Lenseignement Du Mouvement Dans Le Jeu Des Cordes Techniques Formatives Et Correctives Pour Le Violon Et Lalto Book PDF, EPUB Download & Read Online Free

L'enseignement du mouvement dans le jeu des cordes
Author: Paul Rolland, Marla Mutschler, Frances A. Hellebrandt, Chantal Masson-Bourque
Publisher: Sainte-Foy, Québec : Presses de l'Université Laval
ISBN: 2763771718
Pages: 247
Year: 1991-01-01
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"The Teaching of Action in String Playing", dont voici enfin la traduction française, est une passionnante pédagogie du jeu des cordes, aussi séduisante qu'efficace, aussi pratique que scientifiquement fondée. L'auteur, Paul Rolland (1911-1978), violoniste et pédagogue, lauréat de l'Académie Franz-Liszt de Budapest, premier violon de l'orchestre symphonique de cette ville et quartettiste raffiné, émigre aux Etats-Unis en 1938. Professeur à la University of Illinois School of Music, il entreprend dans les années soixante un vaste projet de recherche visant à accélérer l'apprentissage du violon et de l'alto, en améliorant les techniques d'acquisition des bons mouvements pour faire fondre les tensions. Fruit d'un considérable travail d'équipe, le présent ouvrage s'appuie sur une synthèse des grandes pédagogies du violon, de Carl Flesch à Shiniki Suzuki, et sur les dernières découvertes dans les domaines de la psychomotricité, de la biomécanique et de la kinesthésie. Deux chapitres exposent sous un angle neuf les fondements de chaque technique : la tenue, l'équilibre de la main, le sautillé, les démanchés, le vibrato, etc. Les autres proposent 93 "activités", clairement décrites et abondamment illustrées, qui mènent à l'acquisition des mouvements les plus efficaces et les moins fatigants pour produire de beaux sons. "L'enseignement du mouvement dans le jeu des cordes" est une mine d'idées fécondes, une source d'enthousiasme, d'énergie et de liberté. Il s'adresse surtout aux professeurs de violon et d'alto, mais aussi aux étudiants en musique, aux élèves de tous niveaux, du débutant au plus expérimenté, ainsi qu'aux interprètes et artistes qui désirent intégrer dans leur jeu aisance et naturel.
Bibliographie du Québec
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Year: 1991
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Livres de France
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Year: 1992
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Includes Les Livres du mois formerly published separately.
Les Livres disponibles
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Year: 2002
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La liste exhaustive des ouvrages disponibles publiés en langue française dans le monde. La liste des éditeurs et la liste des collections de langue française.
London
Author: Roy Porter
Publisher: Harvard University Press
ISBN: 0674538390
Pages: 431
Year: 1998-02
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An extraordinary city, London grew from a backwater in the Classical Age into an important medieval city and significant Renaissance urban center to a modern colossus--full of a free people ever evolving. Roy Porter touches the pulse of his hometown and makes it our own, capturing London's fortunes, people, and imperial glory with vigor and wit. 58 photos.
Ivrrac
Author: Peter Robert Jordan
Publisher: Trentsworth Press
ISBN: 0473154099
Pages: 367
Year: 2009-08
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A Psychological Intrigue Set in Alpine New Zealand by New Kiwi Author Peter R. Jordan. Simon, a convicted serial killer of the rich, undergoes treatment at a fledgling private criminal rehabilitation firm, IVRRAC. Simon is then sent to the alpine village of Trentsworth, a town full of rich socialite women, to ascertain whether he is cured of his murderous impulses or not. During his stay in Trentsworth, Simon falls in love with his neighbour, Kyndrea, the only child of a rich widower. After a time he realises there is no way she would be able to love him due to his past. Through this anguish he discovers that the rehabilitation process has failed and he is still able to exact his revenge with dramatic and unexpected results. During the aftermath of his actions he is informed what the anagram IVRRAC stands for and the awful truth that IVRRAC has its own dark secrets and Trentsworth is not at all what it seems. "One mistake, one tiny error in that psych report, the treatment won't hold and that will spell disaster. Suicide, massacre or most likely both! I'll stay with him and watch events carefully, but I won't be held responsible."
Demand
Author: Adrian Slywotzky, Karl Weber
Publisher: Crown Business
ISBN: 0307887340
Pages: 368
Year: 2011-10-04
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In DEMAND: Giving People What They Love Before They Know They Want It (Crown Business; October 2011), Adrian Slywotzky, named by Industry Week one of the world’s six most influential management thinkers, provides a radically new way to think about demand, with a big idea and a host of practical applications—not just for people in business but also for social activists, governments leaders, non-profit managers, and other would-be innovators. They all need to master such ground-breaking concepts as the hassle map (and the secrets of fixing it); the curse of the incomplete product (and how to avoid it); why very good ≠ magnetic; how what you don’t see can make or break a product; the art of transforming fence sitters into customers; why there’s no such thing as an average customer; and why real demand comes from a 45-degree angle of improvement (rather than the five degrees most organizations manage). From the Hardcover edition.
The Suzuki Violinist (Revised)
Author: William Starr
Publisher: Alfred Music
ISBN: 1457403668
Pages: 168
Year:
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A comprehensive guide to the Suzuki violin literature containing many illustrations. Widely used internationally by both teachers and parents, this newly revised edition contains musical examples which have been inserted for all of the suggested exercises for ease of reference. In addition, an entirely new chapter has been added called "Practice Can Be Fun" which includes material from speeches the author has given at institutes to children, parents and teachers. There are stories on practicing which can be read to children.
Discourse Analysis
Author: Gillian Brown, George Yule
Publisher: Cambridge University Press
ISBN: 1107717094
Pages: 304
Year: 1983-07-28
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Discourse analysis is a term that has come to have different interpretations for scholars working in different disciplines. For a sociolinguist, it is concerned mainly with the structure of social interaction manifested in conversation; for a psycholinguist, it is primarily concerned with the nature of comprehension of short written texts; for the computational linguist, it is concerned with producing operational models of text-understanding within highly limited contexts. In this textbook, first published in 1983, the authors provide an extensive overview of the many and diverse approaches to the study of discourse, but base their own approach centrally on the discipline which, to varying degrees, is common to them all - linguistics. Using a methodology which has much in common with descriptive linguistics, they offer a lucid and wide-ranging account of how forms of language are used in communication. Their principal concern is to examine how any language produced by man, whether spoken or written, is used to communicate for a purpose in a context.
Magic Time
Author: Doug Marlette
Publisher: Macmillan
ISBN: 0312426674
Pages: 592
Year: 2007-06-12
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Following an emotional breakdown, New York City newspaper columnist Carter Ransom returns home to Mississippi to confront his formidable father and a traumatic past marked by a twenty-five-year-old unsolved civil rights murder case that shattered his family. By the author of The Bridge. Reader's Guide available. Reprint. 35,000 first printing.
Noise Music
Author: Paul Hegarty
Publisher: Bloomsbury Academic
ISBN: 0826417272
Pages: 232
Year: 2007-09-01
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Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provides an excellent historical overview, the book's main concern is in the noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie, and Pauline Oliveros through to bands like Throbbing Gristle and the Boredoms. Sharp and erudite, and underpinned throughout by the ideas of thinkers like Adorno and Deleuze, Noise/Music is the perfect primer for anyone interested in the louder side of experimental music.
The Book of Abraham
Author: Marek Halter
Publisher:
ISBN: 1592640397
Pages: 797
Year: 2003
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The story begins in Jerusalem in 70 AD as Abraham the Temple scribe flees the destruction of his home. Two thousand years and a hundred generations later, another Abraham perishes, immolated in the fires of the Warsaw Ghetto.
Bleach, Vol. 70
Author: Tite Kubo
Publisher: VIZ Media LLC
ISBN: 1421598353
Pages: 199
Year: 2017-07-04
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Jugo and Bazz spent their childhood together, but their paths diverged once they met Yhwach. They now stand against each other as enemies, but what's truly in their hearts? Meanwhile, Kenpachi and Mayuri face off against the weirdest Quincy yet! -- VIZ Media
Violin Playing as I Teach it
Author: Leopold Auer
Publisher:
ISBN:
Pages: 225
Year: 1921
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The Art of the Violin
Author: Pierre Baillot
Publisher: Northwestern University Press
ISBN: 0810133016
Pages: 545
Year: 1991-06-01
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Never before available in English, this classic work is a major contribution to the art and technique of violin playing and an important document in the history of performance practice. A contemporary of Kreutzer and Rode, Pierre Marie Francois de Sales Baillot provides in his treatise many insights into the style of nineteenth-century fingering, bowing, ornamentation, and expressiveness that are not apparent from the directions and markings found in scores of that time. Such information will be invaluable for performers interested in understanding the intentions of composers such as Viotti, Haydn, Mozart, Beethoven, and Mendelssohn. This complete, unabridged translation, which includes an extensive introduction by the translator, Louise Goldberg, and a foreword by Zvi Zeitlin, will be indispensable for musicologists, performers, and lovers of eighteenth- and nineteenth-century classical music.

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