Die Ausstellung Verhandeln Von Interaktionen Im Musealen Raum Edition Museum Band 13 Book PDF, EPUB Download & Read Online Free

Die Ausstellung verhandeln
Author: Luise Reitstätter
Publisher: transcript Verlag
ISBN: 3839429889
Pages: 262
Year: 2015-05
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Ausstellungen sind sozial umkämpfte Räume. Hier wird verhandelt, wer spricht und wer gehört wird. (Un-)Bewusste Intentionen der Ausstellungsmacher_innen treffen räumlich vermittelt auf vermeintliche Deutungen der Besucher_innen. Doch was passiert in diesem Setting tatsächlich? Bislang betrachtete die Forschung kunsthistorische Inszenierungsanalysen und empirische Besucher_innenforschung vorwiegend getrennt. Die Frage nach dem Verhältnis von Menschen und Dingen im Raum wurde vergleichsweise selten gestellt. Mittels umfassender Feldforschungen sowie raum- und handlungstheoretischer Bezüge liefert Luise Reitstätter Antworten und veranschaulicht ortsspezifische Eigenlogiken des Sozialraums Ausstellung.
Author: Sigrid Gareis, Georg Schöllhammer, Peter Weibel
Publisher: Walther Konig
ISBN: 3863352890
Pages: 500
Year: 2013
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New forms for the exhibition and documentation of performance have been developed and tested at ZKM Karlsruhe based on the question of the presentability of historical live performance art pieces. Works by Marina Abramovic, Graciela Carnevale, Simone Forti, Anna Halprin, Channa Horwitz, Sanja Ivekovic, Adrian Piper and Yvonne Rainer, which are today considered revolutionary milestones of performance, are reinterpreted with the assistance of the attendant artists and in dialogue with performers of the younger generation. This publication documents this process in the exhibition space in a richly illustrated photo section and combines it with a fundamental theoretical reassessment of the topic, with thirteen essays exploring the position of current research on performance in the area of dance and visual art.0Exhibition: ZKM, Karlsruhe, Germany (08.03.-29.04.2013). 0.
The Digital Museum
Author: Herminia Din, Phyllis Hecht
Publisher: Amer Alliance of Museums Press
ISBN: 1933253096
Pages: 223
Year: 2007
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"This publication offers museum professionals, museology scholars and museum studies students an in-depth investigation into how and why museums are experimenting with new technology. The authors explore a wide range of concepts about the digital museum from exhibition experiences and online tools to the strategic integration of technology into daily operations and new business models."--Preface.
Hello, My Name is Jens Haaning
Author: Jens Haaning
ISBN: 2840660822
Pages: 208
Year: 2003
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Inside the White Cube
Author: Brian O'Doherty
Publisher: Univ of California Press
ISBN: 0520220404
Pages: 113
Year: 1999
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"O'Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery were based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system."--BOOK JACKET.
Museum Culture
Author: Daniel J. Sherman, Irit Rogoff
Publisher: U of Minnesota Press
ISBN: 0816619530
Pages: 301
Year: 1994
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Museums are the staging grounds of culture-a close look reveals that museums display much more than artifacts, and this perceptive tour of our collected and catalogued culture affords such a look. This book conducts us through the complex of ideas, values, and symbols that pervade and shape the practice of exhibiting that make the museum a central institution and metaphor in contemporary society. Writing from a broad range of perspectives in history, art history and criticism, critical theory, and sociology, the authors represented here go beyond previous institutional analyses to consider the museum as the intricate amalgam of architecture, history, practices and strategies of display, and pedagogical and other programs, functioning under the aegis of various governing ideologies. These essays explore the ways in which museums assign meaning to art through various kinds of exhibitions and display strategies and controlling discourses. The authors examine the political implications of these strategies and the forms of knowledge they invoke and construct, their transformations into alternative exhibition forms, and their recent involvement with the spectacular practices of mass-media culture. Certain essays also take up the question of how the museum - going public itself is constructed. Drawing on the history of museums and ranging from Western Europe to the former Soviet Union, Israel, and the United States, this book will interest historians, critics, museum professionals, students of art and critical theory, and all those concerned with our contemporary museum culture.
History of the Art of Antiquity
Author: Johann Joachim Winckelmann, Alex Potts
Publisher: Getty Publications
ISBN: 0892366680
Pages: 431
Year: 2006
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"Translation of a foundational text for the disciplines of art history and archaeology. Offers a systematic history of art in ancient Egypt, Persia, Etruria, Rome, and, above all, Greece that synthesizes the visual and written evidence then available"--Provided by publisher.
Managing Previously Unmanaged Collections
Author: Angela Kipp
Publisher: Rowman & Littlefield
ISBN: 1442263490
Pages: 150
Year: 2016-05-17
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Managing previously unmanaged collections can be challenging. The process of securing the collection and making it accessible needs the mindset of a collections manager as well as the one of a project manager. The target audience are museum professionals with a basic training in collections care that are confronted with collections that are either large in numbers (1000+ artifacts) or stored confusingly, or both. The book is a step-by-step guide how to approach this situation, assuming that there's nothing to start with but a collection that has to be accessioned and the person who is assigned to do it. It is about how to bring order into the chaos, to define what is needed in terms of time, money, staff and material, to spot facility issues and potential dangers, and to use the power of networking to solve an otherwise unsolvable task. Many chapters conclude with “logical exits,” the points at which the collection in a condition that allows you to leave it for the next curator to take over. A common issue is that time frames are often so tight that the target of having the collection in good shape at the end of a contract or at a fixed date can’t be met. Another common scenario may be that other projects become more important and you have to stop working on the collection, which might sound familiar to many directors of small museums. “Logical exits” are the points you can do this without risking that everything you’ve done so far or since the last “logical exit” was a waste of time. For contractors those “logical exits” might serve as orientation points when negotiating the work that has to be done on the collection.
Spaces of Experience
Author: Charlotte Klonk
ISBN: 0300151969
Pages: 305
Year: 2009-01-01
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This fascinating study of art gallery interiors examines the changing ideals and practices of galleries in Europe and North America from the 18th to the late 20th century. It offers a detailed account of the different displays that have been created—the colors of the background walls, lighting, furnishings, the height and density of the art works on show—and it traces the different scientific, political and commercial influences that lay behind their development. Charlotte Klonk shows that scientists like Hermann von Helmholtz and Wilhelm Wundt advanced theories of perception that played a significant role in justifying new modes of exhibiting. Equally important for the changing modes of exhibition in art galleries was what Michael Baxandall has called “the period eye,” a way of seeing informed by the impact of new fashions in interior decoration and by department store and shop window displays. The history of museum interiors, she argues, should be appreciated as a revealing chapter in the broader history of experience.
Author: Esra Sarigedik Öktem
Publisher: Veenman Pub
Pages: 239
Year: 2007
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Introduction by Charles Esche. Text by Nick Crowe, Francoise Boucher, Andrew Hunt, Joan Key.
Author: Sophia Roosth
Publisher: University of Chicago Press
ISBN: 022644046X
Pages: 256
Year: 2017-03
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In the final years of the twentieth century, emigres from mechanical and electrical engineering and computer science resolved that if the aim of biology was to understand life, then making life would yield better theories than experimentation. Sophia Roosth, a cultural anthropologist, takes us into the world of these self-named synthetic biologists who, she shows, advocate not experiment but manufacture, not reduction but construction, not analysis but synthesis. Roosth reveals how synthetic biologists make new living things in order to understand better how life works. What we see through her careful questioning is that the biological features, theories, and limits they fasten upon are determined circularly by their own experimental tactics. This is a story of broad interest, because the active, interested making of the synthetic biologists is endemic to the sciences of our time."
A General Theory of Magic
Author: Marcel Mauss
Publisher: Routledge
ISBN: 1134522231
Pages: 192
Year: 2005-07-05
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First written by Marcel Mauss and Henri Humbert in 1902, A General Theory of Magic gained a wide new readership when republished by Mauss in 1950. As a study of magic in 'primitive' societies and its survival today in our thoughts and social actions, it represents what Claude Lévi-Strauss called, in an introduction to that edition, the astonishing modernity of the mind of one of the century's greatest thinkers. The book offers a fascinating snapshot of magic throughout various cultures as well as deep sociological and religious insights still very much relevant today. At a period when art, magic and science appear to be crossing paths once again, A General Theory of Magic presents itself as a classic for our times.
Days with My Father
Author: Phillip Toledano
Publisher: Chronicle Books
ISBN: 1452119414
Pages: 92
Year: 2012-08-01
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Days With My Father is a son's photo journal of his aging father's last years. Following the death of his mother, photographer Phillip Toledano was shocked to learn of the extent of his father's severe memory loss. He started a blog on which he posted photographs and accompanying reflections on his father's changing state. Through sometimes sad, often funny, and always loving observations, we follow Toledano as he learns to reconcile the elderly man living in a twilight of half memories with the ambitious and handsome young man he occasionally still glimpses. Days With My Father is an honest and moving reflection about coming to terms with an aging parent.
Learning in the Museum
Author: George E. Hein
Publisher: Routledge
ISBN: 113486048X
Pages: 216
Year: 2002-09-11
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Learning in the Museum examines major issues and shows how research in visitor studies and the philosophy of education can be applied to facilitate a meaningful educational experience in museums. Hein combines a brief history of education in public museums, with a rigorous examination of how the educational theories of Dewey, Piaget, Vygotsky and subsequent theorists relate to learning in the museum. Surveying a wide range of research methods employed in visitor studies is illustrated with examples taken from museums around the world, Hein explores how visitors can best learn from exhibitions which are physically, socially, and intellectually accessible to every single visitor. He shows how museums can adapt to create this kind of environment, to provide what he calls the 'constructivist museum'. Providing essential theoretical analysis for students, this volume also serves as a practical guide for all museum professionals on how to adapt their museums to maximize the educational experience of every visitor.
Between two deaths
Author: Ellen Blumenstein, Felix Ensslin
Publisher: Hatje Cantz Pub
Pages: 327
Year: 2007
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Edited by Ellen Blumenstein, Felix Ensslin. Text by Suzanne Barnard, Mika Hannula.

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