Schachnovelle Reclam Xl Text Und Kontext Book PDF, EPUB Download & Read Online Free

Author: Stefan Zweig
ISBN: 3150191513
Pages: 112
Year: 2016-03-16
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The Royal Game ; Amok ; Letter from an Unknown Woman
Author: Stefan Zweig
Pages: 187
Year: 1946
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The Killing Club (Detective Mark Heckenburg, Book 3)
Author: Paul Finch
Publisher: HarperCollins UK
ISBN: 0007551266
Pages: 480
Year: 2014-05-22
View: 239
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Get hooked on Heck: the maverick detective who knows no boundaries. The perfect read for fans of Stuart Macbride and Luther.
Author: Arthur Schnitzler
Publisher: Reclam Verlag
ISBN: 3159604608
Pages: 158
Year: 2014-02-05
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Die Reihe "Reclam XL - Text und Kontext" bietet Klassikertexte mit Kommentar und ist damit speziell auf die Bedürfnisse des Deutschunterrichts zugeschnitten. Die Bände haben nicht nur ein größeres Format als die Universal-Bibliothek, sie sind vor allem auch inhaltlich gewachsen. Auf die sorgfältig edierten Texte folgt ein Anhang mit Materialien, die das Verständnis des Werkes erleichtern und Impulse für Diskussionen im Unterricht liefern: Text- und Bilddokumente zu Quellen und Stoff, zur Biographie des Autors, zu seiner Epoche sowie zur Rezeptionsgeschichte. Die Herausgeber sind erfahrene Schulpraktiker, die die Materialien nach den gegenwärtigen Erkenntnissen von Germanistik und Schuldidaktik für jeden Band neu erarbeitet haben. Die Bände von Reclam XL sind im Textteil seiten- und zeilenidentisch mit denen der Universal-Bibliothek. UB- und XL-Ausgaben sind also nicht nur im Unterricht nebeneinander verwendbar - es passen auch weiterhin alle Lektüreschlüssel, Erläuterungsbände und Interpretationen dazu. E-Book mit Seitenzählung der gedruckten Ausgabe: Buch und E-Book können parallel benutzt werden.
James Bond
Author: John Pearson
Publisher: Random House
ISBN: 0099502925
Pages: 400
Year: 2008
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The story of the man behind the myth, the most famous spy of all time — James Bond. It was a strong face, certainly — the eyes pale grey and very cold, the mouth was hard, and the dark hair — grey-streaked now — still fell in the authentic comma over the forehead. This is how John Pearson reacted to his first encounter with the real James Bond. At the time, like most of the world, he assumed that James Bond was nothing more than a character in Fleming’s highly charged imagination. Then he began to have his doubts, doubts of such a pitch that the British secret service was trying to warn him off the scene. Despite this, he finally became convinced that James Bond was not only real, but actually alive. Pearson went on to write the bestselling authorized biography of Ian Fleming. Then, thanks to a change in policy within the secret service he was invited to embark upon a companion volume to his life of Fleming. This resulting book is bound to become one of the most extraordinary biographies of our times — the authorized life of a myth — the official biography of James Bond. The biography reveals situations and incidents only hinted at in Ian Fleming’s books; and it promises to reveal a side of Bond never seen before: the story of his life, the Bonds of Glencoe; the night he lost his wallet and his virginity in Paris; his first assignment; his duel with the S.S.; his women, scandals and tastes — it’s all here, for the first time ever. From the Hardcover edition.
The Society of the Crossed Keys
Author: Stefan Zweig, Wes Anderson
Publisher: Pushkin Press
ISBN: 1782271090
Pages: 272
Year: 2014-02-21
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I had never heard of Zweig until six or seven years ago, as allthe books began to come back into print, and I more or less by chance bought a copy of Beware of Pity. I immediately lovedthis book, his one, big, great novel-and suddenly there weredozens more in front of me waiting to read.' Wes Anderson The Society of the Crossed Keys contains Wes Anderson's selections from the writings of the great Austrian author Stefan Zweig, whose life and work inspired The Grand Budapest Hotel . A CONVERSATION WITH WES ANDERSON Wes Anderson discusses Zweig's life and work with Zweig biographer George Prochnik. THE WORLD OF YESTERDAY Selected extracts from Zweig's memoir, The World of Yesterday, an unrivalled evocation of bygone Europe. BEWARE OF PITY An extract from Zweig's only novel, a devastating depictionof the torment of the betrayal of both honour and love. TWENTY-FOUR HOURS IN THE LIFE OF A WOMAN One of Stefan Zweig's best-loved stories in full-a passionate tale of gambling, love and death, played out against the stylish backdrop of the French Riviera in the 1920s. ' The World of Yesterday is one of the greatest memoirs of the twentieth century, as perfect in its evocation of the world Zweig loved, as it is in its portrayal of how that world was destroyed.' -- David Hare ' Beware of Pity is the most exciting book I have ever read...a feverish, fascinating novel' -- Antony Beevor 'One of the joys of recent years is the translation into English of Stefan Zweig's stories.'--Edmund de Waal, author of The Hare with the Amber Eyes Stefan Zweig was born in 1881 in Vienna. He studied in Berlin and Vienna and, between the wars was an international bestselling author. With the rise of Nazism, he left Austria, and lived in London, Bath, New York and Brazil, where in 1942 he and his wife were found dead in an apparent double suicide. Wes Anderson's films include Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic, The Darjeeling Limited, Fantastic Mr Fox, and Moonrise Kingdom. He directed and wrote the screenplay for The Grand Budapest Hotel.
Alice's Abenteuer Im Wonderland
ISBN: 1543028837
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Author: Stefan Zweig
Publisher: Pushkin Press
ISBN: 1906548560
Pages: 112
Year: 2010-01-26
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Finding her comfortable bourgeois existence as wife and mother predictable after eight years of marriage, Irene Wagner brings a little excitement into it by starting an affair with a rising young pianist. Her lover’s former mistress begins blackmailing her, threatening to give her secret away to her husband. Irene is soon in the grip of agonizing fear. Written in the spring of 1913, and first published in 1920, this novella is one of Stefan Zweig’s most powerful studies of a woman’s mind and emotions. La Paura (1954) the Roberto Rossellini film based on the Stefan Zweig novel Fear was the last of the extraordinary features in which Rossellini directed Ingrid Bergman, who was then his wife.
Goetz of Berlichingen, with the Iron Hand
Author: Johann Wolfgang von Goethe
Pages: 187
Year: 1826
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A successful 1773 drama by Goethe, Goetz von Berlichingen was translated by Sir Walter Scott early in his career.
Büchner: Woyzeck
Author: Georg Buchner
Publisher: Bristol Classical Press
ISBN: 1853993743
Pages: 95
Year: 1998-01-01
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Georg Büchner is regularly considered the father of modern German drama, and "Woyzeck" was his most influential work. Beneath the utter simplicity of its basic story, there are complex themes of human motivation, victimisation, guilt, class structure, and the meaning and nature of existence. This edition incorporates the recent research on the text, and provides full Introduction and Notes.
Author: Andrea De Carlo
Publisher: Harcourt
Pages: 277
Year: 1987
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Reigen Zehn Dialoge
Author: Arthur Schnitzler
Publisher: Createspace Independent Publishing Platform
ISBN: 1545058318
Pages: 122
Year: 2017-04-03
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Reigen Zehn DialogeBy Arthur Schnitzler
A Beatrix Potter Treasury
Author: Beatrix Potter
Publisher: Frederick Warne Publishers
ISBN: 0723259577
Pages: 189
Year: 2007
View: 986
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Peter Schlemihl's Wundersame Geschichte
Author: Adelbert Von Chamisso
Publisher: Palala Press
ISBN: 1377635945
Pages: 120
Year: 2018-02-16
View: 520
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Edge of Irony
Author: Marjorie Perloff
Publisher: University of Chicago Press
ISBN: 022605442X
Pages: 204
Year: 2016-05-06
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Among the brilliant writers and thinkers who emerged from the multicultural and polyglot world of the Austro-Hungarian Empire were Sigmund Freud, Ludwig Wittgenstein, Franz Kafka, and Paul Celan. For them, the trauma of the First World War included the sudden dissolution of the geographical entity into which they were born. Austria, the small, fragile republic that emerged from the Empire in 1918, became in Karl Kraus s words the research laboratory for world destruction. In this major reconsideration of European modernism, Marjorie Perloff identifies and explores the aesthetic world that emerged from the rubble of WWI Vienna and other former Hapsburg territoriesan Austro-Modernist ethos that strangely anticipates the darkness and cynicism of our own disillusioned twenty-first-century culture. Perloff introduces works in a variety of genresdrama (Kraus s Last Days of Mankind ), the novel (Roth s The Radetzky March ), the essay (central to Robert Musil s The Man without Qualities ), the memoir (Elias Canetti s The Tongue Set Free ), the lyric poem (Celan s love poetry), and the philosophical notebook (Wittgenstein)so as to give even non-specialists a sense of the complex and troubled literary scene created in the shadow of empire and war. These writers created a deeply skeptical and resolutely individualistic modernismone much less ideologically charged, for example, than its counterpart in Germany. Austro-Modernism was not avant-garde in the usual senses, Perloff shows. But its savage and grotesquely comic irony, its conviction, most memorably expressed by Wittgenstein, that argumentation was best conveyed through aphorism, its fondness for paradox and contradiction as modes of understanding, and its early embrace of an aesthetics of documentation and appropriationthese may well be the most lasting legacies of any modernist movement. Austro-Modernism emerges here as a vital alternative, not only to the French and Anglo-American modernisms that have largely defined the period, but also to Weimar and the Frankfurt School, so central to Anglo-American cultural studies."