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Reclaiming Heimat
Author: Jacqueline Vansant
Publisher: Wayne State University Press
ISBN: 0814329519
Pages: 204
Year: 2001
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In Reclaiming Heimat, Jacqueline Vansant focuses on nine memoirs by seven Austrian re?imigr's who provide moving accounts of the profound loss of Heimat (home/homeland) and self and the desire to recover the loss in part by returning home.
Heimat - A German Dream
Author: Elizabeth Boa, Rachel Palfreyman
Publisher: OUP Oxford
ISBN: 0191583545
Pages: 242
Year: 2000-09-21
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The discourse of Heimat, meaning homeland or roots, has been a medium of debate on German identity between region and nation for at least a century. Four phases parallel Germany's discontinuous history: Heimat literature as a response to modernization and to regional tensions before the First World War; the inter-war period when Heimat divided into racist ideology, left-wing opposition, and inner resistance to the Third Reich; a post-war dialectic between escapist 1950s Heimat films and right-wing claims to the lost lands in the East to which anti-Heimat theatre and films in the 1960s and 1970s were a response, with the urban Heimat in GDR films adding a socialist twist; regionalism and green politics in the 1980s and German identity beyond Cold War divisions. A key point of reference in current debates on German history, Heimat looks likely to continue in postmodern and multicultural mode.
Vienna Is Different
Author: Hillary Hope
Publisher: Berghahn Books
ISBN: 0857451820
Pages: 298
Year: 2011-10-30
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Assessing the impact of fin-de-siècle Jewish culture on subsequent developments in literature and culture, this book is the first to consider the historical trajectory of Austrian-Jewish writing across the 20th century. It examines how Vienna, the city that stood at the center of Jewish life in the Austrian Empire and later the Austrian nation, assumed a special significance in the imaginations of Jewish writers as a space and an idea. The author focuses on the special relationship between Austrian-Jewish writers and the city to reveal a century-long pattern of living in tension with the city, experiencing simultaneously acceptance and exclusion, feeling "unheimlich heimisch" (eerily at home) in Vienna.
Nomadic Ethics in Contemporary Women's Writing in German
Author: Emily Jeremiah
Publisher: Camden House
ISBN: 1571135367
Pages: 224
Year: 2012
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Explores nationality, gender, and postmodern subjectivity in the work of five German-speaking women writers who embody a "nomadic ethics."
Screening Nostalgia
Author: Alexandra Ludewig
Publisher: transcript Verlag
ISBN: 3839414628
Pages: 476
Year: 2014-03
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The Heimat film genre, assumed to be outdated by so many, is very much alive. Who would have thought that this genre - which has been almost unanimously denounced within academic circles, but which seems to resonate so deeply with the general public - would experience a renaissance in the 21st century? The genre's recent resurgence is perhaps due less to an obsession with generic storylines and stereotyped figures than to a basic human need for grounding that has resulted in a passionate debate about issues of past and present. This book traces the history of the Heimat film genre from the early mountain films to Fatih Akin's contemporary interpretations of Heimat.
Central European Jewish Émigrés and the Shaping of Postwar Culture: Studies in Memory of Lilian Furst (1931-2009)
Author: Julie Mell, Malachi Hacohen
Publisher: MDPI
ISBN: 3906980561
Pages: 304
Year: 2018-10-08
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This book is a printed edition of the Special Issue "Between Religion and Ethnicity: Twentieth-Century Jewish Émigrés and the Shaping of Postwar Culture" that was published in Religions
Becoming Austrians
Author: Lisa Silverman
Publisher: Oxford University Press
ISBN: 0199942722
Pages: 346
Year: 2012-06-19
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The collapse of Austria-Hungary in 1918 left all Austrians in a state of political, social, and economic turmoil, but Jews in particular found their lives shaken to the core. Although Jews' former comfort zone suddenly disappeared, the dissolution of the Dual Monarchy also created plenty of room for innovation and change in the realm of culture. Jews eagerly took up the challenge to fill this void, and they became heavily invested in culture as a way to shape their new, but also vexed, self-understandings. By isolating the years between the World Wars and examining formative events in both Vienna and the provinces, Becoming Austrians: Jews and Culture between the World Wars demonstrates that an intensified marking of people, places, and events as "Jewish" accompanied the crises occurring in the wake of Austria-Hungary's collapse, with profound effects on Austria's cultural legacy. In some cases, the consequences of this marking resulted in grave injustices. Philipp Halsmann, for example, was wrongfully imprisoned for the murder of his father years before he became a world-famous photographer. And the men who shot and killed writer Hugo Bettauer and philosopher Moritz Schlick received inadequate punishment for their murderous deeds. But engagements with the terms of Jewish difference also characterized the creation of culture, as shown in Hugo Bettauer's satirical novel The City without Jews and its film adaptation, other texts by Veza Canetti, David Vogel, A.M. Fuchs, Vicki Baum, and Mela Hartwig, and performances at the Salzburg Festival and the Yiddish theater in Vienna. By examining the lives, works, and deeds of a broad range of Austrians, Lisa Silverman reveals how the social codings of politics, gender, and nation received a powerful boost when articulated along the lines of Jewish difference.
From Hitler to Heimat
Author: Anton Kaes
Publisher: Harvard University Press
ISBN: 0674324560
Pages: 273
Year: 1989
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West German filmmakers have tried to repeatedly over the past half-century to come to terms with Germanyâe(tm)s stigmatized history. How can Hitler and the Holocaust, how can the complicity and shame of the average German be narrated and visualized? How can Auschwitz be reconstructed? Anton Kaes argues that a major shift in German attitudes occurred in the mid-1970sâe"a shift best illustrated in films of the New German Cinema, which have focused less on guilt and atonement than on personal memory and yearning for national identity. To support his claim, Kaes devotes a chapter to each of five complex and celebrated films of the modern German era: Hans Jürgen Syberberg's Hitler, a Film from Germany, a provocative restaging of German history in postmodern tableaux; The Marriage of Maria Braun, the personal and political reflection on postwar Germany with which Rainer Werner Fassbinder first caught the attention of American and European audiences; Helma Sanders-Brahms's feminist and autobiographical film Germany, Pale Mother, relating the unexplored role of German women during and after the war; Alexander Kluge's The Patriot, a self-reflexive collage of verbal and visual quotations from the entire course of the German past; and, finally, Edgar Reitz's Heimat, a 16-hour epic rendering of German history from 1918 to the present from the perspective of everyday life in the provinces. Despite radical differences in style and form, these films are all concerned with memory, representation, and the dialogue between past and present Kaes draws from a variety of disciplines, interweaving textual interpretation, cultural history, and current theory to create a dynamic approach to highly complex and multi-voiced films. His book will engage readers interested in postwar German history, politics, and culture; in film and media studies; and in the interplay of history, memory, and film.
The Heimat Abroad
Author: K. Molly O'Donnell, Renate Bridenthal, Nancy Reagin
Publisher: University of Michigan Press
ISBN: 0472025120
Pages: 336
Year: 2010-02-22
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Germans have been one of the most mobile and dispersed populations on earth. Communities of German speakers, scattered around the globe, have long believed they could recreate their Heimat (homeland) wherever they moved, and that their enclaves could remain truly German. Furthermore, the history of Germany is inextricably tied to Germans outside the homeland who formed new communities that often retained their Germanness. Emigrants, including political, economic, and religious exiles such as Jewish Germans, fostered a nostalgia for home, which, along with longstanding mutual ties of family, trade, and culture, bound them to Germany. The Heimat Abroad is the first book to examine the problem of Germany's long and complex relationship to ethnic Germans outside its national borders. Beyond defining who is German and what makes them so, the book reconceives German identity and history in global terms and challenges the nation state and its borders as the sole basis of German nationalism. Krista O'Donnell is Associate Professor of History, William Paterson University. Nancy Reagin is Professor of History, Pace University. Renete Bridenthal is Emerita Professor of History, Brooklyn College of the City University of New York.
Catholicism and Austrian culture
Author: Ritchie Robertson, Judith Beniston
Publisher: Edinburgh Univ Pr
ISBN: 0748613072
Pages: 191
Year: 1999
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This volume of Austrian Studiesoffers eight essays in cultural history on the intimate connection of Roman Catholic devotion -- and its opposite, anticlericalism -- with Austrian culture from the seventeenth to the twentieth century. In addition to tracing the historical development of Catholicism in Austrian culture, the essays examine controversial individuals including the Counter-Reformation polymath Athanasius Kircher, Cardinal-Archbishop of Vienna Anton Migazzi, and priest Zacharius Werner.
Austrian studies
Author: Edward Timms, Ritchie Robertson
Year: 2003-01-01
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Austrian Studies Newsletter
Year: 2001
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Year: 2003
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Book Review Digest
Year: 2002
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Empire in the Heimat
Author: Willeke Sandler
Publisher: Oxford University Press
ISBN: 0190697911
Pages: 256
Year: 2018-08-09
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With the end of the First World War, Germany became a "post-colonial" power. The Treaty of Versailles in 1919 transformed Germany's overseas colonies in Africa and the Pacific into League of Nations Mandates, administered by other powers. Yet a number of Germans rejected this "post-colonial" status, arguing instead that Germany was simply an interrupted colonial power and would soon reclaim these territories. With the Nazi seizure of power in 1933, irredentism seemed once again on the agenda, and these colonialist advocates actively and loudly promoted their colonial cause in the Third Reich. Examining the domestic activities of these colonialist lobbying organizations, Empire in the Heimat demonstrates the continued place of overseas colonialism in shaping German national identity after the end of formal empire. In the Third Reich, the Deutsche Kolonialgesellschaft and the Reichskolonialbund framed Germans as having a particular aptitude for colonialism and the overseas territories as a German Heimat. As such, they sought to give overseas colonialism renewed meaning for both the present and the future of Nazi Germany. They brought this message to the German public through countless publications, exhibitions, rallies, lectures, photographs, and posters. Their public activities were met with a mix of occasional support, ambivalence, or even outright opposition from some Nazi officials, who privileged the Nazi regime's European territorial goals over colonialists' overseas goals. Colonialists' ability to navigate this obstruction and intervention reveals both the limitations and the spaces available in the public sphere under Nazism for such "special interest" discourses.