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Irreverent Acting
Author: Eric Morris
Publisher:
ISBN: 0962970921
Pages: 244
Year: 1992-01-01
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Eric believes that this book is the craft bible, since it focuses entirely on the craft an actor must acquire in order to fulfill dramatic material. The book explores the seven major obligations related to material--time and place, relationship, emotional, character, thematic, historical, and subtextual--and from there goes on to define choices and explain how to use them to fulfill those obligations. The third element of the craft, the choice approaches, is the practical work the actor must do to create the choices. Out of the current thirty-one choice approaches, only twenty-two are explored in this book. The remaining nine are investigated in subsequent books.
Irreverent acting
Author: Eric Morris
Publisher: Perigee Trade
ISBN:
Pages: 193
Year: 1985
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Suggests acting exercises, discusses role preparation, and examines a new approach to making use of the challenges and restrictions of a role
Irreverent Acting
Author: Eric Morris
Publisher:
ISBN: 9711340976
Pages: 193
Year: 1991
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Acting, Imaging, and the Unconscious
Author: Eric Morris
Publisher: SCB Distributors
ISBN: 0983629919
Pages: 403
Year: 2011-06
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Acting, Imaging, and the Unconscious is the fifth in a series of books written by Eric Morris on his unique system of acting. In this book the emphasis is on imaging as an acting tool to fulfill dramatic material. The work begins with an exploration of the various uses of imaging and goes on to delineate very specific techniques and approaches on how to image, when to image and why. Involved in this process are dreams and dreaming, as well as subpersonalities, which all serve to access and communicate with the unconscious, where ninety-five per cent of an actor's talent lives. Also explored is a process of programming the unconscious to liberate the images that lie at the core of an actor's experience and talent, thus releasing the exciting wellsprings of creativity in the roles an actor plays. With complete examples taken from classical and contemporary plays and films, this book enters territories that had never before been tread upon, thus taking the art of acting into a totally new dimension.
Acting from the Ultimate Consciousness
Author: Eric Morris
Publisher: SCB Distributors
ISBN: 0983629900
Pages: 267
Year: 2013-11-04
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Acting from the Ultimate Consciousness is Eric Morris's fourth popular book on the art of acting. His previous works have established him among the foremost innovators in the world of drama. His system, based on the Stanislavsky method but going far beyond it, begins with an exploration of consciousness and the instrumental needs of the actor and expands to dozens of practical techniques that enable the actor to utilize the full range of his talent. With complete sections on characterization, rehearsing and ensemble, this is a book that all stage or screen actors--beginning to advanced--should read, absorb and practice.
No Acting, Please
Author: Eric Morris, Joan Hotchkis, Jack Nicholson
Publisher:
ISBN: 096297093X
Pages: 174
Year: 1995
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A collection of 125 acting exercises that are based on journal excerpts and dialogues from Mr. Morris' classes. These exercises teach the actor to systematically eliminate his or her instrumental obstacles -- tensions, fears, inhibitions -- and explore the "being" state, where the actor does no more and no less than what he or she feels. As the title indicates, many of the techniques herein address the actor's need to avoid falling into the traps of concept and presentational acting. There is also a complete chapter on sense memory -- what it is, and how to practice it and apply it as an acting tool. Co-authored by Joan Hotchkis, and with a Foreword by Jack Nicholson.
How to Be a Dictator
Author: Mikal Hem
Publisher: Skyhorse Publishing, Inc.
ISBN: 162872661X
Pages: 208
Year: 2017-06-06
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A Tongue-in-Cheek Guide to Becoming a Dictator, Based on the Outrageous, Scandalous, and Excessive Behavior of Dictators Past and Present Who hasn’t dreamed of one day ruling your own country? Along with great power comes unlimited influence, control, admiration, and often wealth. How to Be a Dictator will teach you the tricks of the trade—how to rise to the top and stay in power, and how to enjoy the fruits of your excellence. Featuring examples from the most successful leaders and regimes in the business, including Kim Jong Il, Robert Mugabe, Muammar Gaddafi, Nicolae Ceausescu, François “Papa Doc” Duvalier, and many others, this handy guide offers ten easy lessons on becoming and acting like a dictator from how to rig an election and create your own personality cult to the dos and don’ts of dictator fashion. Other topics include: how to become wealthy and spend your fortune, sleeping around, expressing your literary genius, and how to avoid being toppled, exiled, and or meeting any other dismal end. Combining black humor with political insights, How to Be a Dictator is peppered with horrifying and hilarious stories from some of the most eccentric modern world leaders.
Freeing the Actor
Author: Eric Morris
Publisher:
ISBN: 0962970964
Pages: 183
Year: 2011
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Freeing the Actor is the seventh in a series of acting books by Eric Morris, which explain and describe his unique system of acting. In this book, which is totally aimed at the instrument, Eric has implemented a complete approach to eliminating the obstacles, dependencies, traps, and habits that plague and block actors from functioning from an authentic, organic place. By teaching actors how not to act, Eric leads them to understand that they must experience in reality what the character is experiencing in the material. In order to accomplish that, they must be instrumentally free to connect with and express their authentic emotional realities. Liberating the instrument allows them to access all of the colors of their emotional rainbow.
True and False
Author: David Mamet
Publisher: Vintage
ISBN: 0307806499
Pages: 144
Year: 2011-09-07
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One of our most brilliantly iconoclastic playwrights takes on the art of profession of acting with these words: invent nothing, deny nothing, speak up, stand up, stay out of school. Acting schools, “interpretation,” “sense memory,” “The Method”—David Mamet takes a jackhammer to the idols of contemporary acting, while revealing the true heroism and nobility of the craft. He shows actors how to undertake auditions and rehearsals, deal with agents and directors, engage audiences, and stay faithful to the script, while rejecting the temptations that seduce so many of their colleagues. Bracing in its clarity, exhilarating in its common sense, True and False is as shocking as it is practical, as witty as it is instructive, and as irreverent as it is inspiring.
Line?
Author: Jared Kelner
Publisher:
ISBN: 0982655835
Pages: 154
Year: 2012-10
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ATTENTION ACTORS!!!!! If you've ever struggled to remember your lines, the creative memorization techniques taught in "LINE? "will help you break through your mental blocks and accelerate the line memorization process. Author Jared Kelner has applied his experience as an actor and acting teacher and combined that with his expertise as a memory improvement trainer and created an imagination and sensory based process for actors to use when memorizing lines. It's an innovative approach to line memorization that taps into the actor's imagination and acting training rather than relying on monotonous rote memorization methods like highlighting, recording and repeating lines over and over. By applying the creative memorization methods presented in "LINE? "you will instantly recall your lines. --- INDUSTRY ENDORSEMENTS ""I have been teaching acting for over 50 years and I rarely come across innovations to the craft process that I believe in and support. Without hesitation, I fully endorse and recommend Jared Kelner's book LINE? The Creative Way for Actors to Quickly Memorize Monologues and Dialogues. Every actor must memorize lines and most actors look at the line memorization process as something outside of the craft of acting, but in fact, it is very much an integral part of the craft process and as such, actors need a craft technique to help them. In his book LINE?, Jared Kelner brings something inventive, innovate and important to the craft of acting. The technique of imaging that Jared teaches for line memorization mirrors imaging concepts I share in my book Acting, Imaging and the Unconscious. I am pleased to endorse Jared Kelner and his contribution to our craft. LINE? is a must read for every actor." " Eric Morris: Actor, Acting Teacher and Author of "No Acting Please," "Being and Doing," "Irreverent Acting," "Acting From the Ultimate Consciousness," "Acting, Imaging and the Unconscious," "The Diary of a Professional Experiencer" and "Freeing the Actor" --- ""I wish I had a dime for every actor who has told me their biggest fear was memorizing lines. So I was delighted when I discovered Jared Kelner and was able to introduce him to my students. The response to LINE? Was so positive. The actors felt they had received valuable tools to overcome their fears and move forward in their work with confidence. Jared's positive enthusiastic style is so encouraging it's a pleasure to be in the classroom with him." " Valerie Adami: Owner/Director Weist Barron Acting for Film & TV --- " "OK Actors, Quiet your mind and get this book. It will change your life for knowing your lines forever." " Tim Phillips: Founder of The Tim Phillips Studio in Los Angeles and author of "Audition for Your Career, Not the Job: Mastering the On-camera Audition" --- " "Bottom line, the memory techniques taught in LINE? work. Any actor who's ever struggled to remember their lines needs to buy this book and read it right away. I only wish I learned this memorization method years ago." " Javier Molina: Associate Director of the Action Theatre Conservatory and Lifetime Member of the Actors Studio --- " "Whether you're a novice cast in a community theatre production or a professional actor whose Teflon brain is causing you to lose jobs, LINE? will save your life. This is the best monologue and dialogue memorization system that I have ever come across. Jared Kelner breaks the process down into simple steps that will help you memorize your lines quickly and creatively. I am highly recommending this book to the students I teach and the actors I direct." " Gerry Appel: Director of The Playhouse Acting Academy ---
Acting: Cut the Crap, Cue the Truth - Living the Life and Doing the Job
Author: Natalie Burt
Publisher: Oberon Books
ISBN: 1849434956
Pages: 303
Year: 2013-11-21
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Acting: Cut the Crap, Cue the Truth fills a gap in the drama school curriculum, tackling many areas which are unaddressed during training and discussing issues that are more often than not hushed up afterwards. Starting from the vital final stages of training, and on to life as a professional, Natalie Burt – a young, jobbing actress – moves systematically through the challenges that every actor faces; from making strategic career decisions, to the logistics of TV and film sets and voice over work, to more personal matters such as renting and flat-sharing, finance and well-being when out of work. Rejecting gimmicks and quick fixes, she encourages motivational thinking and entrepreneurialism using an informal, unapologetic and humorous tone whilst sharing information that is current, relevant and from the frontline. Or, as Natalie puts it, ‘a thorough, constructive and ball-achingly honest chat about the industry, written by someone who still has all their own teeth.’ Contributors to the book include Spotlight, Equity, James Penford from Hatton McEwan Penford agency and Alice Purser from Andy Pryor Casting. Endorsements: ‘What Natalie Burt has done here is remarkable. She has written a luminously honest, very funny, often very touching voyage of what it is actually like to be afflicted with the unquenchable desire to dedicate oneself to being a professional actor.’ Timothy Spall O.B.E(ese) ‘A refreshing and entertaining take on the challenges facing actors and how best to surmount them.’ Ben Seale, Managing Partner, Spotlight ‘Natalie’s book is like her acting: playful, irreverent, and accomplished. An invaluable resource.’ Laurie Sansom, Artistic Director, National Theatre of Scotland ‘At last! The book all aspiring actors have been waiting for. A truthful, comprehensive, funny guide to life as a jobbing and sometimes not jobbing actor.’ Caroline Quentin ‘The best book ever written.’ Natalie’s mum
Audition Freedom
Author: Vp Boyle
Publisher: MaxTheatrix LLC
ISBN: 0615250440
Pages: 216
Year: 2008-09
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Imagine what your theatrical life would be like if you could walk into any audition room and find authentic freedom! Freedom to be human, freedom to be happy, freedom to be brilliant and freedom to be nothing but fantastically you? This inspiring not-like-any-other-audition-book by Broadway's top coach will crack your brain open with long lasting shifts that will keep you creating and enjoying powerful experiences "in the room."
Acting from the Ultimate Consciousness
Author: Eric Morris
Publisher: SCB Distributors
ISBN: 0983629900
Pages: 267
Year: 2013-11-04
View: 604
Read: 1029
Acting from the Ultimate Consciousness is Eric Morris's fourth popular book on the art of acting. His previous works have established him among the foremost innovators in the world of drama. His system, based on the Stanislavsky method but going far beyond it, begins with an exploration of consciousness and the instrumental needs of the actor and expands to dozens of practical techniques that enable the actor to utilize the full range of his talent. With complete sections on characterization, rehearsing and ensemble, this is a book that all stage or screen actors--beginning to advanced--should read, absorb and practice.
Acting White?
Author: Devon W. Carbado, Mitu Gulati
Publisher: Oxford University Press
ISBN: 0195382587
Pages: 198
Year: 2013-03-21
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The authors argue that, in spite of decades of racial progress and the pervasiveness of multicultural rhetoric, racial judgments are often based not just on skin color, but on how a person conforms to behavior stereotypically associated with a certain race. Specifically, racial minorities are judged on how they "perform" their race: the clothes they wear, the way they style their hair, the institutions with which they affiliate, their racial politics, the people they befriend, date or marry, where they live, how they speak, and their outward mannerisms and demeanor.
Jacob Jump
Author: Eric Morris
Publisher: Univ of South Carolina Press
ISBN: 1611175445
Pages: 224
Year: 2015-08-18
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Jacob Jump, the dark and meticulously crafted first novel from Eric Morris, follows a weeklong ill-fated boating trip down the Savannah River from Augusta, Georgia, to the lighthouse at Tybee Island. Chance and danger trump planning and intention at every turn, and the pull of the historic river and of fate itself propels Morris’s characters with unrelenting force. Old friends Thomas Verdery and William Rhind, each seeking temporary escape from the failures of their lives, take to the river with Rhind’s father. Verdery, a native southerner, has left his job and lover in Nepaug, Connecticut, while Rhind has lost his wife and child to his drinking. Encounters with dangerous weather and unhinged locals imperil the trio, who are held at gunpoint when they try to dock and soon are fighting among themselves. The hazards of the trip and a shocking loss along the way exacerbate William Rhind’s drinking and tendencies toward violence. When Verdery and Rhind must become reluctant custodians to young Caron Lee, a lost girl from the backwoods family that had previously accosted them, tensions build toward explosive ends as the serene open waters of the Atlantic Ocean wait just beyond reach on the unknown, unknowable horizon. Guided by a host of influences from William Faulkner and Ernest Hemingway to Cormac McCarthy, James Dickey, and Ron Rash, Morris’s prose brings readers deep into the uncertainties of a still-wild southern landscape and of the frailties of the human heart yearning for past and future alike while pulled along by the inescapable current of the present. Best-selling writer and Story River Books editor at large Pat Conroy provides a foreword to the novel.

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