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The Hollywood Economist 2.0
Author: Edward Jay Epstein
Publisher: Melville House
ISBN: 1612190510
Pages: 240
Year: 2012-01-24
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A fully revised edition of the popular guide to Hollywood finances, updated to reflect even newer films and trends In a Freakonomics-meets-Hollywood saga, veteran investigative reporter Edward Jay Epstein goes undercover to explore Hollywood’s “invisible money machine,” probing the dazzlingly complicated finances behind the hits and flops, while he answers a surprisingly difficult question: How do the studiosmake their money? We also learn: + How and why the studios harvest silver from old film prints ... + Why stars do—or don’t do—their own stunts ... + The future of Netflix: Why the “next big thing” now seems in such deep trouble... + What it costs to insure Nicole Kidman’s right knee… + How Hollywood manipulates Wall Street: including the story of the acquisition of MGM… wherein a consortium of banks and hedge funds lost some $5 billion… while Hollywood made millions. + Why Arnold Schwarzenegger is considered a contract genius… + The fate of serious fare: How HBO, AMC, and Showtime have found ways to make money offer adult drama, while the Hollywood studios prefer to cater to teen audiences. + Why Lara Croft: Tomb Raider is considered a “masterpiece” of financing ... From the Trade Paperback edition.
Hollywood Economics
Author: Arthur De Vany
Publisher: Routledge
ISBN: 1134382383
Pages: 328
Year: 2004-03-01
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Just how risky is the movie industry? Is screenwriter William Goldman's claim that "nobody knows anything" really true? Can a star and a big opening change a movie's risks and return? Do studio executives really earn their huge paychecks? These and many other questions are answered in Hollywood Economics. The book uses powerful analytical models to uncover the wild uncertainty that shapes the industry. The centerpiece of the analysis is the unpredictable and often chaotic dynamic behaviour of motion picture audiences. This unique and important book will be of interest to students and researchers involved in the economics of movies, industrial economics and business studies. The book will also be a real eye-opener for film writers, movie executives, finance and risk management professionals as well as more general movie fans.
Entertainment Industry Economics
Author: Harold L. Vogel
Publisher: Cambridge University Press
ISBN: 1316062074
Pages:
Year: 2014-12-31
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The entertainment and media industries, already important sectors of the US economy, continue to grow rapidly in other countries around the world. This ninth edition of Entertainment Industry Economics continues to be the definitive source on the economics of film, music, television, advertising, broadcasting, cable, casino and online wagering, publishing, performing arts and culture, toys and games, sports, and theme parks. It synthesizes a vast amount of data to provide a clear, comprehensive, and up-to-date reference guide on the economics, financing, accounting, production, and marketing of entertainment in the United States and overseas. Completely updated, it includes new sections on price effects, art markets, and Asian gaming. Financial analysts and investors, economists, industry executives, accountants, lawyers, regulators and legislators, and journalists, as well as students preparing to join these professionals, will benefit from this invaluable guide on how the entertainment and media industries operate.
Movie Money
Author: Bill Daniels, David Leedy, Steven D. Sills
Publisher:
ISBN: 187950586X
Pages: 297
Year: 2006
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The distribution of a motion's picture s "profits" is, for most filmmakers, a murky, labyrinthine domain ruled by studio/distributor accountants and lawyers. "Movie Money" unravels, demystifies, and clearly explains the film industry's unique, arcane creative accounting practices. It examines a film's various revenue-consuming components and presents numerous film-industry definitions of gross and net profits and the many ways in which these figures are calculated. It also provides in-depth discussions of various aspects of profit participation terminology, accounting practices, and deal practices along with chapters on audits, claims, and negotiating tips and tricks. This Second Edition greatly expands the first edition's coverage of basic cable providers and new rulings regarding motion picture industry financial reporting practices and new material on vertical integration (i.e., studio self-dealing).
The Big Picture
Author: Ben Fritz
Publisher: Houghton Mifflin Harcourt
ISBN: 0544789768
Pages: 304
Year: 2018-03-06
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A chronicle of the massive transformation in Hollywood since the turn of the century and the huge changes yet to come, drawing on interviews with key players, as well as documents from the 2014 Sony hack
The Big Picture
Author: Edward Jay Epstein
Publisher: Random House Incorporated
ISBN: 0812973828
Pages: 402
Year: 2006
View: 452
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A behind-the-scenes odyssey into the world of the Hollywood motion picture industry examines the complex ways in which the major entertainment empires--Viacom, Time Warner, NBC/Universal, Fox, Sony, and Disney--make their money, profiling the individuals who created these vast conglomerates and the various ways in which Hollywood has evolved to survive financially. Reprint. 15,000 first printing.
The Business of Media Distribution
Author: Jeff Ulin
Publisher: CRC Press
ISBN: 1136070699
Pages: 580
Year: 2013-10-15
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First published in 2013. Routledge is an imprint of Taylor & Francis, an informa company.
The Economics of Making a Movie
Author: Robin Johnson
Publisher:
ISBN: 0778779718
Pages: 48
Year: 2013-12-01
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Provides facts and statistics about the economics of movies, covering such topics as box office figures, casting, and merchandising.
Sleepless in Hollywood
Author: Lynda Obst
Publisher: Simon and Schuster
ISBN: 1476727767
Pages: 304
Year: 2013-06-11
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The veteran producer and author of the bestseller Hello, He Lied takes a witty and critical look at the new Hollywood. Over the past decade, producer Lynda Obst gradually realized she was working in a Hollywood that was undergoing a drastic transformation. The industry where everything had once been familiar to her was suddenly disturbingly strange. Combining her own industry experience and interviews with the brightest minds in the business, Obst explains what has stalled the vast moviemaking machine. The calamitous DVD collapse helped usher in what she calls the New Abnormal (because Hollywood was never normal to begin with), where studios are now heavily dependent on foreign markets for profit, a situation which directly impacts the kind of entertainment we get to see. Can comedy survive if they don’t get our jokes in Seoul or allow them in China? Why are studios making fewer movies than ever—and why are they bigger, more expensive and nearly always sequels or recycled ideas? Obst writes with affection, regret, humor and hope, and her behind-the-scenes vantage point allows her to explore what has changed in Hollywood like no one else has. This candid, insightful account explains what has happened to the movie business and explores whether it’ll ever return to making the movies we love—the classics that make us laugh or cry, or that we just can’t stop talking about.
Tell Me How You Love the Picture
Author: Edward S. Feldman, Tom Barton
Publisher: St. Martin's Press
ISBN: 1466864354
Pages: 256
Year: 2014-02-04
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Edward S. Feldman's legendary career began in advertising and publicity at 20th Century-Fox in the 1950s, and from there he worked his way up to executive studio positions within Seven Arts, Filmways, and Warner Brothers. Following this, he has spent the last twenty-five years as a successful, Academy Award-nominated film producer. Ed's unique story takes readers on a more than fifty-year journey through Hollywood that few can tell--and most will never forget. With tales from the set of Whatever Happened to Baby Jane? to why a well-known actor trashed Ed's office and why a major Hollywood mogul tried to turn all of Tinseltown against one of Ed's films, readers will learn what it takes to produce a film and survive the jungles of Hollywood, laughing all the way. Tell Me How You Love the Picture is a smartly written, surprising, hilarious memoir that takes us behind the scenes with wild, no-holds-barred stories about major Hollywood personalities ranging from Bette Davis to Elizabeth Taylor, Stanley Kubrick to Scott Rudin, Harrison Ford to Jim Carrey to Eddie Murphy and more. As a top studio exec and one of Hollywood's most respected producers, Feldman has seen the film business from the inside out, worked with some of the best talent in the industry, and experienced things few can imagine. An incredible Hollywood memoir from one of moviedom's renowned producers, Tell Me How You Love the Picture is full of insight and the stuff of gossip, bad behavior, and high success.
Economics 2.0
Author: Norbert Häring, Olaf Storbeck
Publisher: Palgrave MacMillan
ISBN: 0230612431
Pages: 240
Year: 2009
View: 466
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Economists can help shape monetary policy, global policy and even how much you pay for a new pair of shoes. For example, do you know who benefits the most from globalization? How do fitness studios and providers of Internet access earn most of their money?: from the laziness and irrationality of their customers. This book features contributions from top thinkers in the economic field from around the world, such as Philippe Aghion, Paul Krugman, Daniel Gros, and George Lowenstein. It also includes chapters on: Financial Markets: Are They Completely Efficient or Totally Nuts (rational vs. emotional), and The Art of Selling: How marketers use consumer decision making data to sell us products we don't need. This text makes an impressive case for the argument that economics is not a dry science and that economics principles impact much of our day to day life. Completely without formulas and theoretical ballast, the authors present current findings of prominent economists and expand the economic knowledge of their readers. They manage to make complex relationships clear.
Popular Economics
Author: John Tamny
Publisher: Simon and Schuster
ISBN: 1621573923
Pages: 256
Year: 2015-04-13
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Forbes editor John Tamny uses entertaining stories from sports, movies, popular culture, and famous businesses to demonstrate the basic principles of economics. The Rolling Stones, the Dallas Cowboys, and Paris Hilton become examples of good and bad tax policy. The Godfather, Gone With the Wind, and The Sopranos reveal the downside of antitrust regulation, while the Michigan Wolverines’ 2007 loss to Appalachian State explains why regulations often fail to achieve their intended purpose. NBA star LeBron James’ exploits on the basketball court illustrate free trade and comparative advantage, while the cooking of chicken wings makes the case for a stable dollar. Popular Economics is an everyman’s guide to how money really works—a lesson politicians try (and fail) to grasp every day.
Blockbusters
Author: Anita Elberse
Publisher: Macmillan
ISBN: 0805094334
Pages: 307
Year: 2013-10-15
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Explains why the future of popular culture will revolve around increasingly bigger bets on entertainment products from movies and television shows to songs and books, offering insight into the big-ticket investment process and the role of digital technology.
Contemporary Film and Economics
Author: Samuel R. Staley
Publisher: Taylor & Francis
ISBN: 1351258184
Pages: 98
Year: 2018-07-04
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What does the movie Lion tell us about why some societies grow rich and others remain poor? What can the global box office juggernaut, Jurassic World tell us about entrepreneurs and the ethics of business? Can the movie Passengers give us insight into human motivation and decision making? This book surveys more than 40 movies to answer these questions and much more. Movies do more than entertain. They project important insights, often unintentional, into the way the world works and the values society cares about. Indeed, their stories are often grounded in the real-world experiences of everyday people. As part of this, movies also provide a window into understanding and evaluating economic behavior. Economics is, after all, the study of how scarce resources like labor, capital, and technology are used to improve (or reduce) our welfare. It also helps us to more fully understand the consequences in our lives that result from those choices and decisions. Through exploring a wide range of films from Passengers to Victoria and Abdul, this book delves into economic concepts such as opportunity costs, profit maximization, greed, business ethics, monopoly, economic growth, and entrepreneurship. Contemporary Film and Economics is a must read for anyone interested in how movies project and interpret economic ideas, craft popular narratives for how economies operate, and explore motivations for economic behavior. Economists will find it useful in starting discussions on key concepts, while filmmakers will find the discussions of economic concepts a provocative way of thinking about how to craft engaging stories that are grounded in practical experience.
Hollywood Math and Aftermath
Author: J.D. Connor
Publisher: Bloomsbury Publishing USA
ISBN: 1501314394
Pages: 328
Year: 2018-08-23
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Money is Hollywood's great theme-but money laundered into something else, something more. Money can be given a particular occasion and career, as box office receipts, casino winnings, tax credits, stock prices, lotteries, inheritances. Or money can become number, and numbers can be anything: pixels, batting averages, votes, likes. Through explorations of all these and more, J.D. Connor's Hollywood Math and Aftermath provides a stimulating and original take on “the equation of pictures,” the relationship between Hollywood and economics since the 1970s. Touched off by an engagement with the work of Gilles Deleuze, Connor demonstrates the centrality of the economic image to Hollywood narrative. More than just a thematic study, this is a conceptual history of the industry that stretches from the dawn of the neoclassical era through the Great Recession and beyond. Along the way, Connor explores new concepts for cinema studies: precession and recession, pervasion and staking, ostension and deritualization. Enlivened by a wealth of case studies-from The Big Short and The Wolf of Wall Street to Equity and Blackhat, from Moneyball to 12 Years a Slave, Titanic to Lost, The Exorcist to WALLE, Déjà Vu to Upstream Color, Contagion to The Untouchables, Ferris Bueller to Pacific Rim, The Avengers to The Village-Hollywood Math and Aftermath is a bravura portrait of the industry coming to terms with its own numerical underpinnings.

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