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Frank O. Gehry, Kurt W. Forster
Author: Frank O. Gehry, Kurt Walter Forster, Cristina Bechtler, Kunsthaus Bregenz
Publisher: Hatje Cantz Pub
ISBN:
Pages: 131
Year: 1999
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With the recent triumph in Bilbao, Frank Gehry became one of the two or three living architects whose names are known outside the field. Within architecture and the arts, however, Gehry has longstanding and tremendous respect, and this conversation with the architectural historian and Getty Center Founding Director, Kurt W. Foster, testifies to the ways in which Gehry's concepts continue to invigorate not just the language of architecture, but the arts in general. The implicit sculpture of Gehry's work reveals a communion between artistic disciplines, and he has collaborated with the likes of Serra, Kelley, and Koons. This book furthers that open dialogue - which Gehry clearly views as essential - between the arts.
Frank Gehry
Author: Francesco Dal Co, Kurt W. Forster
Publisher: Phaidon Press
ISBN: 1780750064
Pages: 646
Year: 2012-04
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The most comprehensive monograph of the world-famous architect Frank Gehry (b.1929) Revised and expanded to include his most recent projects including the New York residential tower (2011) Detailed presentation of approximately 250 buildings and projects from North America and Europe Features all Gehry's best-known projects including the Bilbao Guggenheim Museum (1997), the Walt Disney Concert Hall in Los Angeles (2003) and the Experience Music Project in Seattle (2000) Includes essays by renowned critics Francesco Dal Co and Kurt W Forster
Frank O. Gehry
Author: Frank O. Gehry
Publisher: Axel Menges
ISBN: 3930698323
Pages: 53
Year: 1998
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There is no doubt that Gehry's Guggenheim Museum in Bilbao is one of the most spectacular buildings of recent years. It is both the heart of the city and a tested for the arts, representing both public presence and artistic change.
Building a New Europe
Author: George Nelson
Publisher: University Press of Kentucky
ISBN: 0300115652
Pages: 174
Year: 2007
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Fascinating profiles of the leading architects of the 1930s during a crucial period in the evolution of modernism
Conversations with Frank Gehry
Author: Barbara Isenberg
Publisher: Knopf
ISBN: 0307959724
Pages: 320
Year: 2012-01-25
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An unprecedented, intimate, and richly illustrated portrait of Frank Gehry, one of the world’s most influential architects. Drawing on the most candid, revealing, and entertaining conversations she has had with Gehry over the last twenty years, Barbara Isenberg provides new and fascinating insights into the man and his work. Gehry’s subjects range from his childhood—when he first built cities with wooden blocks on the floor of his grandmother’s kitchen—to his relationships with clients and his definition of a “great” client. We learn about his architectural influences (including Le Corbusier and Frank Lloyd Wright) and what he has learned from Michelangelo, Rembrandt, and Rauschenberg. We explore the thinking behind his designs for the Guggenheim Bilbao and the Walt Disney Concert Hall, the redevelopment of Atlantic Yards in Brooklyn and Grand Avenue in Los Angeles, the Gehry Collection at Tiffany’s, and ongoing projects in Toronto, Paris, Abu Dhabi, and elsewhere. And we follow as Gehry illuminates the creative process by which his ideas first take shape—for example, through early drawings for the Guggenheim Museum in Bilbao, when the building’s trademark undulating curves were mere scribbles on a page. Sketches, models, and computer images provided by Gehry himself allow us to see how so many of his landmark buildings have come to fruition, step by step. Conversations with Frank Gehry is essential reading for everyone interested in the art and craft of architecture, and for everyone fascinated by the most iconic buildings of our time, as well as the man and the mind behind them. From the Hardcover edition.
Four Museums
Author: Stefan Buzas
Publisher: Edition Axel Menges
ISBN: 3930698684
Pages: 222
Year: 2004
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The book presents four of the most important contemporary museums of the world: Museo Canoviano, Possagno; Guggenheim Bilbao Museoa; The Audrey Jones Beck Building, MFAH; Sammlung Essl, Klosterneuburg. Each essay details the unique design concepts of each museum, illustrated with interior and exterior details
Museums for a New Millennium
Author: Vittorio Magnago Lampugnani, Angeli Sachs, Stanislaus von Moos, Friedrich Achleitner
Publisher: Prestel Pub
ISBN: 3791322192
Pages: 224
Year: 1999
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This book features more than two dozen of the world's top new museums.
Frank Gehry
Author: Mildred S. Friedman, Sylvia Lavin
Publisher: Rizzoli Intl Pubns
ISBN:
Pages: 320
Year: 2009-10-13
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One of the great architects of our time, Frank Gehry has revolutionized the use of materials in design and redefined how architects use computers as a design tool to advance form-making as we know it. He has achieved worldwide fame for such large-scale public projects as the Guggenheim Museum in Bilbao, Spain, and the Walt Disney Concert Hall in Los Angeles, California, but it was in private houses that Gehry first explored and interrogated the principles of modern architecture. In these houses—most notably his own, in Santa Monica, California—Gehry distorted, expanded, and collapsed the modernist box, exploring everyday materials (corrugated metal, unfinished plywood, and chain link), experimenting with color, and challenging accepted notions about geometry and structure. In houses such as the Schnabel House in Brentwood, California, and the Winton Guest House in Wayzata, Minnesota, he experimented with collage and assemblage. More recently, Gehry’s work has taken on sculptural forms, aided by new structural and geometric potentials of digital design, as in the near-legendary Lewis House in Lyndhurst, Ohio. Color photographs, sketches, and plans create an illuminating visual record of some of the most groundbreaking, seminal projects of Gehry’s oeuvre.

FOG

FOG
Author: Frank O. Gehry, Brooke Hodge, Museum of Contemporary Art (Los Angeles, Calif.)
Publisher: Circa Pub
ISBN: 0974198706
Pages: 128
Year: 2003-09
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For the first time, a book looks at internationally famed architect Frank Gehry as an artist. This intimate portrait of Gehry's creative process reveals the details not only of how he works, but also of his total staff and office environment. Among 10 featured projects - realized and unrealized - are models and drawings for the Walt Disney Concert Hall, Ray and Maria Stata Center at MIT, Jerusalem Museum of Tolerance, Corcoran Gallery and School of Art, Venice Gateway and Puente de Vida Museo. There has never been an architectural monograph like this.
Art, Fashion and Work for Hire
Author: Thomas Demand, Peter Saville, Hedi Slimane, Hans Ulrich Obrist
Publisher: Springer
ISBN: 3211757872
Pages: 112
Year: 2008-08-15
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Thomas Demand is known for his large-format photographic work. As the head designer of Dior Homme, Hedi Slimane revolutionized men’s fashion. He is also known for his work as an artist. Peter Saville wrote design history with his album covers for British bands such as Joy Division, New Order and Pulp, and with his work for fashion designers. Demand, Slimane, and Saville have all gone beyond the limitations of a single type of media to realize their ideas and visions. They discuss their work and motivation in a conversation in Berlin with the curator Hans Ulrich Obrist and the editor Cristina Bechtler, and also share their views on new forms of creativity, cross-border endeavors, fashion, architecture, photography, political art and many more subjects.
Architecture between spectacle and use
Author: Anthony Vidler
Publisher: Clark Art Institute
ISBN: 0300125542
Pages: 184
Year: 2008-03-04
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With the recent international proliferation of architectural projects, expansions, and renovations––particularly in the art and museum worlds––critics have accused architecture of entering too fully into the “society of the spectacle,” yielding to consumerist display, and trading its historical aims, ambitions, and obligations for celebrity and ostentation. This important and timely volume examines the current state of contemporary architecture worldwide and the ways in which it is caught between the art of display and the accommodation of use. Eleven distinguished scholars from the fields of architecture, art history, and architectural criticism explore the problems and possibilities of contemporary architecture in the light of the history of its modern reception, new approaches to design technologies, and philosophical issues about the “meaning” of architecture. They also consider whether the new buildings, projects, and ideas that have generated such excitement and public interest are a creative response to society’s fundamental social, cultural, and economic needs.
Frank Gehry
Author: Jeremy Gilbert-Rolfe, Frank O. Gehry
Publisher: Psychology Press
ISBN: 0415239958
Pages: 132
Year: 2001
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Frank Gehry: The City and Music is the result of a unique collaboration between the architect and leading critic Jeremy Gilbert-Rolfe. It focuses on two projects, Gehry's unrealised proposal for the rehabilitation of Berlin's Museum Island and his soon to be completed Disney Concert Hall in Los Angeles, while discussing other projects such as the Pavilion for the Performing Arts in Concord, California, the Guggenheim Museum in Bilbao, and the Experience Music Project in Seattle. Gehry's much debated relationship to Minimalist sculpture, use of new building materials and attitude to tradition, are discussed with regard to his belief in architecture as a democratic practice which is at once practical and expressive.
Judging Architectural Value
Author: William S. Saunders
Publisher:
ISBN: 081665011X
Pages: 175
Year: 2007
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When it comes to determining the relative quality of architecture, who is best equipped to make the distinctions? Is it the public who lives in and among the buildings? The people who commission and pay for the buildings? Art historians? Or architects themselves? These provocative essays take up the questions of what people value in architecture and how changing values influence opinions about it. In the intriguing opening essay, Michael Benedikt makes an argument for the role of architects in the delineation of value in architecture. He discusses the differences between icon and canon, a theme threaded through many of the essays. In addition to unexpected analyses of buildings such as Eero Saarinen’s Gateway Arch in St. Louis, Paul Rudolph’s Art and Architecture Building at Yale University, and the work of Antoni Gaudí and Frank Gehry, the collection includes a clear-eyed look at the role of architecture in addressing social problems. Ultimately, these essays assert that judging architecture requires more than a refined sensibility. Buildings also need to be evaluated by their impact on the people living within and around them. Contributors: John Beardsley, Harvard Design School; Michael Benedikt, U of Texas, Austin; Tim Culvahouse, California College of the Arts; Lisa Finley, California College of the Arts; Kurt W. Forster, Bauhaus-Universität, Weimar, Germany; Kenneth Frampton, Columbia U; Diane Ghirardo, U of Southern California; Charles Jencks; David Leatherbarrow, U of Pennsylvania; Nancy Levinson; Hélène Lipstadt; Juhani Pallasmaa, Helsinki U of Technology; Timothy M. Rohan, U of Massachusetts, Amherst; Roger Scruton; Daniel Willis, Pennsylvania State U. William S. Saunders is editor of Harvard Design Magazine and assistant dean for external relations at Harvard University’s Graduate School of Design. He is the author of Modern Architecture: Photographs by Ezra Stoller and editor of three other Harvard Design Magazine Readers. Michael Benedikt is Hal Box Chair in Urbanism and director of the Center for American Architecture and Design at the School of Architecture at the University of Texas at Austin.
Frank O. Gehry
Author: Francesco Dal Co, Kurt Walter Forster, Frank O. Gehry, Hadley Soutter Arnold
Publisher: Mondadori Electa
ISBN: 8843559648
Pages: 608
Year: 1998
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What Modern Is?
Author: Aaron Betsky
Publisher: Actar
ISBN: 1940291151
Pages: 256
Year: 2015-05-01
View: 223
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Traces the astonishing opening up of a brave new world of open empty space, the arrival of the beauty and terror of the machine into daily life, and the attempts to represent them in the construction of a modernist world.

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