Poetics Of Music In The Form Of Six Lessons Book PDF, EPUB Download & Read Online Free

Poetics of Music in the Form of Six Lessons
Author: Igor Stravinsky
Publisher: Harvard University Press
ISBN: 0674678567
Pages: 142
Year: 1970
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The distinguished composer discusses the phenomenon of music, its composition and performance, music typology, and the avatars of Russian music
Poetics of Music in the Form of Six Lessons
Author: Igor Stravinsky
Publisher: Read Books
ISBN: 1443726915
Pages: 152
Year: 2008-11-04
View: 505
Read: 273
POETICS OF MUSIC IN THE FORM OF SIX LESSONS by IGOR STRAVINSKY. First published in 1947. CONTENTS: Preface by DARIUS MILHAUD 1. Getting Acquainted 1 2. The Phenomenon of Music .... 21 3. The Composition of Music 45 4. Musical Typology 67 5. The Avatars of Russian Music .... 91 6. The Performance of Music . . .119 EPILOGUE PREFACE: THE POETICS OF MUSIC is like a searchlight turned by Stravinsky on his own work on one hand, and on music in general on the other. Every new work by this great composer is laden with far reaching significance. Each one possesses its own structure, its own tonal equilibrium, even its own moral climate. And the painstaking honesty the craf tsmanly exactitude of each work raises it to the heights of abstract thought and at the same time to that austerity, economy of means, and essential au thenticity which characterize the true laying bare of a soul. Igor Stravinskys book invites us to follow him into the secret world that is the counterpart to the world of sou
Poetics Of Music In The Form Of Six Lessons
Author: Igor Stravinsky
Publisher: Read Books Ltd
ISBN: 1447493095
Pages: 148
Year: 2018-01-04
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Read: 503
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Music and Imagination
Author: Aaron Copland
Publisher: Harvard University Press
ISBN: 0674589157
Pages: 116
Year: 1980
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Describes the all important role of the imagination in the composition, performance, appreciation and intelligent comprehension of music and surveys its influence on contemporary music
Poetics of Music in the Form of Six Lessons. Translated by Arthur Knodel and Ingolf Dahl
Author: Igor Stravinsky, Ingolf DAHL, Arthur J. KNODEL
Publisher:
ISBN:
Pages:
Year: 1947
View: 500
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The Unanswered Question
Author: Leonard Bernstein
Publisher: Harvard University Press
ISBN: 0674920015
Pages: 428
Year: 1976
View: 462
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The aesthetic origins and directions of music are explored, touching upon concepts and visualizations from such fields as poetry, linguistics, and physics
Debussy in Proportion
Author: Roy Howat
Publisher: Cambridge University Press
ISBN: 0521311454
Pages: 239
Year: 1986-03-06
View: 429
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An analysis that accounts precisely for the nature of Debussy's musical forms and how forms of different works are related. Geometric systems found here throw new light on Debussy's intense interest in the other arts and provide links with artists he admired in other fields.
This Craft of Verse
Author: Jorge Luis Borges, Calin Andrei Mihailescu
Publisher: Harvard University Press
ISBN: 0674008200
Pages: 160
Year: 2002
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Transcribed from recently discovered tapes, this work stands as a deeply personal yet far-reaching introduction to the pleasures of the word, and as a first-hand testimony to the life of literature. 1 halftone.
Conversations with Igor Stravinsky
Author: Robert Craft
Publisher: Faber & Faber
ISBN: 0571308791
Pages: 156
Year: 2013-07-04
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Conversations with Igor Stravinsky is the first of the celebrated series of conversation books in which Stravinsky, prompted by Robert Craft, reviewed his long and remarkable life. The composer brings the Imperial Russia of his childhood vividly into focus, at the same time scanning what were at the time the brave new horizons of Boulez and Stockhausen with extraordinary acuity. Stravinsky answers searching questions about his musical development and recalls his association with Diaghilev and the Russian Ballet. There are sympathetic and extraordinarily illuminating reminiscences of such composers as Debussy and Ravel ('the only musicians who immediately understood Le Sacre du Printemps'), while mischievous squibs are directed at others, most notably perhaps against Richard Strauss, all of whose operas Stravinsky wished 'to admit ... to whichever purgatory punishes triumphant banality'. The conversations are by no means confined to musical subjects, ranging uninhibitedly across all the arts: Stravinsky gives unforgettable sketches of Ibsen, Rodin, Proust, Giacometti, Dylan Thomas and T S Eliot. 'The conversations between Igor Stravinsky and Robert Craft are unique in musical history. The penetration of Craft's questions and the patience and detail of Stravinsky's answers combine to produce an intimate picture of a man who has sometimes puzzled, often delighted, and always intrigued ...' The Sunday Times
Stravinsky, the Composer and His Works
Author: Eric Walter White
Publisher: Univ of California Press
ISBN: 0520039858
Pages: 656
Year: 1984
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In the second edition of the definitive account of Igor Stravinsky's life and work, arranged in two separate sections, Eric Walter White revised the whole book, completing the biographical section by taking it up to Stravinsky's death in 1971. To the list of works, the author added some early pieces that have recently come to light, as well as the late compositions, including the Requiem Canticles and The Owl and the Pussycat. Four more of Stravinsky's own writings appear in the Appendices, and there are several important additions to the bibliography.
Stravinsky's Ballets
Author: Charles M. Joseph
Publisher:
ISBN: 0300118724
Pages: 298
Year: 2011
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"Joseph provides superb analyses of each of Stravinsky's ballet pieces, examining the composer's own drafts, notes and sketches to discover how he conceived of and developed each work."--Jacket.
Six Drawing Lessons
Author: William Kentridge
Publisher:
ISBN: 0674365801
Pages: 187
Year: 2014
View: 375
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Art, William Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and cannot be purely understood in the rational terms of academic disciplines. The studio is where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity.
The Lessons of History
Author: Will Durant, Ariel Durant
Publisher: Simon and Schuster
ISBN: 1439170193
Pages: 128
Year: 2012-08-21
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A concise survey of the culture and civilization of mankind, The Lessons of History is the result of a lifetime of research from Pulitzer Prize–winning historians Will and Ariel Durant. With their accessible compendium of philosophy and social progress, the Durants take us on a journey through history, exploring the possibilities and limitations of humanity over time. Juxtaposing the great lives, ideas, and accomplishments with cycles of war and conquest, the Durants reveal the towering themes of history and give meaning to our own.
Six Memos for the Next Millennium
Author: Italo Calvino
Publisher: Houghton Mifflin Harcourt
ISBN: 0544230965
Pages: 176
Year: 2016-08-02
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“One of the most rigorously presented and beautifully illustrated critical testaments in all of literature.”—Boston Globe “A brilliant, original approach to literature, a key to Calvino’s own work and a thoroughly delightful and illuminating commentary on some of the world’s greatest writing.”—San Francisco Chronicle At the time of his death, Italo Calvino was at work on six lectures setting forth the qualities in writing he most valued, and which he believed would define literature in the century to come. Here, in Six Memos for the Next Millennium, are the five lectures he completed, forming not only a stirring defense of literature, but also an indispensable guide to the writings of Calvino himself. He devotes one “memo” each to the concepts of lightness, quickness, exactitude, visibility, and multiplicity, drawing examples from his vast knowledge of myth, folklore, and works both ancient and modern. Readers will be astonished by the prescience of these lectures, which have only gained in relevance as Calvino’s “next millennium” has dawned.
The Classical Style
Author: Charles Rosen
Publisher: W. W. Norton & Company
ISBN: 0393317129
Pages: 533
Year: 1998-01
View: 874
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Presents a detailed analysis of the musical styles and forms developed by Mozart, Haydn, and Beethoven

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