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Editors Talk about Editing
Author: Susan Greenberg
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 1433120046
Pages: 217
Year: 2015-02
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The work of editing is by and large something that happens behind the scenes, noticed only when it is done badly, or not done at all. There is not much information about what editors do. The result is that editing is not often talked about in its own right--not even by the people who do it. This collection of interviews attempts to fill some of the gaps. The author, a former editor herself, interviews practitioners at the top of their game - from newspapers, magazines, broadcast news, book publishing, scholarly editing, academic publishing and digital curation. The interviewees think out loud about creativity and human judgment; what they have in common and what makes them different; how editing skills and culture can be shared; why editing continues to fascinate; and why any of this might matter.
Editors on Editing
Author: Gerald Gross
Publisher: Grove Press
ISBN: 0802132634
Pages: 377
Year: 1993
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Read: 787
Essays discuss writers' conferences, editing for specific markets, the role of the editorial assistant, and editing specific genres
What Editors Do
Author: Peter Ginna
Publisher: University of Chicago Press
ISBN: 022630003X
Pages: 320
Year: 2017-10-06
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Editing is an invisible art where the very best work goes undetected. Editors strive to create books that are enlightening, seamless, and pleasurable to read, all while giving credit to the author. This makes it all the more difficult to truly understand the range of roles they inhabit while shepherding a project from concept to publication. In What Editors Do, Peter Ginna gathers essays from twenty-seven leading figures in book publishing about their work. Representing both large houses and small, and encompassing trade, textbook, academic, and children’s publishing, the contributors make the case for why editing remains a vital function to writers—and readers—everywhere. Ironically for an industry built on words, there has been a scarcity of written guidance on how to actually approach the work of editing. This book will serve as a compendium of professional advice and will be a resource both for those entering the profession (or already in it) and for those outside publishing who seek an understanding of it. It sheds light on how editors acquire books, what constitutes a strong author-editor relationship, and the editor’s vital role at each stage of the publishing process—a role that extends far beyond marking up the author’s text. This collection treats editing as both art and craft, and also as a career. It explores how editors balance passion against the economic realities of publishing. What Editors Do shows why, in the face of a rapidly changing publishing landscape, editors are more important than ever.
Second Sight
Author: Cheryl B. Klein
Publisher:
ISBN: 0615420826
Pages: 313
Year: 2011
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Whether you dream of writing a book for children or young adults, or you want to take a finished manuscript to the next level, it always helps to get a fresh point of view. Try a little SECOND SIGHT.In this collection of talks, a professional editor offers insights from the other side of the publishing desk on a wide range of writerly topics:* Terrific first lines and how they got that way* What makes a strong picture book manuscript* Why the Harry Potter series was such a tremendous success* Finding the emotional heart of your story* Worksheets and checklists for building characters and bolstering plot* The Annotated Query Letter from Hell* And an Annotated Query Letter That Does It RightWith its wit, intelligence, and practical tools for analyzing and revising your work, SECOND SIGHT will be a first resource for writers of children's and young adult fiction.This book has not been endorsed or approved by J. K. Rowling or any of her publishers or representatives, and all thoughts expressed here on all matters, including the Harry Potter series, are solely my own, and should not be taken as the official opinions, intentions, or interpretations of any of the writers or publishers mentioned.
The Art of Making Magazines
Author: Victor S. Navasky, Evan Cornog
Publisher: Columbia University Press
ISBN: 0231504691
Pages: 192
Year: 2012-09-05
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In this entertaining anthology, editors, writers, art directors, and publishers from such magazines as Vanity Fair, The New Yorker, The New Republic, Elle, and Harper's draw on their varied, colorful experiences to explore a range of issues concerning their profession. Combining anecdotes with expert analysis, these leading industry insiders speak on writing and editing articles, developing great talent, effectively incorporating art and design, and the critical relationship between advertising dollars and content. They emphasize the importance of fact checking and copyediting; share insight into managing the interests (and potential conflicts) of various departments; explain how to parlay an entry-level position into a masthead title; and weigh the increasing influence of business interests on editorial decisions. In addition to providing a rare, behind-the-scenes look at the making of successful and influential magazines, these contributors address the future of magazines in a digital environment and the ongoing importance of magazine journalism. Full of intimate reflections and surprising revelations, The Art of Making Magazines is both a how-to and a how-to-be guide for editors, journalists, students, and anyone hoping for a rare peek between the lines of their favorite magazines. The chapters are based on talks delivered as part of the George Delacorte Lecture Series at the Columbia School of Journalism. Essays include: "Talking About Writing for Magazines (Which One Shouldn't Do)" by John Gregory Dunne; "Magazine Editing Then and Now" by Ruth Reichl; "How to Become the Editor in Chief of Your Favorite Women's Magazine" by Roberta Myers; "Editing a Thought-Leader Magazine" by Michael Kelly; "Fact-Checking at The New Yorker" by Peter Canby; "A Magazine Needs Copyeditors Because...." by Barbara Walraff; "How to Talk to the Art Director" by Chris Dixon; "Three Weddings and a Funeral" by Tina Brown; "The Simpler the Idea, the Better" by Peter W. Kaplan; "The Publisher's Role: Crusading Defender of the First Amendment or Advertising Salesman?" by John R. MacArthur; "Editing Books Versus Editing Magazines" by Robert Gottlieb; and "The Reader Is King" by Felix Dennis
Write Your Way In
Author: Rachel Toor
Publisher: University of Chicago Press
ISBN: 022638392X
Pages: 164
Year: 2017-08-03
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Writing, for most of us, is bound up with anxiety. It’s even worse when it feels like your whole future—or at least where you’ll spend the next four years in college—is on the line. It’s easy to understand why so many high school seniors put off working on their applications until the last minute or end up with a generic and clichéd essay. The good news? You already have the “secret sauce” for crafting a compelling personal essay: your own experiences and your unique voice. The best essays rarely catalog how students have succeeded or achieved. Good writing shows the reader how you’ve struggled and describes mistakes you’ve made. Excellent essays express what you’re fired up about, illustrate how you think, and illuminate the ways you’ve grown. More than twenty million students apply to college every year; many of them look similar in terms of test scores, grades, courses taken, extracurricular activities. Admissions officers wade through piles of files. As an applicant, you need to think about what will interest an exhausted reader. What can you write that will make her argue to admit you instead of the thousands of other applicants? A good essay will be conversational and rich in vivid details, and it could only be written by one person—you. This book will help you figure out how to find and present the best in yourself. You’ll acquire some useful tools for writing well—and may even have fun—in the process.
Art of the Cut
Author: Steve Hullfish
Publisher: Taylor & Francis
ISBN: 1315297116
Pages: 304
Year: 2017-02-24
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Art of the Cut provides an unprecedented look at the art and technique of contemporary film and television editing. It is a fascinating "virtual roundtable discussion" with more than 50 of the top editors from around the globe. Included in the discussion are the winners of more than a dozen Oscars for Best Editing and the nominees of more than forty, plus numerous Emmy winners and nominees. Together they have over a thousand years of editing experience and have edited more than a thousand movies and TV shows. Hullfish carefully curated over a hundred hours of interviews, organizing them into topics critical to editors everywhere, generating an extended conversation among colleagues. The discussions provide a broad spectrum of opinions that illustrate both similarities and differences in techniques and artistic approaches. Topics include rhythm, pacing, structure, storytelling and collaboration. Interviewees include Margaret Sixel (Mad Max: Fury Road), Tom Cross (Whiplash, La La Land), Pietro Scalia (The Martian, JFK), Stephen Mirrione (The Revenant), Ann Coates (Lawrence of Arabia, Murder on the Orient Express), Joe Walker (12 Years a Slave, Sicario), Kelley Dixon (Breaking Bad, The Walking Dead), and many more. Art of the Cut also includes in-line definitions of editing terminology, with a full glossary and five supplemental web chapters hosted online at www.routledge.com/cw/Hullfish. This book is a treasure trove of valuable tradecraft for aspiring editors and a prized resource for high-level working professionals. The book’s accessible language and great behind-the-scenes insight makes it a fascinating glimpse into the art of filmmaking for all fans of cinema.
Making the Archives Talk
Author: James L. W. West
Publisher: Penn State Press
ISBN: 0271050683
Pages: 150
Year: 2011
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"A collection of essays by editor, biographer, bibliographer, and book historian James L. W. West III, covering editorial theory, archival use, textual emendation, and scholarly annotation. Discusses the treatment of both public documents (novels, stories, nonfiction) and private texts (letters, diaries, journals, working papers)"--Provided by publisher.
The Subversive Copy Editor
Author: Carol Fisher Saller
Publisher: University of Chicago Press
ISBN: 0226734102
Pages: 148
Year: 2009-08-01
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Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.
FilmCraft: Editing
Author: Justin Chang
Publisher: Ilex Press
ISBN: 1908150688
Pages: 192
Year: 2012-01-16
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The value of the editor?s craft to a finished film cannot be underestimated, and it?s no surprise that directors rely heavily on the same editor over and over again. Seventeen exclusive interviews with some of the world?s top film editors, including Walter Murch, Virginia Katz, Joel Cox, Tim Squyres and Richard Marks, explore the art of film editing; its complex processes, the relationship with other film practitioners, and the impact of modern editing techniques. The Filmcraft series is a ground-breaking study of the art of filmmaking?the most collaborative and multidisciplinary of all the arts. Each volume covers a different aspect of moviemaking, offering in-depth interviews with a host of the most distinguished practitioners in the field. Forthcoming titles include Cinematography, Directing, Costume Design, Production Design, Producing, Screenwriting, and Acting.
Murray Catalogue January July 95
Author: Hodder & Stoughton, Natasha Bajema
Publisher: John Murray
ISBN: 0999800159
Pages:
Year: 2018-03-18
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Washington D.C., October 2027Amateur Detective Lara Kingsley must sacrifice everything to stop a rogue scientist from unleashing the ultimate biological weapon¿a deadly swarm of bionic bugs.When Lara starts up her business to install surveillance systems for wealthy clients, she never imagines having to solve any grisly murders. That is, until her best friend and fellow private investigator Sully drops dead before her eyes.Racing to unravel the mystery, Lara finds herself becoming deeply entangled in a new technological world of drones, gene editing, and the Dark Web¿the notorious underground of the Internet.To solve her friend¿s murder, she must enlist the help of the scientist himself while trying to stop him from killing thousands of innocent people. An action-packed mystery novel from long-time national security expert, Natasha Bajema.
A Poetics of Editing
Author: Susan L. Greenberg
Publisher: Palgrave Macmillan
ISBN: 3319922459
Pages: 255
Year: 2018-09-02
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This original and authoritative book offers a first-ever attempt to define a poetics of the editing arts. It proposes a new field of editing studies, in which the ‘ideal editor’ can be understood in relation to the long-theorised author and reader. The book’s premise is that editing, like other forms of ‘making’, is mostly invisible and can only be brought into full view through a comparative analysis that includes the insights of practitioners. The argument, laid down in careful layers, is supported by a panoramic historical narrative that tracks the shifts in textual authority from religious and secular institutions to the romanticised self of the digital present. The dangers posed by the anti-editing rhetoric of this hybrid romanticism are confronted head-on. To the traditional perception of editing as the imposition of closure, A Poetics of Editing adds a perspective on a dynamic process with a sense of the possible.
Book Editors Talk to Writers
Author: Judy Mandell
Publisher: Wiley
ISBN:
Pages: 240
Year: 1995-05-01
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Working editors share inside information on how book publishing really works Based on penetrating interviews with 44 experienced editors, this essential guide gives you the lowdown on everything you need to know to get published faster and easier. No matter what publishing category you want to break into—fiction, cookbooks, self-help, computer books, science fiction, mysteries, reference, or children's books—you'll find the information you need from an editor who specializes in that area. Here's the inside scoop on: Book proposals: Create the kind of query letter or book proposal that editors prefer Agents: Figure out if you need one and how to find the best agent for your work Bestsellers: Is it luck or are they "made"? Publishing decisions: Who really has the final say Book packagers: What they do for authors and editors Publishing lingo: understand terms like "slush pile,""backlist," "remainders," etc.
Make the Cut
Author: Lori Coleman, Diana Friedberg
Publisher: CRC Press
ISBN: 1317567773
Pages: 230
Year: 2014-07-16
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First published in 2010. Routledge is an imprint of Taylor & Francis, an informa company.
The Elements of Editing
Author: Arthur Plotnik
Publisher: Pearson P T R
ISBN: 0028614518
Pages: 156
Year: 1996-09-01
View: 710
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Information: 1st Macmillan paperbacks ed. Includes bibliographies and index.

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