The Counter Cinema Of The Berlin School Book PDF, EPUB Download & Read Online Free

The Counter-cinema of the Berlin School
Author: Marco Abel
Publisher: Boydell & Brewer
ISBN: 1571134387
Pages: 348
Year: 2013
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The first book-length study in any language of the "Berlin School," the most significant filmmaking movement to come out of Germany since the 1970s.
The Berlin School
Author: Rajendra Roy, Anke Leweke, Thomas Arslan, Valeska Grisebach, Benjamin Heisenberg
ISBN: 0870708740
Pages: 112
Year: 2013
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"The informal movement that critics like to call the Berlin School," as director Christoph Hochhèausler puts it, is a loose affiliation of filmmakers who emerged around the time the Berlin Wall fell. The founding figures--Thomas Arslan, Christian Petzold, and Angela Schanelec--and their younger colleagues are not bound by a manifesto or by any singular aesthetic. Nonetheless, their observant portrayals of characters in flux offer a compelling cinematic expression of the search for new identities in a time of societal change. The films of the Berlin School have resonated profoundly since the mid-1990s, making it one of the most influential auteur movements to emerge from Europe in the new millennium.
Berlin School Glossary
Author: Roger F. Cook, Lutz Peter Koepnick, Kristin Kopp, Brad Prager
Publisher: Intellect L & D E F A E
ISBN: 1841505765
Pages: 291
Year: 2013
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Berlin School Glossary is the first major publication to mark the increasing international importance of a group of contemporary German and Austrian filmmakers initially known by the name the Berlin School: Christian Petzold, Thomas Arslan, Christoph Hochhäusler, Jessica Hausner, and others. The study elaborates on the innovative strategies and formal techniques that distinguish these films, specifically questions of movement, space, spectatorship, representation, desire, location, and narrative. Abandoning the usual format of essay-length analyses of individual films and directors, the volume is organized as an actual glossary with entries such as bad sex, cars, the cut, endings, familiar places, forests, ghosts, hotels, interiority, landscapes, siblings, surveillance, swimming pools, and wind. This unique format combined with an informative introduction will be essential to scholars and fans of the German New Wave
Christian Petzold
Author: Jaimey Fisher
Publisher: University of Illinois Press
ISBN: 0252095235
Pages: 208
Year: 2013-11-30
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In eleven feature films across two decades, Christian Petzold has established himself as the most critically celebrated director in contemporary Germany. The best-known and most influential member of the Berlin School, Petzold's career reflects the trajectory of German film from 1970s New German Cinema to more popular fare in the 1990s and back again to critically engaged and politically committed filmmaking. In the first book-length study on Petzold in English, Jaimey Fisher frames Petzold's cinema at the intersection of international art cinema and sophisticated genre cinema. This approach places his work in the context of global cinema and invites comparisons to the work of directors like Pedro Almodovar and Rainer Werner Fassbinder, who repeatedly deploy and reconfigure genre cinema to their own ends. These generic aspects constitute a cosmopolitan gesture in Petzold's work as he interprets and elaborates on cult genre films and popular genres, including horror, film noir, and melodrama. Fisher explores these popular genres while injecting them with themes like terrorism, globalization, and immigration, central issues for European art cinema. The volume also includes an extended original interview with the director about his work.
German National Cinema
Author: Sabine Hake
Publisher: Routledge
ISBN: 1136020543
Pages: 288
Year: 2013-01-11
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German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to changing definitions of genre, authorship, and film form. The book traces the central role of cinema in the nation’s turbulent history from the Wilhelmine Empire to the Berlin Republic, with special attention paid to the competing demands of film as art, entertainment, and propaganda. Hake also explores the centrality of genre films and the star system to the development of a filmic imaginary. This fully revised and updated new edition will be required reading for everyone interested in German film and the history of modern Germany.
Cinema and Social Change in Germany and Austria
Author: Gabriele Mueller, James M. Skidmore
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554582466
Pages: 314
Year: 2012-09-01
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During the last decade, contemporary German and Austrian cinema has grappled with new social and economic realities. The “cinema of consensus,” a term coined to describe the popular and commercially oriented filmmaking of the 1990s, has given way to a more heterogeneous and critical cinema culture. Making the greatest artistic impact since the 1970s, contemporary cinema is responding to questions of globalization and the effects of societal and economic change on the individual. This book explores this trend by investigating different thematic and aesthetic strategies and alternative methods of film production and distribution. Functioning both as a product and as an agent of globalizing processes, this new cinema mediates and influences important political and social debates. The contributors illuminate these processes through their analyses of cinema’s intervention in discourses on such concepts as “national cinema,” the effects of globalization on social mobility, and the emergence of a “global culture.” The essays illustrate the variety and inventiveness of contemporary Austrian and German filmmaking and highlight the complicated interdependencies between global developments and local specificities. They confirm a broader trend toward a more complex, critical, and formally diverse cinematic scene. This book offers insights into the strategies employed by German and Austrian filmmakers to position themselves between the commercial pressures of the film industry and the desire to mediate or even attempt to affect social change. It will be of interest to scholars in film studies, cultural studies, and European studies.
Violent Affect
Author: Marco Abel
Publisher: U of Nebraska Press
ISBN: 0803209967
Pages: 292
Year: 2007
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Countering previous studies of violent images based on representational and, consequently, moralistic assumptions, which, the author argues, inevitably reinforce the very violence they critique. He explains how violent images work upon the world.
A Critical History of German Film
Author: Stephen Brockmann
Publisher: Camden House
ISBN: 1571134689
Pages: 522
Year: 2010
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A historical survey of German films as works of art from the beginnings to the present, suitable for classroom use.
Berlin Game
Author: Len Deighton
Publisher: HarperCollins UK
ISBN: 0007387180
Pages: 336
Year: 2010-06-10
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Long-awaited reissue of the first part of the classic spy trilogy, GAME, SET and MATCH, when the Berlin Wall divided not just a city but a world.
Screening the Red Army Faction
Author: Christina Gerhardt
Publisher: Bloomsbury Publishing USA
ISBN: 1501336681
Pages: 320
Year: 2018-07-12
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Screening the Red Army Faction: Historical and Cultural Memory explores representations of the Red Army Faction (RAF) in print media, film and art, locating an analysis of these texts in the historical and political context of unfolding events. In this way, the book contributes both a new history and a new cultural history of post-fascist era West Germany that grapples with the fledging republic's most pivotal debates about the nature of democracy and authority; about violence, its motivations and regulation; and about its cultural afterlife. Looking back at the history of representations of the RAF in various media, this book considers how our understanding of the Cold War era, of the long sixties and of the RAF is created and re-created through cultural texts.
European Cinema
Author: Thomas Elsaesser
Publisher: Amsterdam University Press
ISBN: 9053565949
Pages: 563
Year: 2005
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'European Cinema in Crisis' examines the conflicting terminologies that have dominated the discussion of the future of European film-making. It takes a fresh look at the ideological agendas, from 'avante-garde cinema' to the high/low culture debate and the fate of popular European cinema.
New Directions in German Cinema
Author: Paul Cooke, Chris Homewood
Publisher: I.B.Tauris
ISBN: 0857720392
Pages: 320
Year: 2011-09-30
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Following the demise of the critically lauded New German Cinema in the mid-1980s, German national film culture quickly lost much of its critical appeal and German-language cinema more broadly came to be dismissed by critics as lacking in substance. No one could have foreseen the dramatic return to prominence enjoyed by Germany’s national film industry in the first decade of the new millennium, when German-language films began to receive critical acclaim, from Cannes to Sundance, along with numerous Oscar nominations and wins. German-language cinema is again attracting widespread attention at home and abroad. New Directions in German Cinema explores these development._x000D_ _x000D_ The volume investigates German cinema’s remarkable turn in fortunes through the detailed examination of a number of its best-known films and filmmakers. Written by specialists in German film, society, culture, and politics, it explores the great diversity of contemporary German-language film. This includes discussion of those ‘heritage films’ that engage with the country’s problematic past and that have been a driving force behind the industry’s current international visibility, as well as a number of films that examine the contemporary social reality of the Berlin Republic, films that often also explore the representational possibilities of film itself.
The Berlin School and Its Global Contexts
Author: Jaimey Fisher, Marco Abel
Publisher: Contemporary Approaches to Fil
ISBN: 0814344909
Pages: 364
Year: 2018-06-04
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Germany's most important filmmaking movement in conversation with its peers across the globe.
Einstein in Berlin
Author: Thomas Levenson
Publisher: Random House
ISBN: 0525508953
Pages: 496
Year: 2017-05-23
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In a book that is both biography and the most exciting form of history, here are eighteen years in the life of a man, Albert Einstein, and a city, Berlin, that were in many ways the defining years of the twentieth century. Einstein in Berlin In the spring of 1913 two of the giants of modern science traveled to Zurich. Their mission: to offer the most prestigious position in the very center of European scientific life to a man who had just six years before been a mere patent clerk. Albert Einstein accepted, arriving in Berlin in March 1914 to take up his new post. In December 1932 he left Berlin forever. “Take a good look,” he said to his wife as they walked away from their house. “You will never see it again.” In between, Einstein’s Berlin years capture in microcosm the odyssey of the twentieth century. It is a century that opens with extravagant hopes--and climaxes in unparalleled calamity. These are tumultuous times, seen through the life of one man who is at once witness to and architect of his day--and ours. He is present at the events that will shape the journey from the commencement of the Great War to the rumblings of the next one. We begin with the eminent scientist, already widely recognized for his special theory of relativity. His personal life is in turmoil, with his marriage collapsing, an affair under way. Within two years of his arrival in Berlin he makes one of the landmark discoveries of all time: a new theory of gravity--and before long is transformed into the first international pop star of science. He flourishes during a war he hates, and serves as an instrument of reconciliation in the early months of the peace; he becomes first a symbol of the hope of reason, then a focus for the rage and madness of the right. And throughout these years Berlin is an equal character, with its astonishing eruption of revolutionary pathways in art and architecture, in music, theater, and literature. Its wild street life and sexual excesses are notorious. But with the debacle of the depression and Hitler’s growing power, Berlin will be transformed, until by the end of 1932 it is no longer a safe home for Einstein. Once a hero, now vilified not only as the perpetrator of “Jewish physics” but as the preeminent symbol of all that the Nazis loathe, he knows it is time to leave.
Jean-Luc Godard, Cinema Historian
Author: Michael Witt
Publisher: Indiana University Press
ISBN: 0253007305
Pages: 288
Year: 2013-11-07
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Originally released as a videographic experiment in film history, Jean-Luc Godard's Histoire(s) du cinéma has pioneered how we think about and narrate cinema history, and in how history is taught through cinema. In this stunningly illustrated volume, Michael Witt explores Godard’s landmark work as both a specimen of an artist's vision and a philosophical statement on the history of film. Witt contextualizes Godard's theories and approaches to historiography and provides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard's groundbreaking ideas on the history of cinema.

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