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German Literature, Jewish Critics
Author: Stephen D. Dowden, Meike Werner
Publisher: Camden House
ISBN: 1571131582
Pages: 321
Year: 2002
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Proceedings of the Brandeis conference on Jewish Germanists who fled Nazi Germany and their impact on Anglo-American German studies.
The 'Jewish Question' in German Literature, 1749-1939
Author: Ritchie Robertson
Publisher: Clarendon Press
ISBN: 0191584312
Pages: 544
Year: 2001-10-18
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The Jewish Question in German Literature, 1749-1939 is an erudite and searching literary study of the uneasy position of the Jews in Germany and Austria from the first pleas for Jewish emancipation during the Enlightenment to the eve of the Holocaust. Trying to avoid hindsight, and drawing on a wide range of literary texts, Ritchie Robertson offers a close examination of attempts to construct a Jewish identity suitable for an increasingly secular world. He examines both literary portrayals of Jews by Gentile writers - whether antisemitic, friendly, or ambivalent - and efforts to reinvent Jewish identities by the Jews themselves, in response to antisemitism culminating in Zionism. No other study by a single author deals with German-Jewish relations so comprehensively and over such a long period of literary history. Robertson's new work will prove stimulating for anyone interested in the modern Jewish experience, as well as for scholars and students of German fiction, prose, and political culture.
Representations of Jews in Late Medieval and Early Modern German Literature
Author: John D. Martin
Publisher: Peter Lang
ISBN: 3039107186
Pages: 253
Year: 2006
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It is commonly held that medieval Christians viewed medieval Jews in exclusively negative terms. This is certainly the dominant opinion in much twentieth-century scholarship, and it is not wholly without justification. It is, however, an opinion that does not accurately reflect the breadth of medieval German Christian thinking about medieval German Jews. Drawing on Passion plays, hagiographical narratives and didactic literature, this monograph reveals a hitherto largely unacknowledged diversity in medieval German representations of Jews. In many of the best-attested texts from the late medieval and early modern periods, Jews appear in German literature as sympathetic, even morally exemplary figures.
German Literature Between Faiths
Author: Peter Meister
Publisher: Peter Lang
ISBN: 3039101749
Pages: 244
Year: 2004-01-01
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Religion is a central concern of German literature in all centuries, and the canon looks different when this perspective is acknowledged. For example, Goethe's fascination with evil is difficult to disentangle from the Holocaust, Moses Mendelssohn is as profound as the playwright who portrayed him, and -Princess Sabbath- deserves to be numbered among Heine's more enchanting lyrics. This essay collection posits, and tests, the hypothesis that German literature at its best is often an expression or investigation of Judaism or Christianity at their best; but that the best German literature is not always the best-known, and vice versa. Asking whether the New Testament is anti-Jewish (and answering in the negative), essayists range through the German centuries from "The Heliand" to Kafka and Thomas Mann."
German-Jewish Literature in the Wake of the Holocaust
Author: P. Bos
Publisher: Springer
ISBN: 1403979332
Pages: 143
Year: 2005-06-03
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Combining cultural history and literary analysis, this study proposes a new and thought-provoking reading of the changing relationship between Germans and Jews following the Holocaust. Two Holocaust survivors whose work became uniquely successful in the Germany of the 1980s and 1990s, Grete Weil and Ruth Kluger, emerge as exemplary in their contributions to a postwar German discussion about the Nazi legacy that had largely excluded living Jews. While acknowledging that the German audience for the works of Holocaust survivors began to change in the 1980s, this study disputes the common tendency to interpret this as a sign of greater willingness to confront the Holocaust, arguing instead that it resulted from a continued German misreading of Jews' criticisms. By tracing the particular cultural-political impact that Weil's and Kluger's works had on their German audience, it investigates the paradox of Germany's confronting the Holocaust without necessarily confronting the Jews as Germans. Furthermore, for the authors this literature also had a psychological impact: their 'return' to the German language and to Germany is read not as an act of mourning or nostalgia, but rather as a public call to Germans for a dialogue about the Nazi past, as a way to move into the public realm the private emotional and psychological battles resulting from German Jews' exclusion from and persecution by their own national community.
The Spirit of Poesy
Author: Richard A. Block, Peter David Fenves, Géza von Molnár
Publisher: Northwestern University Press
ISBN: 0810116812
Pages: 251
Year: 2000
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A testament to the "spirit of poesy" that informs the life and work of Geza von Molnar, this volume of essays comes together around his principal preoccupations: the philosophical foundations of Goethe's writings, the structure and reception of German romanticism, the ethics of reading, and the fate of European Jewry. At the center of this work is the idea of a genuinely free humanity -- from its ambiguous presence in the aesthetic projects of Goethe and German romanticism to its utter absence in the Nazi extermination camps. Combining works in philosophy, literature, and Jewish studies by established and younger scholars, this collection contributes significantly to an understanding of German culture.
Jews in Business and Their Representation in German Literature, 1827-1934
Author: John Ward
Publisher: Peter Lang
ISBN: 303430126X
Pages: 250
Year: 2010
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This book gives an account of the literary representation of Jews as businessmen from the early nineteenth century to the onset of the Third Reich. The historical context provides the background for an examination of the literary representation of Jewish businessmen and presents evidence for the perpetuation, transformation, and combination of stereotypes. The double bind of assimilation - that the Jews were vilified whether they succeeded or failed - is illustrated from literary treatments by the Romantic writer Wilhelm Hauff and the early twentieth-century writers Lion Feuchtwanger and Paul Kornfeld of the historical figure of 'Jud Suss Oppenheimer'. Gustav Freytag's use of the Jews as 'counter-ideals' in his notorious bestseller "Soll und Haben" (1855) and the onset of racial anti-Semitism in Wihelm von Polenz's "Der Buttnerbauer" (1895) are illustrative of how literary anti-Semitism hardened in the course of the nineteenth century. The book considers a number of literary texts, some well known, some less familiar, which are revealing of the way in which Jewish-Gentile relations were imagined in their time."
Jews in German Literature Since 1945
Author: Pól Ó Dochartaigh
Publisher: Rodopi
ISBN: 9042014636
Pages: 673
Year: 2000-01-01
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This volume contains some 46 essays on various aspects of contemporary German-Jewish literature. The approaches are diverse, reflecting the international origins of the contributors, who are based in seventeen different countries. Holocaust literature is just one theme in this context; others are memory, identity, Christian-Jewish relations, anti-Zionism, la belle juive, and more. Prose, poetry and drama are all represented, and there is a major debate on the controversial attempt to stage Fassbinder's Der Müll, die Stadt und der Todin 1985. The overall approach of the volume is an inclusive one. In his introduction, the editor calls for a reappraisal of the terms of German-Jewish discourse away from the notion of 'Germans' and 'Jews' and towards the idea that both Jews and non-Jews, all of them Germans, have contributed to the corpus of 'German-Jewish literature'.
The German-Jewish Dialogue
Author: Ritchie Robertson
Publisher: Oxford University Press, USA
ISBN: 0192839101
Pages: 382
Year: 1999
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`I love the German character more than anything else in the world, and my breast is an archive of German song' So wrote Heinrich Heine in 1824, adding: `It is likely that my Muse gave her German dress something of a foreign cut from annoyance with the German character'. Here Heine sums up the ambivalent emotions of Jews who felt at home in German culture and yet, even in the age of emancipation, found Germany less than welcoming. This anthology illustrates the history of Jews inGermany from the eighteenth century, when it was first proposed to give Jews civil rights, to the 1990's and the problems of living after the Holocaust. The texts include short stories, plays, poems, essays, letters and diary entries, all chosen for their literary merit as well as the light they shed on the relations between Jews in Germany and Austria and their Gentile fellow-citizens. Ritchie Robertson's lucid introduction provides the necessary historical context and his translations makeavailable in English in some cases for the first time - both Jewish writers on various aspects of Jewish experience and responses of Gentile writers to the Jews in their midst. Each is introduced by a short illuminating preface.
Reemerging Jewish Culture in Germany
Author: Sander L. Gilman, Karen Remmler
Publisher: NYU Press
ISBN: 0814730620
Pages: 290
Year: 1994-08-01
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In 2001, Richard Delgado and Jean Stefancic published theirdefinitive Critical Race Theory, acompact introduction to the field that explained, in straightforward language,the origins, principal themes, leading voices, and new directions of thisimportant movement in legal thought. Since then, critical race theory has gone on to influence numerous otherfields of scholarship, and the Delgado and Stefancic primer has remained anindispensible guide for students and teachers. Delgado and Stefancic have revised the book to includematerial on key issues such as colorblind jurisprudence, Latino-Criticalscholarship, immigration, and the rollback of affirmative action. This second edition introduces readers toimportant new voices in fields outside of law, including education andpsychology, and offers greatly expanded issues for discussion, updated readinglists, and an extensive glossary of terms.
When Kafka Says We
Author: Vivian Liska
Publisher: Indiana University Press
ISBN: 0253353084
Pages: 239
Year: 2009
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How literature creates new forms of communal identification and solidarity
Goethe in German-Jewish Culture
Author: Wisconsin Workshop, Wis.) Wisconsin Workshop 1999 (Madison
Publisher: Camden House
ISBN: 1571133232
Pages: 190
Year: 2001
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New essays examining Goethe's relationship to the Jews, and the contribution of Jewish scholars to the fame of the greatest German writer.
Ghetto Writing
Author: Anne Fuchs, Florian Krobb
Publisher: Camden House
ISBN: 1571130098
Pages: 231
Year: 1999
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Fresh articles about a much neglected genre, fiction from and about the Jewish ghetto.
German-Jewish Thought and Its Afterlife
Author: Vivian Liska
Publisher: Indiana University Press
ISBN: 0253025001
Pages: 218
Year: 2016-12-19
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InGerman-Jewish Thought and Its Afterlife,Vivian Liska innovatively focuses on the changing form, fate and function of messianism, law, exile, election, remembrance, and the transmission of tradition itself in three different temporal and intellectual frameworks: German-Jewish modernism, postmodernism, and the current period. Highlighting these elements of theJewish tradition in the works of Franz Kafka, Walter Benjamin, Gershom Scholem, Hannah Arendt, and Paul Celan, Liska reflects on dialogues and conversations between themandonthereception of their work.She shows how this Jewish dimension of their writings is transformed, but remains significant in the theories of Maurice Blanchot and Jacques Derrida and how it is appropriated, dismissed or denied by some of the most acclaimed thinkers at the turn of the twenty-first century such as Giorgio Agamben, Slavoj i ek, and Alain Badiou.
A History of German Literary Criticism, 1730-1980
Author: Peter Uwe Hohendahl, Klaus L. Berghahn
Publisher: U of Nebraska Press
ISBN: 0803223404
Pages: 479
Year: 1988
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First published in Germany in 1985, Geschichte der deutschen Literaturkritik was quickly recognized as the most original and comprehensive study to date of a proud critical tradition including such giants as Lessing, Goethe, and Heine. Now translated into English, it will serve as a model for a new approach to literary history in America and elsewhere, one emphasizing the connections of criticism with other public discourse. The editor, Peter Uwe Hohendahl, has provided an introduction and a chapter, "Literary Criticism in the Epoch of Liberalism,"translated by Jeffrey S. Librett. Filling in the history of German criticism from the Enlightenment to the present are Klaus L. Berghahn of the University of Wisconsin, "From Classicist to Classical Literary Criticism, 1730-1806," translated by John R. Blazek; Jochen Schulte-Sasse, University of Minnesota, "The Concept of Literary Criticism in Romanticism"; Russell A. Berman, Stanford University, "Literary Criticism from Empire to Dictatorship, 1870-1933,"; translated by Simon Srebrny; and Bernhard Zimmerman, University of T_bingen, "Developments in German Literary Criticism from 1933 to the Present," translated by Franz Blaha.

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