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The Other in Contemporary Migrant Cinema
Author: Guido Dr Rings
Publisher: Routledge
ISBN: 1317360044
Pages: 188
Year: 2016-01-08
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As a rapidly aging continent, Europe increasingly depends on the successful integration of migrants. Unfortunately, contemporary political and media discourses observe and frequently also support the development of nationalist, eurosceptic and xenophobic reactions to immigration and growing multiethnicity. Confronting this trend, European cinema has developed and disseminated new transcultural and postcolonial alternatives that might help to improve integration and community cohesion in Europe, and this book investigates these alternatives in order to identify examples of good practices that can enhance European stability. While the cinematic spectrum is as wide and open as most notions of Europeanness, the films examined share a fundamental interest in the Other. In this qualitative film analysis approach, particular consideration is given to British, French, German, and Spanish productions, with a comparison of multiethnic conviviality in Chicano cinema.
European Cinema in Motion
Author: D. Berghahn, C. Sternberg
Publisher: Springer
ISBN: 023029507X
Pages: 335
Year: 2010-08-10
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This collection brings together international experts on the cinema of migration and diaspora in postcolonial and postnational Europe. It offers a comprehensive theoretical and analytical discussion of a highly productive creative sector and documents the spectrum of this area of exploration in European, transnational and World Cinema studies.
Migrants in Contemporary Spanish Film
Author: Clara Guillen Marin
Publisher: Taylor & Francis
ISBN: 1351656597
Pages:
Year: 2017-07-06
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During the last two decades Spain has undergone an unprecedented transformation from being a country of emigrants to receiving a significant number of migrants from all around the world. This book focuses on the analysis of documentaries and fiction films representing migrants in Spain in the first decade of the twenty-first century. Guillen Marin explores the ways in which migrant and non-migrant filmmakers reframe the urban and rural space to create opportunities for a free, although contested, exchange between marginal voices and mainstream Spanish society. She analyzes the extent to which the films challenge forms of exclusion and represent ethnicity in a space that includes some and excludes others.
Screening Strangers
Author: Yosefa Loshitzky
Publisher: Indiana University Press
ISBN: 025322182X
Pages: 214
Year: 2010
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Yosefa Loshitzky challenges the utopian notion of a post-national "New Europe" by focusing on the waves of migrants and refugees that some view as a potential threat to European identity, a concern heightened by the rhetoric of the war on terror, The London Underground bombings, And The riots in Paris's banlieues. Opening a cinematic window onto this struggle, Loshitzky determines patterns in the representation and negotiation of European identity in several European films from the late 20th and early 21st centuries, including Bernardo Bertolucci'sBesieged, Stephen Frears'sDirty Pretty Things, Mathieu Kassovitz'sLa Haine, and Michael Winterbottom'sIn This World, Code 46andThe Road to Guantanamo.
The Cinemas of Italian Migration
Author: Sabine Schrader, Daniel Winkler
Publisher: Cambridge Scholars Publishing
ISBN: 1443869945
Pages: 340
Year: 2014-10-17
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Italy is more strongly influenced by the experiences of migrants than many other European countries. This includes an historically ongoing internal migration from the south to the north, which is strongly echoed in neo-realism; a mass emigration mainly to western Europe and North and South America that is connected with mafia films, among others, in Italy's collective imaginary; as well as a more recent immigration influx from the southwestern Mediterranean, which is dealt with at a film leve...
In Permanent Crisis
Author: Ipek A Celik
Publisher: University of Michigan Press
ISBN: 0472052721
Pages: 192
Year: 2015-09-09
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Dissects the ways filmmakers frame ethnic and racial Otherness in Europe as adornments of catastrophe
Migration in Lusophone Cinema
Author: C. Rêgo, M. Brasileiro
Publisher: Springer
ISBN: 1137408928
Pages: 232
Year: 2014-11-26
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With more than 250 million speakers globally, the Lusophone world has a rich history of filmmaking. This edited volume explores the representation of the migratory experience in contemporary cinema from Portuguese-speaking countries, exploring how Lusophone films, filmmakers, producers, studios, and governments relay narratives of migration.
Religion in Contemporary European Cinema
Author: Costica Bradatan, Camil Ungureanu
Publisher: Routledge
ISBN: 1317860179
Pages: 226
Year: 2014-02-18
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The religious landscape in Europe is changing dramatically. While the authority of institutional religion has weakened, a growing number of people now desire individualized religious and spiritual experiences, finding the self-complacency of secularism unfulfilling. The "crisis of religion" is itself a form of religious life. A sense of complex, subterraneous interaction between religious, heterodox, secular and atheistic experiences has thus emerged, which makes the phenomenon all the more fascinating to study, and this is what Religion in Contemporary European Cinema does. The book explores the mutual influences, structural analogies, shared dilemmas, as well as the historical roots of such a "post-secular constellation" as seen through the lens of European cinema. Bringing together scholars from film theory and political science, ethics and philosophy of religion, philosophy of film and theology, this volume casts new light on the relationship between the religious and secular experience after the death of the death of God.
Mobility and Migration in Film and Moving Image Art
Author: Nilgun Bayraktar
Publisher: Routledge
ISBN: 1317510720
Pages: 214
Year: 2015-12-07
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Mobility and Migration in Film and Moving Image Art explores cinematic and artistic representations of migration and mobility in Europe from the 1990s to today. Drawing on theories of migrant and diasporic cinema, moving-image art, and mobility studies, Bayraktar provides historically situated close readings of films, videos, and cinematic installations that concern migratory networks and infrastructures across Europe, the Middle East, and Africa. Probing the notion of Europe as a coherent entity and a borderless space, this interdisciplinary study investigates the ways in which European ideals of mobility and fluidity are deeply enmeshed with forced migration, illegalization, and xenophobia. With a specific focus on distinct forms of mobility such as labor migration, postcolonial migration, tourism, and refugee mobilities, Bayraktar studies the new counter-hegemonic imaginations invoked by the work of filmmakers such as Ay?e Polat, Fatih Akin, Michael Haneke, and Tony Gatlif as well as video essays and installations of artists such as Kutlu? Ataman, Ursula Biemann, Ergin Çavu?o?lu, Maria Iorio and Raphaël Cuomo. Challenging aesthetic as well as national, cultural, and political boundaries, the works central to this book envision Europe as a diverse, inclusive, and unfixed continent that is reimagined from many elsewheres well beyond its borders.
Cinema and the Republic
Author: Jonathan Ervine
Publisher: University of Wales Press
ISBN: 1783165537
Pages:
Year: 2013-05-15
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This book analyses contemporary French films by focussing closely on cinematic representations of immigrants and residents of suburban housing estates known as banlieues. It begins by examining how these groups are conceived of within France’s Republican political model before analysing films that focus on four key issues. Firstly, it will assess representations of undocumented migrants known as sans-papiers before then analysing depictions of deportations made possible by the controversial double peine law. Next, it will examine films about relations between young people and the police in suburban France before exploring films that challenge clichés about these areas. The conclusion assesses what these films show about contemporary French political cinema.
Experience and Representation
Author: Keith Jacobs
Publisher: Routledge
ISBN: 1317137914
Pages: 176
Year: 2016-04-15
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Experience and Representation: Contemporary Perspectives on Migration in Australia provides a critical overview of influential theoretical perspectives and recent empirical material in the fields of migration, race, culture and politics. With a primary focus on Australia, the book explores the complexities surrounding migration; sets out the most appropriate frameworks to understand ethnicity and racism; and assesses the utility of the concepts of globalisation, transnationalism and multiculturalism for interpreting contemporary society. Specific chapters explore the experiences of migrants within the context of urban environments; the vexed issue of national identity; the meaning of home; and the ways that migrants are currently represented in the media, literature and film. Experience and Representation will be of interest to scholars of migration and those studying social theory, politics and the media.
Sentimental Fabulations, Contemporary Chinese Films
Author: Rey Chow
Publisher: Columbia University Press
ISBN: 0231133332
Pages: 263
Year: 2007
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What is the sentimental? In contemporary Chinese films, the author argues, the sentimental consistently takes the form not of revolution but of compromise, not of radical departure but of moderation, endurance, and accommodation. She presents Chinese cinema first and foremost as an invitation to the pleasures and challenges of critical thinking.
French-Language Road Cinema
Author: Michael Gott
Publisher:
ISBN: 1474426018
Pages: 208
Year: 2017-08
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Review: "Drawing on mobility studies, cultural geography and film theory this innovative work sketches out the flexible yet distinctive parameters of contemporary French-language road cinema, and argues for an understanding of the 'road movie' not a s a genre but as a thematic and formal template that crosses cinematic categories to bring together a wide array of films that narrate the movements of migrants, tourists and business executives."--Page [4] of cover
Postcolonial Cinema Studies
Author: Sandra Ponzanesi, Marguerite Waller
Publisher: Routledge
ISBN: 1136592040
Pages: 272
Year: 2012-03-12
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This collection of essays foregrounds the work of filmmakers in theorizing and comparing postcolonial conditions, recasting debates in both cinema and postcolonial studies. Postcolonial cinema is presented, not as a rigid category, but as an optic through which to address questions of postcolonial historiography, geography, subjectivity, and epistemology. Current circumstances of migration and immigration, militarization, economic exploitation, racial and religious conflict, enactments of citizenship, and cultural self-representation have deep roots in colonial/postcolonial/neocolonial histories. Contributors deeply engage the tense asymmetries bequeathed to the contemporary world by the multiple,diverse, and overlapping histories of European, Soviet, U.S., and multi-national imperial ventures. With interdisciplinary expertise, they discover and explore the conceptual temporalities and spatialities of postcoloniality, with an emphasis on the politics of form, the ‘postcolonial aesthetics’ through which filmmakers challenge themselves and their viewers to move beyond national and imperial imaginaries. Contributors include: Jude G. Akudinobi, Kanika Batra, Ruth Ben-Ghiat, Shohini Chaudhuri, Julie F. Codell, Sabine Doran, Hamish Ford, Claudia Hoffmann, Anikó Imre, Priya Jaikumar, Mariam B. Lam, Paulo de Medeiros, Sandra Ponzanesi, Richard Rice, Mireille Rosello and Marguerite Waller.
World Cinema
Author: Shekhar Deshpande, Meta Mazaj
Publisher: Routledge
ISBN: 1136473181
Pages: 448
Year: 2018-01-17
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World Cinema: A Critical Introduction is a comprehensive yet accessible guide to film industries across the globe. From the 1980s onwards, new technologies and increased globalization have radically altered the landscape in which films are distributed and exhibited. Films are made from the large-scale industries of India, Hollywood, and Asia, to the small productions in Bhutan and Morocco. They are seen in multiplexes, palatial art cinemas in Cannes, traveling theatres in rural India, and on millions of hand-held mobile screens. Authors Deshpande and Mazaj have developed a method of charting this new world cinema that makes room for divergent perspectives, traditions, and positions, while also revealing their interconnectedness and relationships of meaning. In doing so, they bring together a broad range of issues and examples—theoretical concepts, viewing and production practices, film festivals, large industries such as Nollywood and Bollywood, and smaller and emerging film cultures—into a systemic yet flexible map of world cinema. The multi-layered approach of this book aims to do justice to the depth, dynamism, and complexity of the phenomenon of world cinema. For students looking to films outside of their immediate context, this book offers a blueprint that will enable them to transform a casual encounter with a film into a systematic inquiry into world cinema.

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