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Nonfiction Film
Author: Richard Meran Barsam
Publisher: Indiana University Press
ISBN: 0253207061
Pages: 482
Year: 1992
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Nonfiction Film: A Critical Historycovers almost one hundred years in the worldwide development of the non-fiction film, from the first factual films of 1895 to the cinema of the 1980s. All the important non-fiction film movements -- the factual film, exploration film, war film, propaganda film, documentary film, compilation film, Cinéma vérité, film on art, films of the developing countries, and contemporary women's, lesbian, and gay liberation films -- are discussed, as are outstanding non-fiction filmmakers, including Auguste and Louis Lumiére, Thomas A. Edison, Dziga Vertov, Esther Shub, Alexander Dovzhenko, Alberto Cavalcanti, Robert Flaherty, John Grierson, Pare Lorentz, Joris Ivens, Henri Storck, Leni Riefenstahl, Frank Capra, Willard Van Dyke, Alain Resnais, Robert Drew, Richard Leacock, D. A. Pennebaker, Frederick Wiseman, Marcel Ophuls, Emile De Antonio, and Albert and David Maysles. More than 2,000 films are examined, many in unprecedented detail. Richard Barsam's revised and expanded edition ofNonfiction Film: A Critical History(first published in 1973) fills the need for a one-volume critical study of the non-fiction film. It is unmatched in its comprehensiveness, the depth of its analyses of non-fiction genres, movements, directors, and films, and its discussions of historical and cultural influences.
Documentary
Author: Erik Barnouw
Publisher: Oxford University Press, USA
ISBN: 0195078985
Pages: 400
Year: 1993
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Presents a history of the documentary film.
New Nonfiction Film
Author: Dara Waldron
Publisher: Bloomsbury Publishing USA
ISBN: 1501322524
Pages: 224
Year: 2018-08-09
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New Nonfiction Film: Art, Poetics and Documentary Theory is the first book to offer a lengthy examination of the relationship between fiction and documentary from the perspective of art and poetics. The premise of the book is to propose a new category of nonfiction film that is distinguished from – as opposed to being conflated with – the documentary film in its multiple historical guises; a premise explored in case-studies of films by distinguished artists and filmmakers (Abbas Kiarostami, Ben Rivers, Chantal Akerman, Ben Russell Pat Collins and Gideon Koppel). The book builds a case for this new category of film, calling it the 'new nonfiction film,' and argues, in the process, that this kind of film works to dismantle the old distinctions between fiction and documentary film and therefore the axioms of Film and Cinema Studies as a discipline of study.
Beyond Document
Author: Charles Warren
Publisher: Wesleyan University Press
ISBN: 0819562904
Pages: 366
Year: 1996-05-31
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Critics and writers consider nonfiction film both as document and as creative work with strong artistic, political, and moral implications.
Rhetoric and Representation in Nonfiction Film
Author: Carl Plantinga
Publisher: Schuler Books
ISBN: 1936243016
Pages: 278
Year: 2015-06-21
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Rhetoric and Representation in Nonfiction Film provides a clear and compelling introduction to the basic theoretical issues that ground any in-depth study of documentary film and video.
Post-revolution Nonfiction Film
Author: Joshua Malitsky
Publisher: Indiana University Press
ISBN: 025300764X
Pages: 273
Year: 2013
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In the charged atmosphere of post-revolution, artistic and political forces often join in the effort to reimagine a new national space for a liberated people. Joshua Malitsky examines nonfiction film and nation building to better understand documentary film as a tool used by the state to create powerful historical and political narratives. Drawing on newsreels and documentaries produced in the aftermath of the Russian revolution of 1917 and the Cuban revolution of 1959, Malitsky demonstrates the ability of nonfiction film to help shape the new citizen and unify, edify, and modernize society as a whole. Post-Revolution Nonfiction Film not only presents a critical historical view of the politics, rhetoric, and aesthetics shaping post-revolution Soviet and Cuban culture but also provides a framework for understanding the larger political and cultural implications of documentary and nonfiction film.
Documenting Cityscapes
Author: Iván Villarmea Álvarez
Publisher: Columbia University Press
ISBN: 0231850786
Pages: 240
Year: 2015-05-12
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While film studies has traditionally treated the presence of the city in film as an urban text operating inside of a cinematic one, this approach has recently evolved into the study of cinema as a technology of place. From this perspective, Documenting Cityscapes explores the way the city has been depicted by nonfiction filmmakers since the late 1970s, paying particular attention to three aesthetic tendencies: documentary landscaping, urban self-portraits, and metafilmic strategies. Through the formal analysis of fifteen works from six different countries, this volume investigates how the rise of subjectivity has helped to develop a kind of gaze that is closer to citizens than to the institutions and corporations responsible for recent major transformations. Documenting Cityscapes therefore reveals the extent to which cinema has become an agent of urban change, in which certain films not only challenge the most controversial policies of late capitalism but also are able to produce spatiality themselves.
The Art of Nonfiction Movie Making
Author: Jeffrey Friedman, Robert P. Epstein, Sharon Wood
Publisher: ABC-CLIO
ISBN: 027599225X
Pages: 239
Year: 2012
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The past few years have featured such blockbusters as "Super-Size Me," "Fahrenheit 9/11," "Sicko," "March of the Penguins," and "An Inconvenient Truth." And as news articles proclaim a new era in the history of documentary films, more and more new directors are making their first film a nonfiction one. But in addition to posing all of the usual challenges inherent to more standard filmmaking, documentaries also present unique problems that need to be understood from the outset. Where does the idea come from? How do you raise the money? How "much" money do you need? What visual style is best suited to the story? What are the legal issues involved? And how can a film reach that all-important milestone and find a willing distributor? Epstein, Friedman, and Wood tackle all of these important questions with examples and anecdotes from their own careers. The result is an informative and entertaining guide for those just starting out, and an enlightening read for anyone interested in a behind-the-scenes look at this newly reinvigorated field of film.
Education in the School of Dreams
Author: Jennifer Lynn Peterson
Publisher: Duke University Press
ISBN: 0822354535
Pages: 369
Year: 2013-05-22
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Through innovative readings of travelogues and other nonfiction films exhibited in the United States between 1907 and 1915, Jennifer Lynn Peterson offers new insights into the aesthetic and commercial history of early cinema.
Documentary Screens
Author: Keith Beattie
Publisher: Macmillan International Higher Education
ISBN: 1137207329
Pages: 224
Year: 2004-05-28
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Documentary productions encompass remarkable representations of surprising realities. How do documentaries achieve their ends? What types of documentaries are there? What factors are implicated in their production? Such questions animate this engaging study. Documentary Screens is a comprehensive and critical study of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so-called popular factual entertainment and the future of documentary film, television and new media. This provocative and accessible analysis situates wide-ranging examples from each category within the larger material forces which impact on documentary form and content. The important connection between form, content and context explored in the book constitutes a new and lively 'documentary studies' approach to documentary representation.
Documentary Display
Author: Keith Beattie
Publisher: Wallflower Press
ISBN: 1905674732
Pages: 187
Year: 2008
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Not all documentary films and videos are sober depictions of the real world. Documentary representations can present expressive, entertaining, and spectacular images and explore modes of "showing," in which sensation is the vehicle of cognition and knowledge. This display is analyzed within the popular and prominent forms of found- footage film, "rockumentary," the city film, nonfiction surf film and video, and certain views of natural science. An accessible and informed study, its focus on entertaining, popular, spectacular, and sensational forms of nonfiction representation is an important contribution to theoretical analysis of documentary film and video.
Documentary Storytelling
Author: Sheila Curran Bernard
Publisher: Taylor & Francis
ISBN: 1136042334
Pages: 400
Year: 2013-05-02
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Documentary Storytelling is unique in offering an in-depth look at story and structure as applied not to Hollywood fiction, but to films and videos based on factual material and the drama of real life. With the growing popularity of documentaries in today's global media marketplace, demand for powerful and memorable storytelling has never been greater. This practical guide offers advice for every stage of production, from research and proposal writing to shooting and editing, and applies it to diverse subjects and film styles, from vérité and personal narrative to archival histories and more. Filled with real-world examples drawn from the author's career and the experiences of some of today's top documentarians, Documentary Storytelling includes special interview chapters with Ric Burns, Jon Else, Nick Fraser, Susan Froemke, Sam Pollard, Onyekachi Wambu and other film professionals. This second edition has been brought up to date with a more international focus, a look at lower-budget independent filmmaking, and consideration of newer films including Super Size Me, Murderball, So Much So Fast, and When the Levees Broke.
Uncharted Territory
Author: Nico de Klerk
Publisher:
ISBN:
Pages: 131
Year: 1997
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Making Forest of Bliss
Author: Robert Gardner, Akos Ostor, Ákos Östör
Publisher: Harvard University Press
ISBN:
Pages: 135
Year: 2001
View: 680
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DVD contains: Forest of Bliss.
Documentary Storytelling
Author: Sheila Curran Bernard
Publisher: CRC Press
ISBN: 1135015821
Pages: 358
Year: 2015-12-22
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Documentary Storytelling has reached filmmakers and filmgoers worldwide with its unique focus on the key ingredient for success in the growing global documentary marketplace: storytelling. This practical guide reveals how today’s top filmmakers bring the tools of narrative cinema to the world of nonfiction film and video without sacrificing the rigor and truthfulness that give documentaries their power. The book offers practical advice for producers, directors, editors, cinematographers, writers and others seeking to make ethical and effective films that merge the strengths of visual and aural media with the power of narrative storytelling. In this new, updated edition, Emmy Award-winning author Sheila Curran Bernard offers: New strategies for analyzing documentary work New conversations with filmmakers including Stanley Nelson (The Black Panthers), Kazuhiro Soda (Mental), Orlando von Einsiedel (Virunga), and Cara Mertes (JustFilms) Discussions previously held with Susan Kim (Imaginary Witness), Deborah Scranton (The War Tapes), Alex Gibney (Taxi to the Dark Side), and James Marsh (Man on Wire).