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The Cambridge Companion to Ballet
Author: Marion Kant
Publisher: Cambridge University Press
ISBN: 0521539862
Pages: 353
Year: 2007-06-07
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A collection of essays by international writers on the evolution of ballet.
The White Ballet
Author: W. M. Journals, Everett Shinn, Writermore Arts
ISBN: 1545216444
Pages: 210
Year: 2017-04-07
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If you are going through life right now feeling like everything is out of control or that things are not happening the way you planned, you need a journal to write in. Not to be too direct, but it is time for you to discover why you feel the way you do and then figure out what to do about it. WM Journals provides you with the perfect place to write about all of that self exploration.Or you can just write stuff in your journal! The great thing about a lined journal is you can make it into anything you want. A day timer, travel journal, diary, notebook for school, a place for your short stories, etc. If you need to write something down, a journal is the tool you need.If you want to use it for more than just a notepad then keep reading.Almost every successful person seems to have kept a journal in one form or another. Success in this case is not defined by money but overall happiness. Whether or not they called it journaling doesn't matter as they kept a record of their goals, success, failures, feelings and their daily life.Your journal contains the answers to your most burning questions. It is literally the best self-help book you could ever read because it is all about you. Just some of the benefits of journaling are:* Allows you to reflect on your life and the changes you are choosing to make or not make* Clarifies your thinking and as Tony Robbins says "Clarity is Power"* Houses all your million dollar ideas that normally get lost in all the noise of life* Exposes repeated patterns of behaviors that get you the results you DON'T want* Acts as a bucket for you to brain dump in - a cluttered mind leads to a disorganized life* Revisits daily situations giving you a chance to look at it with a different perspective* Doesn't crash and lose everything you put into it like electronics (just like electronics though don't get it wet)You may want to keep multiple journals; one that contains your truest and most secret feelings that you guard heavily, but need a way to express. Another that contains all those fantastic ideas, creative endeavors, dreams and awesome goals. Maybe just something you doodle in.No matter how you use it getting into the daily habit of journaling has the potential to improve the quality of your life.Let's look past the simple fact you know how to physically write in a journal and dig into how to actually use your journal. It might contain all the secrets to life's biggest problems but unless you know how to uncover those secrets they stay hidden away in your words.* Let the words flow from the heart and be filled with emotions, no holdbacks* Make a daily journaling schedule. Each and every day take the time to record your thoughts morning and night. If you love to type notes into your phone all day transfer them to your journal after.* Sit in a quiet spot and allow yourself to be emotionally and creatively free. Your journal is not a reason to turn yourself into an emotional punching bag.* Start small. You do not need to write a specific number of words. Just the right amount of honest words that let you feel a sense of being free from negativity and energized with possibility.* If you write in your journal like someone is going to read it, you will ever allow yourself to fully express what needs to be expressed. Write like no one will ever read it because it is likely no one ever will unless you want them to. Write how you loved something, were mad at someone, wished something was different or anything you need to.Just do it. Start today writing in your journal. You could even put "Today I bought this awesome journal and will recommend all my friends do the same." At 6x9, WM Journals fit in most purses, totes and backpacks. WM Journals make a perfect gift for yourself or the writer in your life.200 Writable Pages Measures 6"x9" Full Glossy Color Exterior B&W Interior on Cream PaperSoftcover
Teaching Classical Ballet
Author: John White
ISBN: 081301395X
Pages: 183
Year: 1996
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"Every commercial ballet teacher should have a copy. . . . offers solid self-evaluation to every teacher--it separates 'the mice and the Nutcracker'!"--Richard J. Sias, dancer, choreographer, and associate professor of ballet, Florida State University "The contribution to the dance world is immense. . . . should be read by all teachers of dance as well as students in preparatory schools and colleges. . . . Mr. White challenges us to reexamine what we have accepted as excellence in the past and to push beyond that to find what is possible."--Patricia Walker, founder and director, Children's Ballet Theatre of New Hampshire "A service of great importance for any artist wishing to pursue a career in dance. . . . applicable to both experienced and inexperienced dancers and teachers. It gives guidelines to the art of teaching ballet where none existed before."--Charles Flachs, principal dancer, Nashville Ballet From his experience of 40 years in ballet as a student, performer, ballet master, and dedicated teacher, John White offers this work of inspiration and step-by-step instruction on the art and craft of teaching classical dance. Stressing excellence in both the creative and the practical aspects of teaching, White discusses what it means to be a "master teacher"--someone with both a deep love for dance and an appreciation for the grandeur of the human spirit. Good art is usually uncomplicated, he says. Illustrating with 97 photographs, he presents a method of study that includes such aspects of teaching as constructive warm-up exercises, when to begin pointe shoes, the beneficial aspects of pain, and appropriate music for the classroom, as well as elements of the basic lesson. He discusses how to recognize talent and to refine and develop it. He offers guidelines for establishing and organizing a well-run studio. And he presents his personal insights into the art of classical ballet pedagogy--shaped in particular by his study with ballet masters from the Kirov and Bolshoi ballet companies and by concepts from the famous Vaganova Choreographic School in St. Petersburg. The book also confronts the controversial issue of the widespread mediocrity that is notorious in dance schools. Poor training often brings about the loss of talented students and the premature forced retirement of professional artists from unnecessary injuries. By contrast, White says, good teaching can be an exhilarating challenge and a profound joy. John White is codirector of the Pennsylvania Academy of Ballet, located in a Philadelphia suburb, which he opened with his wife in 1974. He has been a soloist and the ballet master of the Ballet Nacional de Cuba and the head instructor and interim ballet master of the Pennsylvania Ballet Company. Since 1980 he has conducted seminars for dance teacers, training more than 400 teachers during this time. In addition, he was a contributing editor and writer for Ballet Dancer Magazine.
Advanced Principles in Teaching Classical Ballet
Author: John White
ISBN: 0813032970
Pages: 187
Year: 2009
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This work offers insights and guidelines for teaching the best students. Staying true to the Russian Academy of Ballet pedagogy that he has taught for 40 years, this book is a continuation of the work John White began in his first book.
Joan Myers Brown and the Audacious Hope of the Black Ballerina
Author: Brenda Dixon Gottschild
Publisher: Springer
ISBN: 1137512350
Pages: 341
Year: 2016-04-29
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Founder of the Philadelphia Dance Company (PHILADANCO) and the Philadelphia School of Dance Arts, Joan Myers Brown's personal and professional histories reflect the hardships as well as the advances of African-Americans in the artistic and social developments of the second half of the twentieth and the early twenty-first centuries.
Ballet Lesson (Peppa Pig)
Author: Elizabeth Schaefer
Publisher: Scholastic Inc.
ISBN: 054576632X
Pages: 24
Year: 2014-07-29
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Peppa Pig goes to her very first ballet lesson where she learns a graceful dance routine. But when Peppa decides to teach Mummy Pig and Daddy Pig how to dance, too, she finds out they might just have some dance moves of their own!
Ballet and Opera in the Age of "Giselle"
Author: Marian Smith
Publisher: Princeton University Press
ISBN: 1400832470
Pages: 288
Year: 2010-08-09
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Marian Smith recaptures a rich period in French musical theater when ballet and opera were intimately connected. Focusing on the age of Giselle at the Paris Opéra (from the 1830s through the 1840s), Smith offers an unprecedented look at the structural and thematic relationship between the two genres. She argues that a deeper understanding of both ballet and opera--and of nineteenth-century theater-going culture in general--may be gained by examining them within the same framework instead of following the usual practice of telling their histories separately. This handsomely illustrated book ultimately provides a new portrait of the Opéra during a period long celebrated for its box-office successes in both genres. Smith begins by showing how gestures were encoded in the musical language that composers used in ballet and in opera. She moves on to a wide range of topics, including the relationship between the gestures of the singers and the movements of the dancers, and the distinction between dance that represents dancing (entertainment staged within the story of the opera) and dance that represents action. Smith maintains that ballet-pantomime and opera continued to rely on each other well into the nineteenth century, even as they thrived independently. The "divorce" between the two arts occurred little by little, and may be traced through unlikely sources: controversies in the press about the changing nature of ballet-pantomime music, shifting ideas about originality, complaints about the ridiculousness of pantomime, and a little-known rehearsal score for Giselle.
The White Ballets
Publisher: Tundra Books (NY)
ISBN: 0887769233
Pages: 40
Year: 2011
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Colorfully illustrated retelling of three white ballets, including short historical notes about each.
Off Balance
Author: Suzanne Gordon
Publisher: New York : McGraw-Hill
Pages: 216
Year: 1983-01-01
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An exploration of the ambitions, sacrifices, personal lives, and day-to-day activities of male and female dancers reveals the sometimes shocking realities of the world of ballet
Ballet Shoes
Author: Noel Streatfeild
Publisher: Random House Books for Young Readers
ISBN: 0525578633
Pages: 304
Year: 2018-11-06
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In the tradition of Frances Hodgson Burnett’s The Little Princess come Noel Streatfeild’s classic Shoes books. In this story, three orphan girls vow to make a name for themselves and find their own special talents. With hard work, fame just may be in the stars! Pauline, Petrova, and Posy love their quiet life together. The girls are orphans who have been raised as sisters and when their new family needs money, the girls want to help. They decide to join the Children's Academy of Dancing and Stage Training to earn their keep. Each girl works hard following her dream. Pauline is destined for the movies. Posy is a born dancer. And Petrova? She finds she'd rather be a pilot than perform a pirouette. This beautiful children's classic is perfect for girls who love to dream about ballet, friendship, and finding their own special talents. Adult readers may remember them as the "Shoes" books from You've Got Mail!
The Joffrey Ballet
Author: Sasha Anwalt
Publisher: Sasha Anwalt
ISBN: 0985213701
Year: 2012-02-17
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The Joffrey Ballet, acclaimed as a groundbreaking book when it was published, tells a story that was kept largely hidden from public view for many years. The company made ballets about beatniks, erotic multimedia goddesses, sea nymphs, clowns, slackers, radicals and jocks, thrilling audiences as much as it often outraged critics. When Robert Joffrey, the son of a Muslim Afghani, founded the Joffrey Ballet in 1956 with Gerald Arpino, he exploded the boundaries of classical ballet. The company made ballets about beatniks, erotic multimedia goddesses, sea nymphs, clowns, slackers, radicals and jocks, thrilling audiences as much as it often outraged critics. The Joffrey Ballet, acclaimed as a groundbreaking book when it was published, tells a story that was kept largely hidden from public view for many years. It also provides a provocative look through the rear view mirror at thirty years of social upheaval in America. The Joffrey Ballet began in mid-century ebullience, a troupe of six dancers driving cross-country in a station wagon; in the ensuing years they performed behind the Iron Curtain, made the cover of Time magazine, became hippies and ascetics, and lost colleagues to the Vietnam War and AIDS. Dance critic Sasha Anawalt, director of Annenberg Arts Journalism Programs at USC weaves a meticulously researched cultural biography that the New York Times called “A milestone in dance writing.” The 2011 film "Joffrey: Mavericks of American Dance" continues the story through rare footage and is available on DVD through Hybrid Cinema.
The Joffrey Ballet School's Book of Ballet-Fit
Author: Allison Kyle Leopold, Dena Simone Moss
Publisher: St. Martin's Griffin
ISBN: 1429964510
Pages: 272
Year: 1999-02-15
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The world-renowned Joffrey Ballet School makes the art and joy of ballet available to everyone. Let Dena Simone Moss and Allison Kyle Leopold teach you everything you need to know to get in shape, beautifully sculpt your body, and truly appreciate the art of ballet. They'll let you in on all their secrets, including: -A demystifying explanation of ballet terms and positions -Tips on finding the right instructor and studio-and feeling comfortable once you're there -Hints on ballet attire-including finding, choosing, and tying pointe shoes -An exhaustive directory of where to find ballet publications, audio and videotapes, books, dance wear, schools, and studios. Perfect for the beginner and the veteran balletomane, The Joffrey Ballet School's Ballet-Fit offers an inside glimpse into the mysterious and beautiful world of ballet.
The Ballet Lover
Author: Barbara L. Baer
Publisher: Open Books Publishing (UK)
ISBN: 0615722865
Pages: 162
Year: 2017-09-25
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The Ballet Lover exposes the beauty and cruelty of ballet, the performances, the back stage moments, and the personal dramas of the famous ballet dancers Rudolf Nureyev and Natalia Makarova as seen through the eyes of an American female journalist. Paris, 1970s: the orchestra plays the first ominous note of Swan Lake. In the audience sits Geneva, an American journalist and ballet lover, waiting for the heart-stopping beauty and seduction of the romantic duet to start, but instead she witnesses Rudolf Nureyev failing to catch his Russian partner Natalia Makarova, allowing her to fall with a crash upon the stage. Geneva interprets the fall as an act of cruelty, a man with all the fame and power in the world brutally letting fall his delicate, wraith-like artistic partner. When other critics defend Nureyev and accuse Makarova of causing her own tumble, Geneva vows revenge on the page, creating havoc in her own career and discovering surprising parallels between herself and the fallen ballerina. The Ballet Lover is a refined, mesmerizing, fictional account of two of the most celebrated dancers in the dance world, how one compromised the other, and how the drama on the stage often mirrors those played out in real life.
The Ballet Book
Author: Darcey Bussell, Patricia Linton
Publisher: Paw Prints
ISBN: 1442024224
Pages: 64
Year: 2009-07-10
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The author, a professional ballerina, introduces the art of ballet, from the basic positions, poses, jumps, and exercises to folk and character dancing, makeup, choreography, and performing on stage. Reprint.
Celestial Bodies
Author: Laura Jacobs
Publisher: Basic Books
ISBN: 0465098487
Pages: 272
Year: 2018-05-08
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A distinguished dance critic offers an enchanting introduction to the art of ballet As much as we may enjoy Swan Lake or The Nutcracker, for many of us ballet is a foreign language. It communicates through movement, not words, and its history lies almost entirely abroad--in Russia, Italy, and France. In Celestial Bodies, dance critic Laura Jacobs makes the foreign familiar, providing a lively, poetic, and uniquely accessible introduction to the world of classical dance. Combining history, interviews with dancers, technical definitions, descriptions of performances, and personal stories, Jacobs offers an intimate and passionate guide to watching ballet and understanding the central elements of choreography. Beautifully written and elegantly illustrated with original drawings, Celestial Bodies is essential reading for all lovers of this magnificent art form.

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