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The Physics of Musical Instruments
Author: Neville H. Fletcher, Thomas Rossing
Publisher: Springer Science & Business Media
ISBN: 0387216030
Pages: 756
Year: 2013-11-09
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While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.
The Physics of Musical Instruments
Author: Neville H. Fletcher, Thomas D. Rossing
Publisher: Springer Science & Business Media
ISBN: 1461229804
Pages: 620
Year: 2012-12-06
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The history of musical instruments is nearly as old as the history of civilization itself, and the aesthetic principles upon which judgments of musical quality are based are intimately connected with the whole culture within which the instruments have evolved. An educated modem Western player or listener can make critical judgments about particular instruments or particular per formances but, to be valid, those judgments must be made within the appro priate cultural context. The compass of our book is much less sweeping than the first paragraph might imply, and indeed our discussion is primarily confined to Western musical instruments in current use, but even here we must take account of centuries of tradition. A musical instrument is designed and built for the playing of music of a particular type and, conversely, music is written to be performed on particular instruments. There is no such thing as an "ideal" instrument, even in concept, and indeed the unbounded possibilities of modem digital sound-synthesis really require the composer or performer to define a whole set of instruments if the result is to have any musical coherence. Thus, for example, the sound and response of a violin are judged against a mental image of a perfect violin built up from experience of violins playing music written for them over the centuries. A new instrument may be richer in sound quality and superior in responsiveness, but if it does not fit that image then it is not a better violin.
The Physics of Musical Instruments
Author: Neville H. Fletcher, Thomas Rossing
Publisher: Springer Science & Business Media
ISBN: 0387983740
Pages: 756
Year: 2008-05-23
View: 498
Read: 736
While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.
Music, Physics and Engineering
Author: Harry F. Olson
Publisher: Courier Corporation
ISBN: 0486317021
Pages: 480
Year: 2013-04-22
View: 194
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This extraordinarily comprehensive text, requiring no special background, discusses the nature of sound waves, musical instruments, musical notation, acoustic materials, elements of sound reproduction systems, and electronic music. Includes 376 figures.
Physics and Music
Author: Harvey E. White, Donald H. White
Publisher: Courier Corporation
ISBN: 0486794008
Pages: 448
Year: 2014-04-15
View: 746
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Comprehensive and accessible, this foundational text surveys general principles of sound, musical scales, characteristics of instruments, mechanical and electronic recording devices, and many other topics. More than 300 illustrations plus questions, problems, and projects.
Acoustics of Musical Instruments
Author: Antoine Chaigne, Jean Kergomard
Publisher: Springer
ISBN: 1493936794
Pages: 844
Year: 2016-05-12
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This book, the first English-language translation of Acoustique des instruments de musique, Second Edition, presents the necessary foundations for understanding the complex physical phenomena involved in musical instruments. What is the function of the labium in a flute? Which features of an instrument allow us to make a clear audible distinction between a clarinet and a trumpet? With the help of numerous examples, these questions are addressed in detail. The authors focus in particular on the significant results obtained in the field during the last fifteen years. Their goal is to show that elementary physical models can be used with benefit for various applications in sound synthesis, instrument making, and sound recording. The book is primarily addressed to graduate students and researchers; however it could also be of interest for engineers, musicians, craftsmen, and music lovers who wish to learn about the basics of musical acoustics.
Good Vibrations
Author: Barry Parker
Publisher: JHU Press
ISBN: 0801897076
Pages: 288
Year: 2010-01-01
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Peppered throughout with anecdotes and examples illustrating key concepts, this invitingly written book provides a firm grounding in the actual and theoretical physics of music.
The Science of String Instruments
Author: Thomas D. Rossing
Publisher: Springer Science & Business Media
ISBN: 1441971106
Pages: 470
Year: 2010-12-15
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Thomas D. Rossing String instruments are found in almost all musical cultures. Bowed string instruments form the backbone of symphony orchestras, and they are used widely as solo inst- ments and in chamber music as well. Guitars are used universally in pop music as well as in classical music. The piano is probably the most versatile of all musical inst- ments, used widely not only in ensemble with other musical instruments but also as a solo instrument and to accompany solo instruments and the human voice. In this book, various authors will discuss the science of plucked, bowed, and hammered string instruments as well as their electronic counterparts. We have tried to tell the fascinating story of scienti?c research with a minimum of mathematics to maximize the usefulness of the book to performers and instrument builders as well as to students and researchers in musical acoustics. Sometimes, however, it is dif?cult to “translate” ideas from the exact mathematical language of science into words alone, so we include some basic mathematical equations to express these ideas. It is impossible to discuss all families of string instruments. Some instruments have been researched much more than others. Hopefully, the discussions in this book will help to encourage further scienti?c research by both musicians and scientists alike. 1.1 A Brief History of the Science of String Instruments Quite a number of good histories of acoustics have been written (Lindsay 1966, 1973; Hunt 1992; Beyer 1999), and these histories include musical acoustics.
The physics of musical instruments
Author: Neville Horner Fletcher, Thomas D. Rossing
Publisher: Copernicus
ISBN: 0387941517
Pages: 620
Year: 1993
View: 1114
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This a thoroughly comprehensive reference which organizes the "hows and whys" behind the production and tonality of musical tones produced by the complete gamut of Western musical instruments. Of interest to everyone from physicists to instrument makers to amateur musicians, it is profusely illustrated with photos, graphs, and line drawings.
The Physics and Psychophysics of Music
Author: Juan Roederer
Publisher: Springer Science & Business Media
ISBN: 0387094741
Pages: 228
Year: 2008-12-15
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This book uses acoustics, psychophysics, and neurobiology to explore the physical systems and biological processes that intervene when we hear music. It incorporates the latest findings in brain science and tone generation in musical instruments.
The physics of musical sounds
Author: Charles Alfred Taylor
Publisher: American Elsevier
ISBN:
Pages: 196
Year: 1965
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Read: 614

The Musical Instrument Desk Reference
Author: Michael J. Pagliaro
Publisher: Scarecrow Press
ISBN: 081088271X
Pages: 198
Year: 2012-08-16
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The Musical Instrument Desk Reference provides the one-stop shop for those in need of a quick, visually-rich reference guide to band and orchestral instruments. Descriptions and illustrations of everything from the physics of sound to detailed discussions of each orchestra and band instrument make this work the ideal desktop reference tool for the working musician. Through its Quick Start and In Depth features, readers can quickly decide how deeply they want to delve into the instrument at hand. Following a contemporary format designed to facilitate what any musician or music instructor needs to know, The Musical Instrument Desk Reference eliminates the need to leaf through multiple method books or trawl through websites to find information.
Principles of Musical Acoustics
Author: William M. Hartmann
Publisher: Springer Science & Business Media
ISBN: 1461467861
Pages: 348
Year: 2013-07-26
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Principles of Musical Acoustics focuses on the basic principles in the science and technology of music. Musical examples and specific musical instruments demonstrate the principles. The book begins with a study of vibrations and waves, in that order. These topics constitute the basic physical properties of sound, one of two pillars supporting the science of musical acoustics. The second pillar is the human element, the physiological and psychological aspects of acoustical science. The perceptual topics include loudness, pitch, tone color, and localization of sound. With these two pillars in place, it is possible to go in a variety of directions. The book treats in turn, the topics of room acoustics, audio both analog and digital, broadcasting, and speech. It ends with chapters on the traditional musical instruments, organized by family. The mathematical level of this book assumes that the reader is familiar with elementary algebra. Trigonometric functions, logarithms and powers also appear in the book, but computational techniques are included as these concepts are introduced, and there is further technical help in appendices.
The Physics of Music and Color
Author: Leon Gunther
Publisher: Springer Science & Business Media
ISBN: 1461405572
Pages: 540
Year: 2011-09-23
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The Physics of Music and Color deals with two subjects, music and color - sound and light in the physically objective sense - in a single volume. The basic underlying physical principles of the two subjects overlap greatly: both music and color are manifestations of wave phenomena, and commonalities exist as to the production, transmission, and detection of sound and light. This book aids readers in studying both subjects, which involve nearly the entire gamut of the fundamental laws of classical as well as modern physics. Where traditional introductory physics and courses are styled so that the basic principles are introduced first and are then applied wherever possible, this book is based on a motivational approach: it introduces a subject by demonstrating a set of related phenomena, challenging readers by calling for a physical basis for what is observed. The Physics of Music and Color is written at level suitable for college students without any scientific background, requiring only simple algebra and a passing familiarity with trigonometry. It contains numerous problems at the end of each chapter that help the reader to fully grasp the subject.
Musical Mathematics
Author: Cris Forster
Publisher: Chronicle Books
ISBN: 0811874079
Pages: 952
Year: 2010-07-14
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Musical Mathematics is the definitive tome for the adventurous musician. Integrating mathematics, music history, and hands-on experience, this volume serves as a comprehensive guide to the tunings and scales of acoustic instruments from around the world. Author, composer, and builder Cris Forster illuminates the mathematical principles of acoustic music, offering practical information and new discoveries about both traditional and innovative instruments.With this knowledge readers can improve, or begin to build, their own instruments inspired by Forster's creationsshown in 16 color plates. For those ready to step outside musical conventions and those whose curiosity about the science of sound is never satisfied, Musical Mathematics is the map to a new musical world.

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