0521550041
Pages: 255
Year: 1998-04-13
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This is the first general study in English of Heiner MÜller, arguably the most important German dramatist after Brecht. Its prime aim is to introduce MÜller to an Anglophone public largely unfamiliar with him. MÜller wrote almost all his texts in direct response to other literary works, his typical practice being to imitate the work of existing authors in order to explode or embarass their assumptions about history and its relationship to art. This book attempts to illuminate MÜller's work and thought by way of his carefully chosen alter egos.
Heiner Müller's Democratic Theater
Author: Michael Wood
Publisher: Boydell & Brewer
ISBN: 1571139982
Pages: 240
Year: 2017
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Analyzes not just Muller's texts but also the theatrical events that emerged from them, showing that from the beginning of his career Muller tried to create democracy both within and outside the theater.
Contemporary European Theatre Directors
Author: Maria M. Delgado, Dan Rebellato
Publisher: Routledge
ISBN: 1135164657
Pages: 464
Year: 2010-03-03
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'An invaluable book that we shall all be using for a long time to come' - Michael Billington Contemporary European Theatre Directors is an ambitious and unprecedented overview of many of the key directors working in European theatre over the past fifty years. It is a vivid account of the vast range of work undertaken in European theatre during this period, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s. The featured directors are: Calixto Bieito, Piotr Borowski, Romeo Castellucci, Frank Castorf, Patrice Chéreau, Lev Dodin, Declan Donnellan, Kristian Frédric, Rodrigo García, Jan Lauwers, Christoph Marthaler, Simon McBurney, Daniel Mesguich, Katie Mitchell, Ariane Mnouchkine, Thomas Ostermeier, Patrice Pavis, Silviu Purcărete and Peter Sellars. Travelling from London and Craiova to St. Petersburg and Madrid, the book examines directors working with classics, new writing, and new collaborative theatre forms. Each chapter is written by a specialist in European theatre and provides a detail critique of production styles. The directors themselves provide contributions and interviews to this multi-authored work, which unites the many and varied voices of European theatre in one coherent volume.
Theater 1981
Author: Peter von Becker, Henning Rischbieter
Year: 1981
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Theater und Wissenschaft
Author: Manfred Wekwerth
Pages: 166
Year: 1974
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Rainer Werner Fassbinder and the German Theatre
Author: David Barnett
Publisher: Cambridge University Press
ISBN: 0521855144
Pages: 300
Year: 2005-11-24
View: 370
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A study of Fassbinder's work in the theatre, as a playwright and as a director.
A Director Prepares
Author: Anne Bogart
Publisher: Routledge
ISBN: 1134556888
Pages: 168
Year: 2003-09-02
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A Director Prepares is a thought-provoking examination of the challenges of making theatre. In it, Anne Bogart speaks candidly and with wisdom of the courage required to create 'art with great presence'. Each chapter tackles one of the seven major areas Bogart has identified as both potential partner and potential obstacle to art-making. They are Violence; Memory; Terror; Eroticism; Stereotype; Embarrassment; and Resistance. Each one can be used to generate extraordinary creative energy, if we know how to use it. A Director Prepares offers every practitioner an extraordinary insight into the creative process. It is a handbook, Bible and manifesto, all in one. No other book on the art of theatre comes even close to offering this much understanding, experience and inspiration.
Theater ist eine Volkssauna
Author: Füllner, Niklas
Publisher: epodium
ISBN: 3940388394
Pages: 396
Year: 2014-09-23
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Der finnische Dramatiker und Regisseur Kristian Smeds beschreibt Theater als einen der wenigen Orte, an dem heute noch Gemeinschaft erlebt werden kann, und bezeichnet es deshalb auch als Volkssauna. In Theater ist eine Volkssauna nimmt Niklas Füllner den gemeinschaftsstiftenden Auftrag des finnischen Theaters als Ausgangspunkt für eine Analyse des politischen Theaters in Finnland und zeichnet dessen Geschichte seit seiner Gründung im späten 19. Jahrhundert nach. Im Zentrum des Buches steht die aktuellste Ausprägung des politischen Theaters, die ihren Ausdruck in einer neuen – an Brechts dialektischem Theater orientierten – Gegenwartsdramatik findet. Anhand von fünf Dramen und deren Inszenierungen zeigt der Autor auf, wie sich diese neue politische Theaterform aktuellen gesellschaftlichen Entwicklungen wie dem Wandel der Arbeitsgesellschaft widmet, und untersucht, auf welche Weise sie das finnische Theater als ‚politischen Ort‘ etabliert. Theater ist eine Volkssauna ist die erste wissenschaftliche Monographie zum finnischen Theater in deutscher Sprache.
European Theatre 1960-1990 (Routledge Revivals)
Author: Ralph Yarrow
Publisher: Routledge
ISBN: 1317566718
Pages: 268
Year: 2014-10-14
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European theatre has been the site of enormous change and struggle since 1960. There have been radical shifts in the nature and understanding of performance, fuelled by increasing cross-cultural and international influence. Theatre has had to fight for its very existence, adapting its methods of operation to survive. European Theatre 1960-1990, first published in 1992, tells that story. The contributors - who in many cases have been theatre practitioners as well as critics - provide a wealth of fascinating information, covering Germany, France, Poland, Italy, Spain and Sweden, as well as Britain. The book offers an historical and descriptive overview of developments across national boundaries, enabling the reader to compare and contrast acting and directing styles, administrative strategies and the relationship between ideology and achievement. Chapters trace the evolution of theatre in all its aspects, including such elements as the end of censorship in many countries, the upsurge in political and personal awareness of the 1960s, shifting patterns of state artistic policy, and the effects on companies, directors, performers and audiences. This book should be of interest to undergraduates, postgraduates and academics of theatre studies.
Politisch Theater machen
Author: Jan Deck, Angelika Sieburg
Publisher: transcript Verlag
ISBN: 3839414091
Pages: 186
Year: 2014-03
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Die Entstehung der freien Theaterszene ist untrennbar mit den politischen Bewegungen der sechziger Jahre verbunden. Die Auseinandersetzung mit dem politischen Theater der siebziger Jahre hat dann neue Formen der Beschäftigung mit dem Politischen entstehen lassen. Auch in den zeitgenössischen, postdramatischen Tanz- und Theaterformen ist das Politische präsent - wenn auch häufig indirekt. Es geht oft nicht mehr darum, politisches Theater zu machen, sondern man macht Theater auf politische Weise: Nicht Inhalte, sondern die Formen des Theaters, die Materialien, Darstellungsweisen, die Auswahl der Akteure, die Reflexion über den Zuschauer und die Räume, in denen man Theater macht, sind wichtig. Die Selbstreflexion des Theaters wird Grundlage für die Reflexion gesellschaftlicher Themen. Das Buch spürt das Politische im zeitgenössischen Theater auf und sucht nach Kontinuitäten und Brüchen seit den siebziger Jahren.
Master Teachers of Theatre
Author: Burnet M. Hobgood
Publisher: SIU Press
ISBN: 0809314649
Pages: 212
Year: 1988
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Claribel Baird reviews the interpretation of classical texts for theatrical performance. Howard Bay interrupted his stage design career of more than 150 Broadway productions to help students. Bernard Beckerman asks if there are approaches to the teaching of dramatic literature that particularly suit drama-as-theatre. Robert Benedetti offers suggestions on the teaching of acting. Oscar Brockett treats the problems of the theatre teacher and the processes of learning. Agnes Haaga shows that the essential quality in heading up child drama programs is a sense of joyous delight. Wallace Smith discusses methods for teaching secondary school theatre. Jewel Walker offers a rare written statement about his work as a theatre teacher. Carl Weber conveys the principles and methodology of his mentor, Bertolt Brecht, to beginning directors.
A Radical stage
Author: Winfried Georg Sebald
Publisher: Berg Publishers
Pages: 197
Year: 1988
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