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From Word to Image
Author: Marcie Begleiter
ISBN: 193290767X
Pages: 267
Year: 2010-01-01
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This classic text on storyboarding and visual communication has been updated with information on new media and expanded to incorporate an in-dept study of the use of color in storytelling
Author: Eric Meola
ISBN: 1599620499
Pages: 272
Year: 2008
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More than two hundred full-color images highlight a visual celebration of the myriad landscapes, people, architecture, festivals, and art of this richly diverse Asian nation, from the rugged Himalayas in the north to the temples of Tamil Nadu in the south, accompanied by commentary from Anita Desai, Salman Rushdie, R. K. Narayan, and others. 15,000 first printing.
Word as Image
Author: Ji Lee
Publisher: Penguin
ISBN: 1101627816
Pages: 208
Year: 2013-05-28
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Challenge: Create an image out of a word, using only the letters in the word itself. Rule: Use only the graphic elements of the letters without adding outside elements. Enhanced with entertaining and surprising animations for each word, Word as Image invites you to see letters beyond their utilitarian dullness. It's about discovering the magic behind the unique shapes and infinite possibilities of letters and words. This fully animated enhanced edition showcases nearly 100 of Ji Lee's head-scratching word images, along with tips to help you create your own and share them at
From Word to Image
Author: Marion Koogler McNay Art Museum
ISBN: 0916677028
Pages: 21
Year: 1984
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Word and Image
Author: Michael Patella
Publisher: Liturgical Press
ISBN: 0814691978
Pages: 366
Year: 2013-06-01
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In Word and Image, Michael Patella explores the principles, intentions, and aims of The Saint John's Bible - the first handwritten and hand-illuminated Bible commissioned by a Benedictine abbey since the invention of the printing press. Patella focuses not on how it was made but on how it can be read, viewed, and interpreted in a way that respects biblical inspiration and Christian tradition in our postmodern context. It is a book that is sure to appeal to academics, pastors, teachers, and educated laypersons. Patella considers this Bible in the context of the great Christian tradition of illuminated Bibles across the ages and also the fascinating ways The Saint John's Bible reflects third-millennium concerns. He seeks to rekindle interest in sacred art by allowing The Saint John's Bible to teach its readers and viewers how to work with text and image. As an accomplished Scripture scholar, a highly regarded teacher, a monk of Saint John's Abbey, and the chair of the Committee on Illumination and Text that provided the Vision to the artists who created it, Patella may be the only one who could write this book with such insight, expertise, and love. Michael Patella, OSB, SSD, is professor of New Testament at the School of Theology•Seminary of Saint John's University, Collegeville, where he also serves as seminary rector. His books include Angels and Demons: A Christian Primer of the Spiritual World (Liturgical Press, 2012), The Lord of the Cosmos: Mithras,Paul, and the Gospel of Mark (T&T Clark, 2006), and The Gospel according to Luke of the New Collegeville Bible Commentary Series(Liturgical Press, 2005). He has been a frequent contributor to The Bible Today and is a member of the Catholic Biblical Association. He served as chair of the Committee on Illumination and Text for The Saint John's Bible.
Author: Jay Ben Adlersberg, Samantha Bowser
Publisher: Welcome Books
ISBN: 1599621258
Pages: 272
Year: 2013
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A gorgeous coffee table book filled with lush photography and writings from Ireland's greatest authors. Ireland: In Word and Image is a visual celebration of Ireland accompanied by poetry and literary excerpts from renowned authors whose works were inspired by The Emerald Isle, both past and present, among them: Samuel Beckett, James Joyce, Seamus Heaney, Frank McCourt, Oscar Wilde, W.B. Yeats. Photographs are accompanied by richly informative captions. Includes 2 double gatefold and 6 single gatefold pages. There is much said about "magical, mystical Ireland", but you don't feel it until you step out of a fog bank into a forest covered by moss-coated tree trunks and edge over to a stream white with foam and red with iron from the soil. I didn't see a banshee or leprechaun, but I felt I was standing on their home turf.-from the Introduction by Jay Adlersberg
Word and Image in the Book of Kells
Author: Heather Pulliam
Publisher: Four Courts PressLtd
Pages: 237
Year: 2006
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"[The Book of Kells' contains almost 2000 decorated initials, the majority of which are formed by human figures, beasts, birds and fish. This title offers an in-depth examination of the smaller decorated initials, script layout, and marginalia of this book]" -- jacket cover.
Image to Word
Author: Kathleen Walsh-Piper
Publisher: R&L Education
ISBN: 1461649420
Pages: 160
Year: 2002-10-28
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Explore effective ways to teach creative writing using art with an experienced writing teacher whose classroom is in a museum, not a school. You will learn ways to involve and motivate students by using artwork, games, formula poems, and other specific writing exercises. From painting to decorative arts and sculpture, the works selected represent a wide range of historical periods and cultures. Each is presented as a "type" which makes it easy to substitute more readily available artworks in any museum. Lessons on point of view, stream of consciousness, description, and monologue are developed along with imagination, sensations, and dreams. This guide is a masterpiece of ideas and inspiration that marries the act of writing imaginatively with the art of observation. Includes a CD-ROM featuring a collection of images by known artists.
Painting with Words, Writing with Pictures
Author: Franco Ricci
Publisher: University of Toronto Press
ISBN: 0802035078
Pages: 344
Year: 2001
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Ricci's book ranges widely over Calvino's oeuvre to illustrate the accuracy of the idea articulated by Calvino himself that a visual image lies at the origin of all his narrative. The book's main theme is the difficult interface between word and image that Calvino struggled with throughout his career, the act of perception that rendered visible that which was invisible and transformed what was seen into what is read. Ricci holds that Calvino's narrative has an 'imagocentric' program and that his literary strategy is 'ekphrastic' i.e. it is characterized by literary description of visual representation, real or imaginary. The book is interdisciplinary in nature and will interest not only scholars of literature but also those who work with the visual arts and with information technology.
Image and Word
Author: Antonella Braida, Giuliana Pieri
Pages: 248
Year: 2003
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What was the role of images in the western tradition? And what was their relationship with the printed work? This wide-ranging collection of essays offers a critical review of how the Western tradition set out to compare visual arts and texts, encompassing thirteenth-century Spanish miniatures, Italian Renaissance painting and book illustrations, the explosion of inter-arts comparisons in the works of such diverse writers as Blake, Mallerme and D'Annunzio, and the modern debate on the visual arts. 256p, 21 illus.
Word and Image in Japanese Cinema
Author: Dennis Washburn, Carole Cavanaugh
Publisher: Cambridge University Press
ISBN: 052177182X
Pages: 388
Year: 2001
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Word and Image in Japanese Cinema examines the complex relationship between the temporal order of linguistic narrative and the spatiality of visual spectacle, a dynamic that has played an important role in much of Japanese film. The tension between the controlling order of words and the liberating fragmentation of images has been an important force that has shaped modern culture in Japan and that has also determined the evolution of its cinema. In exploring the rift between word and image, the essays in this volume clarify the cultural imperatives that Japanese cinema reflects, as well as the ways in which the dialectic of word and image has informed the understanding and critical reception of Japanese cinema in the West.
Between the Image and the Word
Author: Trevor Hart
Publisher: Lund Humphries Publishers
ISBN: 1472413709
Pages: 254
Year: 2013
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The central contention of Christian faith is that in the incarnation the eternal Word or Logos of God himself has taken flesh, so becoming for us the image of the invisible God. Our humanity itself is lived out in a constant to-ing and fro-ing between materiality and immateriality. Approaching different aspects of two distinct movements between the image and the word, in the incarnation and in the dynamics of human existence itself, Trevor Hart presents a clearer understanding of each and explores the juxtapositions with the other.
On Verbal/visual Representation
Author: Martin Heusser
Publisher: Rodopi
ISBN: 9042018372
Pages: 256
Year: 2005-01-01
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The essays in this collection are a selection of the papers given at the Fifth International Conference on Word and Image Studies, Claremont, CA, 14-20 March, 1999.
Image, Word and God in the Early Christian Centuries
Author: Dr Mark Edwards
Publisher: Ashgate Publishing, Ltd.
ISBN: 140947352X
Pages: 228
Year: 2013-02-28
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Christianity proclaims Christ and the incarnate word of God; the Bible is described as the Word of God in both Jewish and Christian tradition. Are these usages merely homonymous, or would the ancients have recognized a more intimate relation between the word incarnate and the word proclaimed? This book investigates the concept of logos in pagan, Jewish and Christian thought, with a view to elucidating the polyphonic functions which the word acquired when used in theological discourse. Edwards presents a survey of theological applications of the term Logos in Greek, Jewish and Christian thought from Plato to Augustine and Proclus. Special focus is placed on: the relation of words to images in representation of divine realm, the relation between the logos within (reason) and the logos without (speech) both in linguistics and in Christology, the relation between the incarnate Word and the written text, and the place of reason in the interpretation of revelation. Bringing together materials which are rarely synthesized in modern study, this book shows how Greek and biblical thought part company in their appraisal of the capacity of reason to grasp the nature of God, and how in consequence verbal revelation plays a more significant role in biblical teaching. Edwards shows how this entailed the rejection of images in Jewish and Christian thought, and how the manifestation in flesh of Christ as the living word of God compelled the church to reconsider both the relation of word to image and the interplay between the logos within and the written logos in the formulation of Christian doctrine.
Word And Image
Author: William Diebold
Publisher: Routledge
ISBN: 0429982615
Pages: 176
Year: 2018-05-04
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This up-to-date, reliable introductory account and interpretation of early medieval art combines art, history, and ideas from around 600 to 1050. Diebold describes diversity and complexity of early medieval art by examining the relationship of word and image. The concept of word and image is broad enough to encompass the Anglo-Saxon art and oral culture of the Sutton Hoo treasure, as well as the literate art of the Carolingian and Ottonian courts. Diebold describes the stunning variety of early medieval objectsillustrated manuscripts, rich metalwork, ivories, textiles, statuary, jewels, painting and architecture. There are 63 black and white illustrations and 4 plates in color. }This up-to-date, reliable introductory account and interpretation of early medieval art combines art, history, and ideas from around 600 to 1050. Diebold describes diversity and complexity of early medieval art by examining the relationship of word and image. The concept of word and image is broad enough to encompass the Anglo-Saxon art and oral culture of the Sutton Hoo treasure, as well as the literate art of the Carolingian and Ottonian courts. Diebold describes and explains the stunning variety of early medieval objects--illustrated manuscripts, rich metal work, ivories, textiles, statuary, jewels, painting and architecture produced north of the Alps beginning with Pope Gregory's Christianization of England and his justification of images, and ending with the spectacular gold reliquary statue of Ste. Foy at Conques, which separates Early Medieval art from the Romanesque. Diebold also discusses the function of (and audience for) medieval art; he shows why, how, and for whom it was made. Diebold outlines the role of artists and patrons in medieval society, and he explains art's institutional and social status. He defines basic historical and art-historical terms and concepts as they are encountered, and illustrations, a map, a glossary, notes, suggestions for further reading, and an index are included.

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