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Improvisation On the Edge
Author: Ruth Zaporah
Publisher: North Atlantic Books
ISBN: 1583948449
Pages: 160
Year: 2014-09-02
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Directed not only toward actors, dancers, and other performing artists who draw upon improvisation as part of their craft, this Zen-infused memoir of a life lived creatively will pique the interest of anyone in search of liberation from self-limiting concepts. What does it mean to live in a body? What does it mean to improvise? Do we wonder whether we're capable of improvising—to make up things as we go, step into the unknown, take a risk that changes our notion of ourselves and the world? Author Ruth Zaporah has been a professional physical theater performer, writer, director, and teacher for forty years. Early on she realized that with a shift of perception, every moment of an improvisation holds both the familiar and the utterly new. With the same shift, so does every moment of life; every moment holds both the known and the unknown. And, as Zaporah says, "The body leads the way in this book. In each chapter the world is experienced by it and of it. It is the body that adds richness, wildness, and grace. The body invokes images and feelings. It is the body that imagines." Improvisation on the Edge recounts events from Zaporah's life such as improvisational shows in the war zones of Sarajevo and Kosovo; apprenticing with a Huichol medicine woman from Chiapas, Mexico; understanding the concept of "practice" while on a beach; a bus ride in Cuba; a car ride in Estonia; the intricacies of onstage collaborations. Interspersed are chapters about awareness, listening, adapting, resiliency, time, space, silence, simplicity—all within the context of everyday life in the body. In several other chapters, Ruth writes from the logical (and nonlinear) voice of the improviser as she is on stage, within the immediate embodied process. A fascinating glimpse into the mind of an artist and true master of improvisation, this book will appeal to performers, teachers, and anyone who has ever needed to "wing it" with confidence and grace. Table of Contents 1. Something That Needs Listening To 2. Mirror Mirror 3. On My Wall 4. Tutu Solitude 5. A Mind in Three Episodes 6. A Splish Splash Orchestra 7. A Take on Talk 8. Bobby's River 9. Roar 10. Meet Yourself Babe 11. Nuts and Bolts 12. Out of Chaos 13. Changing Course 14. The Flying Shaman 15. You Could Say Death 16. Ain't It The Truth 17. The Raging Boomerang 18. See This Feel That 19. Stalking War 20. Your Mother Just Died Christina, Leave the Backdoor Open 21. The Illusive Genture 22. A Pack of Lies 23. Again Gun and Boys 24. A Ride in Estonia 25. Art and Heart 26. Floating to the Surface 27. Stuffed With Junk 28. A Chair in Cuba 29. Any Where Practice 30 Teacher Says 31. Older and Under
The Oxford Handbook of Critical Improvisation Studies
Author: Edwin H Case Professor of American Music George E Lewis, Benjamin Piekut
Publisher: Oxford University Press
ISBN: 019989292X
Pages: 600
Year: 2016-09-19
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Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.
Action Theater
Author: Ruth Zaporah
Publisher: North Atlantic Books
ISBN: 1556431864
Pages: 275
Year: 1995
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Each chapter of this book presents a single day of the twenty-day training which Ruth Zaporah developed into Action Theater, her investigation into the life-reflecting process of improvisation. This book shows through exercises, stories, anecdotes, and metaphors how to focus attention on the body's awareness of the present moment, moving away from preconceived ideas. Improvisations move through fear, boredom, laziness, and distraction to a sustained awareness of creative options.
The Improvisation Edge
Author: Karen Hough
Publisher: ReadHowYouWant.com
ISBN: 1459626664
Pages: 224
Year: 2011-08
View: 973
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There are all kinds of books about building trust. But The Improvisation Edge is the only one that draws on the wisdom of those who are truly experts in the dynamics of trust - building: theatrical improvisers. Think about it: other than combat, no situation requires more extreme trust than improvisation. You have no script, costumes or set - nothing to depend on but your fellow improvisers. When you collaborate on such an intense level you intrinsically engender trust. Karen Hough describes four principles that will help leaders, managers, trainers, and front - line employees adopt the improviser's mindset. You'll learn techniques to create a positive environment, encourage fearless participation and selfless collaboration, play to your own and your colleagues' strengths, and turn surprises, mistakes and disasters into opportunities for something new, unexpected and maybe better than you planned. The Improvisation Edge offers a fun, engaging and very hands - on way to build the kind of organizational trust and collaboration that makes breakthrough business results possible.
The Improvisation Studies Reader
Author: Ajay Heble, Rebecca Caines
Publisher: Routledge
ISBN: 1136187138
Pages: 480
Year: 2014-08-07
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Improvisation is a performance practice that animates and activates diverse energies of inspiration, critique, and invention. In recent years it has coalesced into an exciting and innovative new field of interdisciplinary scholarly inquiry, becoming a cornerstone of both practical and theoretical approaches to performance. The Improvisation Studies Reader draws together the works of key artists and thinkers from a range of disciplines, including theatre, music, literature, film, and dance. Divided by keywords into eight sections, this book bridges the gaps between these fields. The book includes case studies, exercises, graphic scores and poems in order to produce a teaching and research resource that identifies central themes in improvisation studies. The sections include: Listening Trust/Risk Flow Dissonance Responsibility Liveness Surprise Hope Each section of the Reader is introduced by a newly commissioned think piece by a key figure in the field, which opens up research questions reflecting on the keyword in question. By placing key theoretical and classic texts in conversation with cutting-edge research and artists’ statements, this book answers the urgent questions facing improvising artists and theorists in the mediatized Twenty-First Century.
Body, Space, Image
Author: Miranda Tufnell, Chris Crickmay
Publisher: Dance Books Limited
ISBN:
Pages: 209
Year: 1993
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A narrative of discovery. Generously illustrated with examples drawn from experimental performance, this stimulating book explores the ways of working and thinking about performance that will inspire both the beginner and experienced dancer.
The Improvisation Edge
Author: Karen Hough
Publisher: ReadHowYouWant.com
ISBN: 1459626664
Pages: 224
Year: 2011-08
View: 696
Read: 1175
There are all kinds of books about building trust. But The Improvisation Edge is the only one that draws on the wisdom of those who are truly experts in the dynamics of trust - building: theatrical improvisers. Think about it: other than combat, no situation requires more extreme trust than improvisation. You have no script, costumes or set - nothing to depend on but your fellow improvisers. When you collaborate on such an intense level you intrinsically engender trust. Karen Hough describes four principles that will help leaders, managers, trainers, and front - line employees adopt the improviser's mindset. You'll learn techniques to create a positive environment, encourage fearless participation and selfless collaboration, play to your own and your colleagues' strengths, and turn surprises, mistakes and disasters into opportunities for something new, unexpected and maybe better than you planned. The Improvisation Edge offers a fun, engaging and very hands - on way to build the kind of organizational trust and collaboration that makes breakthrough business results possible.
Improvisation
Author: Derek Bailey
Publisher:
ISBN:
Pages: 146
Year: 1992-02
View: 576
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Yes, And
Author: Kelly Leonard, Tom Yorton
Publisher: Harper Collins
ISBN: 0062248553
Pages: 256
Year: 2015-02-03
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Read: 302
Executives from The Second City—the world’s premier comedy theater and school of improvisation—reveal improvisational techniques that can help any organization develop innovators, encourage adaptable leaders, and build transformational businesses. For more than fifty years, The Second City comedy theater in Chicago has been a training ground for some of the best comic minds in the industry—including John Belushi, Bill Murray, Gilda Radner, Mike Myers, Steve Carell, Stephen Colbert, and Tina Fey. But it also provides one-of-a-kind leadership training to cutting-edge companies, nonprofits, and public sector organizations—all aimed at increasing creativity, collaboration, and teamwork. The rules for leadership and teamwork have changed, and the skills that got professionals ahead a generation ago don’t work anymore. Now The Second City provides a new toolkit individuals and organizations can use to thrive in a world increasingly shaped by speed, social communication, and decentralization. Based on eight principles of improvisation, Yes, And helps to develop these skills and foster them in high-potential leaders and their teams, including: Mastering the ability to co-create in an ensemble Fostering a “yes, and” approach to work Embracing failure to accelerate high performance Leading by listening and by learning to follow Innovating by making something out of nothing Yes, And is a must-read for professionals and organizations, helping to develop the invaluable leadership skills needed to succeed today.
Improvising Theory
Author: Allaine Cerwonka, Liisa H. Malkki
Publisher: University of Chicago Press
ISBN: 0226100286
Pages: 224
Year: 2008-11-15
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Scholars have long recognized that ethnographic method is bound up with the construction of theory in ways that are difficult to teach. The reason, Allaine Cerwonka and Liisa H. Malkki argue, is that ethnographic theorization is essentially improvisatory in nature, conducted in real time and in necessarily unpredictable social situations. In a unique account of, and critical reflection on, the process of theoretical improvisation in ethnographic research, they demonstrate how both objects of analysis, and our ways of knowing and explaining them, are created and discovered in the give and take of real life, in all its unpredictability and immediacy. Improvising Theory centers on the year-long correspondence between Cerwonka, then a graduate student in political science conducting research in Australia, and her anthropologist mentor, Malkki. Through regular e-mail exchanges, Malkki attempted to teach Cerwonka, then new to the discipline, the basic tools and subtle intuition needed for anthropological fieldwork. The result is a strikingly original dissection of the processual ethics and politics of method in ethnography.
An Improvised Life
Author: Alan Arkin
Publisher: Da Capo Press
ISBN: 0306819740
Pages: 224
Year: 2011-03-01
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Alan Arkin knew he was going to be an actor from the age of five: "Every film I saw, every play, every piece of music fed an unquenchable need to turn myself into something other than what I was." An Improvised Life is the Oscar winner's wise and unpretentious recollection of the process--artistic and personal--of becoming an actor, and a revealing look into the creative mind of one of the best practitioners on stage or screen. In a manner that is direct, down-to-earth, accessible, and articulate, Arkin reveals insights not only about himself (and his audience and students), but also truths for the rest of us about work, relationships, and sense of self.
Acting on Impulse
Author: Carol Hazenfield
Publisher:
ISBN: 0971911231
Pages: 235
Year: 2002
View: 462
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Orpheus X and other plays
Author: Rinde Eckert
Publisher: Lulu.com
ISBN: 1300441585
Pages: 214
Year: 2013-06
View: 732
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Four plays for music-theatre and performance by accomplished multi-disciplinary playwright-poet-lyricist-composer-storyteller Rinde Eckert. This volume includes his Pulitzer Prize nominated play ORPHEUS X as well as the plays HORIZON, AND GOD CREATED GREAT WHALES and THE GARDENING OF THOMAS D. With an introduction by scholar Jonathan Chambers, this is an exciting and daring collection by an eminent experimental theatre artist.
Advanced Modern Rock Guitar Improvisation
Author: JON FINN
Publisher: Mel Bay Publications
ISBN: 1619116928
Pages: 128
Year: 2015-09-01
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Renowned Berklee College of Music faculty guitarist Jon Finn, combines his experience, education, and stylistic versatility in this eclectic series of lessons for aspiring rock guitarists. Jon's innovative approach is unique, fun, and challenging. The book/audio set and video both offer a well researched original take on the use of pentatonic scales in rock improvisation. Using his "Warp Refraction Principle" which takes into account the major third tuning interval between the second and third strings, Jon presents a series of five vertical patterns applied in two-string increments throughout the fretboard. The philosophy behind this project is to present concepts and techniques as a thought process rather than simply providing a reference manual. Includes access to online audio and video.
Improvisation at the Piano
Author: Brian Chung, Dennis Thurmond
Publisher: Alfred Music
ISBN: 1457425122
Pages: 232
Year: 2007-03-02
View: 1181
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This unique text uses a step-by-step approach to guide the reader from fundamental concepts to advanced topics in improvisation. Each subject is broken into easy to understand segments, gradually becoming more complex as improvisational tools are acquired. Designed for the classically trained pianist with little or no experience in improvisation, it uses the reader’s previous knowledge of basic theory and technique to help accelerate the learning process. Included are more than 450 music examples and illustrations to reinforce the concepts discussed. These concepts are useful in all improvisational settings and can be applied to any musical style. For pianists interested in jazz, there are three chapters dedicated to introducing jazz improvisation, which can be used as the basis for further study in this idiom. Teachers using this text can go online to www.improvisationatthepiano.com to download lesson plans, ask specific questions about improvisation, and view answers to the most frequently asked questions about this book.

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