The Cambridge Companion To Shakespeares First Folio Cambridge Companions To Literature Book PDF, EPUB Download & Read Online Free

The Cambridge Companion to Shakespeare's First Folio
Author: Emma Smith
Publisher: Cambridge University Press
ISBN: 131669240X
Year: 2016-08-04
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Shakespeare's First Folio, published in 1623, is one of the world's most studied books, prompting speculation about everything from proof-reading practices in the early modern publishing industry to the 'true' authorship of Shakespeare's plays. Arguments about the nature of the First Folio are crucial to every modern edition of Shakespeare and thus to every reader or student of the plays. This Companion surveys the critical methods brought to bear on the Folio and equips readers with the tools to understand it and to develop their skills in early modern book culture more generally. A team of international scholars surveys the range of bibliographic, historical and textual material relating to the Folio, its editors, collectors and critical reception. This revealing volume will be of wide interest to scholars of Shakespeare, the history of the book and early modern drama.
The Cambridge Companion to Shakespeare
Author: Margreta de Grazia
Publisher: Cambridge University Press
ISBN: 0521658810
Pages: 328
Year: 2001-04-05
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A comprehensive, readable and authoritative introduction to the study of Shakespeare.
The Cambridge Companion to Shakespeare and Popular Culture
Author: Robert Shaughnessy
Publisher: Cambridge University Press
ISBN: 0521844290
Pages: 291
Year: 2007-06-28
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A collection of essays on Shakespeare's life and works in popular forms and media, first published in 2007.
The Cambridge Companion to Shakespearean Tragedy
Author: Claire McEachern
Publisher: Cambridge University Press
ISBN: 110701977X
Pages: 302
Year: 2013-08-08
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This revised and updated Companion acquaints the student reader with the forms, contexts, critical and theatrical lives of the ten plays considered to be Shakespeare's tragedies. Thirteen essays, written by leading scholars in Britain and North America, address the ways in which Shakespearean tragedy originated, developed and diversified, as well as how it has fared on stage, as text and in criticism. Topics covered include the literary precursors of Shakespeare's tragedies, cultural backgrounds, sub-genres and receptions of the plays. The book examines the four major tragedies and, in addition, Titus Andronicus, Romeo and Juliet, Julius Caesar, Antony and Cleopatra, Coriolanus and Timon of Athens. Essays from the first edition have been fully revised to reflect the most up-to-date scholarship; the bibliography has been extensively updated; and four new chapters have been added, discussing Shakespearean form, Shakespeare and philosophy, Shakespeare's tragedies in performance, and Shakespeare and religion.
The Cambridge Companion to Shakespeare's Last Plays
Author: Catherine M. S. Alexander
Publisher: Cambridge University Press
ISBN: 0521881781
Pages: 221
Year: 2009-07-16
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In this book, leading international Shakespeare scholars consider the significant characteristics of Shakespeare's last plays and place them in their Jacobean context.
The New Cambridge Companion to Shakespeare
Author: Margreta De Grazia, Stanley Wells
Publisher: Cambridge University Press
ISBN: 0521886325
Pages: 360
Year: 2010-03-25
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Twenty-one essays provide lively and authoritative approaches to the literary, historical, cultural and performative aspects of Shakespeare works.
The Cambridge Companion to Ben Jonson
Author: Richard Harp, Stanley Stewart
Publisher: Cambridge University Press
ISBN: 0521646782
Pages: 218
Year: 2000-11-30
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An accessible, up-to-date introduction to the life and works of poet and dramatist Ben Jonson.
Shakespeare's First Folio
Author: Emma Smith
Publisher: Oxford University Press
ISBN: 0191069280
Pages: 288
Year: 2016-03-24
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This is a biography of a book: the first collected edition of Shakespeare's plays printed in 1623 and known as the First Folio. It begins with the story of its first purchaser in London in December 1623, and goes on to explore the ways people have interacted with this iconic book over the four hundred years of its history. Throughout the stress is on what we can learn from individual copies now spread around the world about their eventful lives. From ink blots to pet paws, from annotations to wineglass rings, First Folios teem with evidence of its place in different contexts with different priorities. This study offers new ways to understand Shakespeare's reception and the history of the book. Unlike previous scholarly investigations of the First Folio, it is not concerned with the discussions of how the book came into being, the provenance of its texts, or the technicalities of its production. Instead, it reanimates, in narrative style, the histories of this book, paying close attention to the details of individual copies now located around the world - their bindings, marginalia, general condition, sales history, and location - to discuss five major themes: owning, reading, decoding, performing, and perfecting. This is a history of the book that consolidated Shakespeare's posthumous reputation: a reception history and a study of interactions between owners, readers, forgers, collectors, actors, scholars, booksellers, and the book through which we understand and recognise Shakespeare.
The Cambridge Companion to English Renaissance Tragedy
Author: Emma Smith, Garrett A. Sullivan, Jr.
Publisher: Cambridge University Press
ISBN: 0521519373
Pages: 274
Year: 2010-08-12
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Featuring essays by major international scholars, this Companion combines analysis of themes crucial to Renaissance tragedy with the interpretation of canonical and frequently taught texts. Part I introduces key topics, such as religion, revenge, and the family, and discusses modern performance traditions on stage and screen. Bridging this section with Part II is a chapter which engages with Shakespeare. It tackles Shakespeare's generic distinctiveness and how our familiarity with Shakespearean tragedy affects our appreciation of the tragedies of his contemporaries. Individual essays in Part II introduce and contribute to important critical conversations about specific tragedies. Topics include The Revenger's Tragedy and the theatrics of original sin, Arden of Faversham and the preternatural, and The Duchess of Malfi and the erotics of literary form. Providing fresh readings of key texts, the Companion is an essential guide for all students of Renaissance tragedy.
The Making of Shakespeare's First Folio
Author: Emma Smith
ISBN: 1851244425
Pages: 208
Year: 2015-10-30
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In late November 1623, Edward Blount finally took delivery at his bookshop at the sign of the Black Bear near St Paul’s of a book that had been long in the making. Master William Shakespeare’s Comedies, Histories, and Tragedies was the first collected edition of Shakespeare’s plays, appearing some seven years after their author’s death in 1616. Its 950 folio pages included thirty-six plays, half of which had not previously been printed, divided under the three generic headings of the title. There was no fanfare at the book’s arrival. There was nothing of the marketing overdrive that marks an important new publication in our own period: no advertising campaign, no reviews, interviews, endorsements or literary prizes, no queues in St Paul’s Churchyard, no sales figures, price war, copycat publications or bestseller lists – in short, no sensation. Nevertheless, it is hard to overstate the importance of this literary, cultural and commercial moment. This book, generously illustrated with key pages from the publication and comparative works tells the human, artistic, economic and technical stories of the birth of the First Folio – and the emergence of Shakespeare’s towering reputation.
A Concise Companion to Shakespeare and the Text
Author: Andrew Murphy
Publisher: John Wiley & Sons
ISBN: 1444332058
Pages: 280
Year: 2010-03-08
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A Concise Companion to Shakespeare and the Text introduces the early editions, editing practices, and publishing history of Shakespeare’s plays and poems, and examines their influence on bibliographic studies as a whole. The first single-volume book to provide an accessible and authoritative introduction to Shakespearean bibliographic studies Includes a helpful introduction, notes on Shakespeare’s texts, and a useful bibliography Contributors represent both leading and emerging scholars in the field Represents an unparalleled resource for both students and faculty
The Shakespeare Thefts
Author: Eric Rasmussen
Publisher: Macmillan
ISBN: 0230109411
Pages: 212
Year: 2011-10-11
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The first edition of Shakespeare's collected works, the First Folio, published in 1623, is one of the most valuable books in the world and has historically proven to be an attractive target for thieves. Of the 160 First Folios listed in a census of 1902, 14 were subsequently stolen-and only two of these were ever recovered. In his efforts to catalog all these precious First Folios, renowned Shakespeare scholar Eric Rasmussen embarked on a riveting journey around the globe, involving run-ins with heavily tattooed criminal street gangs in Tokyo, bizarre visits with eccentric, reclusive billionaires, and intense battles of wills with secretive librarians. He explores the intrigue surrounding the Earl of Pembroke, arguably Shakespeare's boyfriend, to whom the First Folio is dedicated and whose personal copy is still missing. He investigates the uncanny sequence of events in which a wealthy East Coast couple drowned in a boating accident and the next week their First Folio appeared for sale in Kansas. We hear about Folios that were censored, the pages ripped out of them, about a volume that was marked in red paint-or is it blood?-on every page; and of yet another that has a bullet lodged in its pages. Part literary detective story, part Shakespearean lore, The Shakespeare Thefts will charm the Bard's many fans.
A Companion to Shakespeare and Performance
Author: Barbara Hodgdon, W. B. Worthen
Publisher: John Wiley & Sons
ISBN: 1405150238
Pages: 704
Year: 2008-04-15
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A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies. Redraws the boundaries of Shakespeare performance studies. Considers performance in a range of media, including in print, in the classroom, in the theatre, in film, on television and video, in multimedia and digital forms. Introduces important terms and contemporary areas of enquiry in Shakespeare and performance. Raises questions about the dynamic interplay between Shakespearean writing and the practices of contemporary performance and performance studies. Written by an international group of major scholars, teachers, and professional theatre makers.
30 Great Myths about Shakespeare
Author: Laurie Maguire, Emma Smith
Publisher: John Wiley & Sons
ISBN: 1118324870
Pages: 224
Year: 2012-11-05
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Think you know Shakespeare? Think again . . . Was a real skull used in the first performance of Hamlet? Were Shakespeare's plays Elizabethan blockbusters? How much do we really know about the playwright's life? And what of his notorious relationship with his wife? Exploring and exploding 30 popular myths about the great playwright, this illuminating new book evaluates all the evidence to show how historical material—or its absence—can be interpreted and misinterpreted, and what this reveals about our own personal investment in the stories we tell.
A Year of Shakespeare
Publisher: Bloomsbury Publishing
ISBN: 1474246273
Pages: 320
Year: 2015-04-06
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A Year of Shakespeare gives a uniquely expert and exciting overview of the largest Shakespeare celebration the world has ever known: the World Shakespeare Festival 2012. This is the only book to describe and analyse each of the Festival's 73 productions in well-informed,lively reviews by eminent and up-and-coming scholars and critics from the UK and around the world. A rich resource of critical interest to all students, scholars and lovers of Shakespeare, the book also captures the excitement of this extraordinary event. A Year of Shakespeare provides: Â? a ground-breaking collection of Shakespearean reviews, covering all of the Festival's productions; Â? a dynamic visual record through a wide range of production photographs; Â? incisive analysis of the Festival's significance in the wider context of the Cultural Olympiad 2012. All the world really is a stage, and it's time for curtain-upÂ?

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