Katechismus Der Orchestrierung Anleitung Zum Instrumentieren Classic Reprint Book PDF, EPUB Download & Read Online Free

Katechismus der Orchestrierung (Anleitung zum Instrumentieren) (Classic Reprint)
Author: Hugo Riemann
Publisher: Forgotten Books
ISBN: 065692537X
Pages: 130
Year: 2018-02-19
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Excerpt from Katechismus der Orchestrierung (Anleitung zum Instrumentieren) Sba moberne Drchefter ftellt bie 23ereinigung einer 3iemlich groen 8ahl bon @ingelinftrumenten bar, beren uiehrg, ahl ber einen erheblichen 23rnchteil be' uberhaupt fur bie uinfil in 9lnfpruch genommenen $ongebiete' berfiigt, fo bafi in berfelben Siiegion eine gange lieihe berfchiebener Sinftrumente g'ur iongebung herangegogen werben fnnen unb z, . 23. Ba'> eingeftriehene c (in ber 9jiitte be' gefamten $on= gebiete') mit Qlu'nahme ber allertiefften @ontrabafiinftrumente, ber icfelflte unb ber aufe allen 311 (R)ebote fteht. Giebt baher feine berartige 9'iollenberteilung ber 3nftrumente, ba fr beftimmte $onlagen beftimmte S'gnftrumente gur wenbnng lommen mten, fonbern e? bleibt febergeit unb berall bie qbahl g, toifchen mehreren. S(R)och fcheiben fich bie g, wlf ober noch mehr berfchiebene 9c'amen tragenben 8nftrn mente in brei (R)ruppen, beren febe bollftnbig ober annhernb ba? gefamte (c)ebiet beherrfcht, nmlich. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Harmony Simplified
Author: Hugo Riemann
Publisher:
ISBN: 1298003539
Pages: 212
Year: 2015-02-13
View: 211
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Catechism of Musical Instruments
Author: Hugo Riemann
Publisher: Forgotten Books
ISBN: 0267967608
Pages: 134
Year: 2018-02-06
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Excerpt from Catechism of Musical Instruments: Guide to Instrumentation The compilation of the Musical Catechisms has been carried out on the same plan as the author adopted in his Musical Lexicon; viz to present con cisely, in a manner readily intelligible, and especially synoptical, everything relating to musical knowledge which it is chiefly important to know, and thus in place of the widely'-circulated little works, out wardly of similar aspect, but as to their actual con tents, occupying much too low a level, to create small pocket manuals, from which, in every moment of doubt, speedy enlightenment is to be obtained. No! Every musician knows, enz' wizai every musician anglii io know, s/wn/a' ee fanna' in a flinsim/ Caiec/n'snz. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Dictionary of Music (Classic Reprint)
Author: Hugo Riemann
Publisher: London : Augener
ISBN: 0331482401
Pages: 895
Year: 2017-11-19
View: 1003
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Excerpt from Dictionary of Music Agende (ger from Lat. Agenda, things which have to be done are the prescriptions for the order and special arrangement of divine service, particularly in the Reformed Church; in the Catholic Church this is fixed by the Ritual. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Text-book of Simple and Double Counterpoint Including Imitation Or Canon
Author: Hugo Riemann
Publisher:
ISBN:
Pages: 208
Year: 1904
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Analysis of J S Bach S Wohltemperirtes Clavier
Author: H. Riemann
Publisher: Sagwan Press
ISBN: 1376968088
Pages: 226
Year: 2018-02-07
View: 1289
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Handbuch Der Musikgeschichte
Author: Hugo Riemann
Publisher: Theclassics.Us
ISBN: 1230733973
Pages: 102
Year: 2013-09
View: 779
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Dieses historische Buch kann zahlreiche Tippfehler und fehlende Textpassagen aufweisen. Kaufer konnen in der Regel eine kostenlose eingescannte Kopie des originalen Buches vom Verleger herunterladen (ohne Tippfehler). Ohne Indizes. Nicht dargestellt. 1904 edition. Auszug: ...der Stufen der Skala auf die Auloi; sein Vorwurf bezieht sich auf die ubliche Mensur der Tonlocher, welche kunstliche Veranderungen der Intonationen durch Treiben und Sinkenlassen unentbehrlich machen (toj: rVc'jiaTi emTsi'vovTs? xal avisvtec). Dass durch sogenannte Kreuz-oder Gabelgriffe (d. h. durch Schliessen von Lochern, die zwischen offenen liegen, z. B. ) im Altertum so gut wie noch im 8. Jahrhundert Tone in ungefahrer Reinheit erzielt worden sind, die zwischen die durch die Grifflocher gegebenen fallen, ist zweifellos. Die sipoupyia, die vXkii aiTi'ai und die iravTa TauTa des Aristoxenos (a. a. O.) weisen ja nur ganz summarisch darauf hin, dass die Auleten mancherlei Manipulationen anwendeten, um die verschiedenen Skalen rein herauszubringen. Bedenkt man, dass Aristoxenos mehr als 50 Jahre nach Pronomos lebte, der bereits die Neuerung machte, auf einem und demselben Aulos in verschiedenen Tonarten zu blasen, so wird man allerdings annehmen durfen, dass diese Hilfsintonationen zu Aristoxenos Zeit sich nur mehr auf die chromatischen und enharmonischen Zwischenintonationen und die sogenannten Chroai bezogen haben, dass aber fur die Stufen der diatonischen Skala wenigstens einer Stimmung Grifflocher vorhanden waren; das wurde sechs Grifflocher bedingen wie sie die Londoner S. 97 erwahnten Instrumente zeigen. Pollux (IV. 80) sagt von einem gewissen Diodoros von Theben, dass er die Zahl der Tonlocher des Aulos, die bis dahin nur 4 gewesen, vermehrt und dem Winde seitliche Auswege geoffnet habe (izki-(iac avoi' a? ro) rrv2u
The Cambridge Companion to the Orchestra
Author: Colin Lawson
Publisher: Cambridge University Press
ISBN: 0521001323
Pages: 297
Year: 2003-04-24
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This guide to the orchestra and orchestral life is unique in its breadth of coverage. It combinesorchestral history and repertory with a practical bias offering critical thought about the past, present and future of the orchestra. Including topics such as the art of orchestration, scorereading, conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener, it will be of interest to a wideranging readership of music historians and professional or amateur performers.
Practical Guide to the Art of Phrasing
Author: Hugo Riemann, Carl Fuchs
Publisher:
ISBN:
Pages: 147
Year: 1890
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The Lillian Lectures
Author: Wendy Agnew
Publisher: Coach House Books
ISBN: 1552450155
Pages: 112
Year: 1999
View: 1273
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Hide under your bed! Are You There, God? It's Me, Margaret meets South Park in The Lillian Lectures, a collection of short poems and cheerfully nasty illustrations that will turn your universe on its head. Remember how strange you thought sex and God were when you were little? Six-year-old Melanie is weirder and naughtier than you ever were, and now she's passing her wealth of wacky wisdom on to her little sister, Lillian. Your mom would never let you play with them, but you sure would have wanted to; Melanie is the ultimate bad influence.
Catechism of Orchestration
Author: Hugo Riemann
Publisher:
ISBN: 373720036X
Pages: 115
Year: 2014-06-13
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"The "Catechism of Musical Instruments," while dealing primarily with the compass, the technical possibilities, and the aesthetic effects of the single instruments, concerns itself also with the more important and usual combinations of instruments into special contrasting groups (strings, wood wind, brass), and makes occasional references to the role these groups as well as the single instruments play in the Orchestra and the Ensemble. It is thus the subtitle "Guide to Instrumentation" is justified. If, therefore, in the present little volume I give a special introduction to Instrumentation, a few explanatory remarks may be required. In the first instance, then, it is easy to see that the fundamental difference of arrangement, the diversity in the starting point and in the total treatment of the material, makes this book a kind of practical application and proof of the former." [...] Reprint of the great work by Hugo Riemann, initally published in 1900.
Syntagma musicum
Author: Michael Praetorius, David Z. Crookes
Publisher: Oxford University Press, USA
ISBN:
Pages: 104
Year: 1986-04-10
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De Organographiawas first published in 1618 and has long been an essential tool for musicologists. Over the last dozen years, with the revival of interest in Renaissance and early baroque music, it has begun to enjoy wider appeal as growing numbers of instrument makers and players base their own work on the documentation in this book. This edition fulfills the need in the current early music revival for a new translation of this important work. The editor's commentaries will guide the reader through some of the more technical passages.
Between Romanticism and Modernism
Author: Carl Dahlhaus
Publisher: Univ of California Press
ISBN: 0520067487
Pages: 129
Year: 1980
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Carl Dahlhaus here treats Nietzsche's youthful analysis of the contradictions in Wagner's doctrine (and, more generally, in romantic musical aesthetics); the question of periodicization in romantic and neo-romantic music; the underlying kinship between Brahms's and Wagner's responses to the central musical problems of their time; and the true significance of musical nationalism. Included in this volume is Walter Kauffman's translation of the previously unpublished fragment, "On Music and Words," by the young Nietzsche.
Richard Wagner's Music Dramas
Author: Carl Dahlhaus
Publisher: Cambridge University Press
ISBN: 0521428998
Pages: 168
Year: 1992-03-26
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Previous studies of Wagner's operas have tended to approach the works as chunks of autobiography, philosophical speculations or historical-political comments on the age in which they were written. Professor Dahlhaus dissociated himself from all such ventures. His aim is to reveal, by careful analysis of the works from Der fliegende Hollander to Parsifal, the dominant features of 'music drama' and how Wagner achieves such profound, unified effects. Professor Dahlhaus cites music examples only when they are germane to his argument and requires from his readers no more than a limited amount of technical musical knowledge. This is not, therefore, an exclusively specialist study. Rather it will help the enthusiastic beginner to come to terms with these great works of art as well as offering many valuable insights to the experienced Wagnerian. The book will be of interest to students and scholars of music history, theory, opera and philosophy.
Elgar the Music Maker
Author: Diana M. McVeagh
Publisher:
ISBN:
Pages: 240
Year: 2007-01-01
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An expert and informative appraisal of all of Elgar's works - from his juvenilia to the unfinished 3rd symphony - by the author of the acclaimed Gerald Finzi.