Specimen Sight Singing Tests Grades 1 5 Abrsm Sight Reading Book PDF, EPUB Download & Read Online Free

Specimen Sight-Singing Tests
Author: ABRSM
Publisher:
ISBN: 1860969585
Pages: 24
Year: 2008-07
View: 644
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This volume contains valuable practice material for candidates preparing for the Grades 15 ABRSM Singing exams. Contains specimen tests for the new sight-singing requirements from 2009, representative of the technical level expected in the exam.
Violin Specimen Sight Reading Tests 1-5
Author: ABRSM
Publisher: Abrsm (Publishing) Limited
ISBN: 1848493460
Pages: 31
Year: 2011-07-01
View: 648
Read: 1149
This volume contains valuable practice material for candidates preparing for ABRSM Violin exams, Grades 15. Includes many specimen tests for the revised sight-reading requirements from 2012, written in attractive and approachable styles and representative of the technical level expected in the exam.
Guitar Specimen Sight-Reading Tests (from 2009)
Author: ABRSM
Publisher:
ISBN: 1860967442
Pages: 16
Year: 2008-07
View: 922
Read: 607
This volume contains valuable practice material for candidates preparing for the ABRSM Guitar exams, Grades 18. The book is written in attractive and approachable styles and representative of the technical level expected in the exams.
Piano Specimen Sight-Reading Tests, Grade 5
Author: Associated Board of the Royal Schools of Music (Great Britain)
Publisher:
ISBN: 1860969097
Pages: 16
Year: 2008-07
View: 704
Read: 427
This volume contains valuable practice material for candidates preparing for the ABRSM Grade 5 Piano exams. The book is written in attractive and approachable styles and representative of the technical level expected in the exam.
Specimen Aural Tests
Author: ABRSM
Publisher:
ISBN: 1848492537
Pages: 27
Year: 2010-07-01
View: 471
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'Specimen Aural Tests' provide teachers and students with many practice examples of the tests to use as part of a music lesson or when preparing for an exam. This volume covers Grade 6 and also includes the examiner rubrics (the exact words that will be used by the examiner to deliver the tests).
Sight Singing Made Simple
Author: David Bauguess
Publisher: Hal Leonard Publishing Corporation
ISBN: 0793599733
Pages: 46
Year: 1995
View: 620
Read: 1314
This easy-to-use audio course for self or small group study is a step-by-step introduction to music reading skills. From the creator of The Jenson Sight Singing Course, this resource will be an effective tool for building student confidence and skill. Includes exercises on reading note and rest values, meter, echo drills, reading pitch from syllable letters and notes on the staff, movement by step and skip, key signatures, and clef signs. Available: Book, Cassette, CD, Book/CST Pak, Book/CD Pak, Book/CST Intro Pak (5 Books, 1 Cassette), Book/CD Intro Pak (5 Books, 1 CD). For Gr. 4-9.
Specimen sight-reading tests for violin
Author: Associated Board of the Royal Schools of Music (Great Britain)
Publisher: Associated Board of the Royal School of Music
ISBN: 1860960294
Pages: 24
Year: 1998
View: 1328
Read: 488
Presenting specimen sight-reading tests, this work provides practice material for candidates preparing for early-grade practical exams. The tests are representative of the technical level expected in the exam and explore different keys, styles and tempi.
Specimen sight-reading tests for clarinet
Author: ABRSM
Publisher:
ISBN: 1854728911
Pages: 24
Year: 1996
View: 1136
Read: 1300
The volumes in this series provide much useful practice material for candidates preparing for ABRSM exams. At each grade a number of tests are provided, each representative of the technical level expected in the examination and exploring a variety of keys, styles and moods.
Joining the Dots
Author: Alan Bullard
Publisher:
ISBN: 1860969763
Pages: 32
Year: 2010-01
View: 581
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Joining the Dots offers pianists lots of material to help build confidence and skill in sight-reading. The series helps students improve their sense of keyboard geography, helping them to read new music more quickly and easily. The five books cover the requirements for ABRSM's sight-reading tests at each of Grades 1 to 5.
Sing at Sight
Author: William Appleby
Publisher: Oxford University Press, USA
ISBN: 0193301407
Pages: 24
Year: 1960
View: 1113
Read: 275
160 progressive exercises to introduce simple sightsinging.
Cello Specimen Sight Reading Tests 1-5
Author:
Publisher: Abrsm (Publishing) Limited
ISBN: 1848493509
Pages: 31
Year: 2011-07-01
View: 183
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300 Progressive Sight Reading Exercises for Cello
Author: Robert Anthony
Publisher: CreateSpace
ISBN: 1505887429
Pages: 88
Year: 2015-01-02
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First and foremost: THIS IS NOT A METHOD BOOK. It is precisely what it says it is: 300 Progressive Sight Reading Exercises! Volume One is comprised of 300 progressive eight-bar exercises that cover the keys of C Major, F Major, G Major, A Minor, D Minor and E Minor. Time signatures include 4/4 (Common Time), 3/4, 2/4, 6/8, and 2/2 (Cut Time). The remaining key signatures, additional time signatures, tempo markings and dynamics markings will be covered in future volumes. All of the exercises are eight measures long. If one has done any study of formal analysis, they will find that eight measures is a typical 'period' of music and usually contains two, four-bar phrases (also typical in length). For example, many sonatinas, jazz standards, and pop songs use "32 Bar Form" (A A B A), "Binary Form" (A B), and "Ternary Form" (A B A), with each section often being eight bars. Thus, eight measures (one period of music) makes the perfect length for sight-reading studies in my opinion. How to use this book: Start where the exercises begin and work across the book - from exercise 1, 5, 9, 13 and so on until you get to a point where the music challenges you and then mark your ending point. The next practice, play exercises 2, 6, 10, 14, and so on... The next: 3, 7, 11, 15 and so on, and finally 4, 8, 12, 16, and so on. If you want to work at your "break point" (the point in the book where you can no longer play musically), work DOWN the page instead of across the pages. Note: This book is also available in a LARGE PRINT version that for printing purposes had to be divided into two books. If you have poor vision or want this book to be easy to SEE on an electronic device, you might prefer the Large Print Version. "These books differ from conventional 'methods' in that technical and theoretical instructions have been omitted, in the belief that these are more appropriately left for the teacher to explain to the student." - Bela Bartok, Mikrokosmos. I whole-heartedly agree with Bartok's sentiment and if music teachers would ask their students what they like least (or hate the most) about typical lessons, it is the method books that win this contest EVERY TIME. I have completely eliminated method books from my own teaching practice and have much happier and more productive students than ever. While this book is intended to train sight-reading skills, it may also be used by beginners or those new to reading to acquire basic reading skills, but it assumes one either has a teacher or can at least find C on their instrument. It starts at a very basic level (only three notes) and adds a new note, rhythm, or concept every four exercises and thoroughly reinforces them throughout the rest of the book. Next, the music's composition is a slave to its function: The purpose of the books is to train reading skill, and the exercises keep challenging the range that has been established by previous exercises as well as less-than-convenient intervalic skips. They are composed from a 'music-first' perspective, as opposed to an 'instrument-first' perspective, and are purposely composed to be difficult to memorize. For example, the first exercises begin on C because they are in the key of C, and then go on to sometimes start and end on different scale degrees of the same key. Those familiar with the Fundamental Modes will likely recognize what they are hearing, but those unfamiliar with these modes will likely be hearing something that sounds a bit different, or odd, until their ears acclimate to these sounds. I see many students go through this process with altered dominants and augmented triads as well. Additionally, a 20th-century composition technique (Bartok, Stravinsky) - Serial Composition - has also been used on several of the pieces, so if your ears are unfamiliar with this type of music, you might at first be uncomfortable with what you are hearing.
Improve your sight-reading!
Author: Paul Harris
Publisher: Faber & Faber
ISBN: 0571513735
Pages: 32
Year: 1998-12
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Now more than ever, the ability to sight-read fluently is an essential part of the training of musicians on ant instrument. This workbook is designed to help overcome the nerves that can cause sight-reading problems, taking the young recorder player up to late elementary level. Step-by-step it helps the player to build up a complete picture of each piece, first through rhythmic and melodic exercises related to specific problems, then by the study of prepared piece with associated questions for the student to answer, finally, to the unprepared sight-reading test itself. Check-boxes for each stage allow both teacher and pupil to keep a eye on progress.
Violin Specimen Sight Reading Tests 6-8
Author:
Publisher: Abrsm (Publishing) Limited
ISBN: 1848493479
Pages: 31
Year: 2011-07-01
View: 153
Read: 1163
This volume contains valuable practice material for candidates preparing for ABRSM Violin exams, Grades 68. Includes many specimen tests for the revised sight-reading requirements from 2012, written in attractive and approachable styles and representative of the technical level expected in the exam.
Piano Exam Pieces 2019& 2020 Grade 2
Author:
Publisher:
ISBN: 1786010208
Pages:
Year: 2018-06-07
View: 1057
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