Latelier Dalberto Giacometti Book PDF, EPUB Download & Read Online Free

L'atelier d'Alberto Giacometti
Author: Jean Genet, Ernest Scheidegger, Marc Barbezat
Publisher: Editions Gallimard
ISBN: 2070786315
Pages: 92
Year: 2007
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La découverte de l'atelier de Giacometti à travers des photographies de l'artiste au travail et des échanges entre Genet et lui permet de se rendre compte de l'importance d'un lieu et du cheminement des créations. Publié pour la première fois en 1963.
L'atelier d'Alberto Giacometti
Author: Jean Genet (Schriftsteller)
Year: 1963
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The Studio of Alberto Giacometti
Author: Alberto Giacometti, Véronique Wiesinger
Publisher: Editions du Centre Pompidou
ISBN: 2844263526
Pages: 417
Year: 2007
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Exposition autour du processus créatif d'Alberto Giacometti et des collections de la Fondation Alberto et Annette Giacometti. Exploration photographique d'un lieu devenu mythique, son atelier, des diverses pratiques de l'artiste (sculpture, peinture, dessin, écriture...) et de l'accueil reçu par Giacometti et ses oeuvres. L'artiste comme acteur de son propre mythe.
L'atelier d'Alberto Giacometti
Author: Jean Genet (Schriftsteller)
Year: 1963
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Alberto Giacometti
Author: Timothy Mathews
Publisher: I.B.Tauris
ISBN: 1780767870
Pages: 304
Year: 2013-11-30
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Alberto Giacometti's attenuated figures of the human form are among the most significant artistic images of the 20th century. Sartre, Breton, and Winnicott are just some of the great thinkers who have drawn upon the graceful, harrowing work of Giacometti, which has continued to resonate with artists, writers, and audiences. In this book, Timothy Mathews explores the themes of fragility, trauma, space, and relationality in Giacometti's art and the texts that respond or refer to them: the novels of W.G. Sebald, Samuel Beckett and Cees Nooteboom, and the theories of Bertolt Brecht, which recasts the iconic L'Homme qui marche as Walter Benjamin's Angel of History. During his lifelong quest to represent the human form, and to locate the humanity at the heart of conflicting conceptions of modernity, Giacometti returned to the key notions of depth and flatness, memory and attachment, through his sculptures and writings. Both a critical study of Giacometti's life and work, and an investigation of their affective power, this book asks what encounters with Giacometti's pieces can tell us about the history of our own time, and our ways of looking; about the nature of human attachment, and the humility of relating to art.
Giacometti: Critical Essays
Author: Peter Read
Publisher: Routledge
ISBN: 1351565591
Pages: 256
Year: 2017-07-05
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Giacometti: Critical Essays brings together new studies by an international team of scholars who together explore the whole span of Alberto Giacometti's work and career from the 1920s to the 1960s. During this complex period in France's intellectual history, Giacometti's work underwent a series of remarkable stylistic shifts while he forged close affiliations with an equally remarkable set of contemporary writers and thinkers. This book throws new light on under-researched aspects of his output and approach, including his relationship to his own studio, his work in the decorative arts, his tomb sculptures and his use of the pedestal. It also focuses on crucial ways his work was received and articulated by contemporary and later writers, including Michel Leiris, Francis Ponge, Isaku Yanaihara and Tahar Ben Jelloun. This book thus engages with energising tensions and debates that informed Giacometti's work, including his association with both surrealism and existentialism, his production of both 'high' art and decorative objects, and his concern with both formal issues, such as scale and material, and with the expression of philosophical and poetic ideas. This multifaceted collection of essays confirms Giacometti's status as one of the most fascinating artists of the twentieth century.
Author: Joanna Woodall
Publisher: Manchester University Press
ISBN: 0719046149
Pages: 282
Year: 1997-03-15
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Portraiture, the most popular genre of painting, occupies a central position in the history of Western art. Despite this, its status within academic art theory is uncertain. This volume provides an introduction to major issues in its history.
ISBN: 2849755370
Pages: 110
Year: 2018-06-28
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Unfinished Business
Author: Brian Gordon Kennelly
Publisher: Rodopi
ISBN: 9042002360
Pages: 123
Year: 1997-01-01
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This is the first study systematically to appraise Splendid's, «Elle», and Le Bagne, the three plays by Jean Genet published after his death, both in the context of the dramatist's dramatic canon and with respect to one another. After showing that their unusual publishing history necessarily sets these works apart from Haute surveillance, Les Bonnes, Le Balcon, Les Nègres, and Les Paravents, it argues that from Splendid'sto Le Bagne, the question of incompletion is 'exteriorized' -- moving from a purely thematic to an increasingly formal context -- and that the status of each posthumously published work differs: Splendid'sis a 'completed' play, thematizing incompletion; «Elle», with its seemingly incomplete form having thematic currency, is a 'properly unfinished' play; and as the intentionally 'fragmentary', purposefully suspended 'beginning' of a play, Le Bagneis shaped by incompletion.
A reading of Jean Genet's solitude through works by Alberto Giacometti and Antonin Artaud
Author: Maria Lynn Slocum
Pages: 303
Year: 2005
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Le Funambule, L'Enfant criminel
Author: Jean Genet, Marc Barbezat
Pages: 62
Year: 1983
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Alberto Giacometti
Author: Véronique Wiesinger, Gottlieb Leinz
Publisher: Hirmer Verlag GmbH
Pages: 222
Year: 2010-08-10
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The exhibition brings together some 120 works and photographs on loan from international museums and private collectors in Duisburg. Each of the works is an almost indispensable component of the exhibition of the Woman With Chariot. The exhibition showcases over 30 sculptures, paintings and prints, more than 40 original photographs, documents and archival materials. The 153.5-centimeter-high Woman With Chariot was built around 1945 in the studio of the sculptor, who worked during the war in Geneva and Maloja. It is the only plaster sculpture by Giacometti in a German museum.
The Orchestration of the Arts — A Creative Symbiosis of Existential Powers
Author: M. Kronegger
Publisher: Springer Science & Business Media
ISBN: 9401734119
Pages: 476
Year: 2013-03-09
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Regardless of the subject matter, our studies are always searching for a sense of the universal in the specific. Drawing, etchings and paintings are a way of communicating ideas and emotions. The key word here is to communicate. Whether the audience sees the work as laborious or poetic depends on the creative genius of the artist. Some painters use the play of light passing through a landscape or washing over a figure to create an evocative moment that will be both timeless and transitory. The essential role of art remains what is has always been, a way of human expression. This is the role that our participants concentrate on as they discuss art as the expression of the spirit, a creative act through which the artist makes manifest what is within him. Spirit suggests the unity of feeling and thought. Avoiding broad generalities, our participants address specific areas in orchestration with music, architecture, literature and phenomenology. Profs. Souiller, Scholz, Etlin, Sweetser, Josephs show us at what point art is an intimate, profound expression and the magic of a civilization as a whole, springing from its evolving thoughts and embodying ideals, such as the Renaissance, the Baroque, Modernism and at what point it reflects the trans formation of a particular society and its mode of life.
Jean Genet
Author: Stephen Barber
Publisher: Reaktion Books
ISBN: 1861895933
Pages: 156
Year: 2005-03-01
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An engaging and challenging introduction to Jean Genet, this concise biography of the French writer and his work cuts directly to the intersection of thought and life that was essential to Genet's creativity. Arguing that Genet's life was an extraordinary spectacle in which the themes of his most revolutionary works were played out, Stephen Barber gives both the work and its singular inspiration in Genet's life their full due. Abandoned, arrested, and repeatedly incarcerated, Genet, who died in 1986, led a life that could best be described as a tour of the underworld of the twentieth century. Similarly, Genet's work is recognized by its nearly obsessive and often savage treatment of certain recurring themes. Sex, desire, death, oppression, domination-these ideas, central to Genet's artistic project, can be seen as preoccupations that arose directly from the artist's travels, imprisonments, sexual and emotional relationships, and political engagements and protests. This trenchant volume focuses directly on the moments in Genet's life in which those preoccupations are vividly projected in his novels, theater works, and film projects. Genet's works have been hugely influential for a vast array of writers, filmmakers, choreographers, and directors, especially at moments of social crisis; thus Genet's life is not only at the root of his own work but also that of many important artists of the twentieth century. With its frank and illuminating introduction by Edmund White, Jean Genet gives readers access to this brilliant and brutal mind.

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