Berlinde De Bruyckere Book PDF, EPUB Download & Read Online Free

We are All Flesh
Author: Berlinde de Bruyckere, J. M. Coetzee
Publisher: Merz
ISBN: 9490693901
Pages: 139
Year: 2013
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Berlinde De Bruyckere's work prompts the viewer to respond. That is why it has a particular appeal for writers of literature: they are fascinated by the compositions of distorted parts of humans and horses that refer to horror and comfort, to a cruel death and the sublime. De Bruyckere empties the bodies. Through holes, the public notices the darkness of a world inside that both appeals and repels. There is space around her work that resonates and in which writers can indulge in creativity -not by writing about objects, but by juxtaposing the work with creative texts. The author does not remove meanings of the work by trying to explain it, but rather adds to its meaning by responding to art with art. Nobel Prize winner J.M. Coetzee rises to this challenge: together with De Bruyckere he has chosen fragments from his impassioned and unsettling novels that are full of great beauty. Thus, the two present a composition of texts and images that from inside illuminates the dark world of their work.
Berlinde De Bruyckere
Author: Michaela Underdörfer
Publisher:
ISBN:
Pages:
Year: 2008
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Year: 2013
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Berlinde de Bruyckere
Author: Berlinde de Bruyckere, Caroline Lamarche, Mirjam Devriendt
Publisher: Skira - Berenice
ISBN: 8857214443
Pages: 120
Year: 2012
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This new artists book by Berlinde De Bruyckere presents for the first time her recent sculptures and drawings concerned with the human figure and the deer Berlinde de Bruyckere is a sculptor from Ghent in Belgium, whose wild and sensual figures are formed using a melange of natural materials such as animal pelts, hair, wood and wax. In her recent works Berlinde De Bruyckere worked with a professional dancer, Romeu, as model, defining his movements and poses and developing her own sculptural choreography. The figures are faceless, malformed and fragmentary. At first their shape seems familiar although their forms resist interpretation, offering a disturbing vision of fragility and suffering. Alongside the human body the deer plays a prominent role in De Bruyckeres new work: the deer is a majestic ambassador of nature, sometimes present as flesh-coloured antlers masterfully rendered in wax. The photographer Mirjam Devriendt shows the fragile and vulnerable sculptures in a unique setting, an abandoned house in the old town of Ghent. The accompanying text by Caroline Lamarche reads like a fairy tale about the life and work of a sculptor and her urge to create. Romeu my deer is the most personal book of De Bruyckere. It recounts the story of intense memories, and describes the process of creation. (Caroline Lamarche).
Berlinde de Bruyckere
Author: Berlinde de Bruyckere, Gregor Muir, Ali Subotnick, Michael Mack
Publisher: Steidl / Edition7L
ISBN: 3865214096
Pages: 64
Year: 2006
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This book focuses on recent sculptures and installations by Belgian artist Berlinde de Bruyckere and provides a rare and intimate glimpse into her studio and working process. De Bruyckere uses a range of sculptural media, including wax, wood, wool, horse skin, and hair which are combined to create compelling forms that suggest distorted human and animal bodies. Her figures are often faceless, malformed and fragmentary. They perch precariously on high stools or are suspended from the walls, ceiling or tall iron columns. At first their shape seems familiar although they resist interpretation, offering a disturbing vision of fragility and suffering and they appear vulnerable and violated, their skin stretched and broken. The works presented in the book invoke the Schmerzensmann, the eternal Man of Suffering, and focus on eight sculptures in wax, one of the artists preferred materials. The texture of the pallid wax suggests a skin so thin and fragile that it is almost translucent. Close inspection reveals subtly mottled hues and textures that imply vulnerability to heat and cold but also to the more intangible threat of violence and fear. Each of the eight sculptures is illustrated from many viewpoints, offering the chance to examine in detail their form, surface texture, spatiality and relation to the viewer.
Into One-another
Author: Cornelia Wieg
Publisher: Hirmer Verlag GmbH
ISBN: 377743891X
Pages: 236
Year: 2011
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A phenomenon in contemporary art, Flemish artist Berlinde De Bruyckere creates dynamic, often unsettling works that straddle the line between real and metaphorical bodies. In dialogue here with earlier works by Cranach the Elder and controversial poet and filmmaker Pier Paolo Pasolini, De Bruyckere's sculptures in wool, wood, wax, and hair reveal a sense of loneliness and physical vulnerability and explore issues surrounding the corporeality of man--issues more relevant than ever in an age when science is increasingly capable of mimicking nature. Created in partnership with the Stiftung Moritzburg in Halle--and accompanying exhibitions at the Bern Kunstmuseum and Vienna Kunsthalle--this catalogue includes illustrations of artworks by De Bruyckere, Cranach and Pasolini, as well as an essay by the philosopher Gernot Böhme setting the works of art in the context of German philosophy and current ethical issues.
Berlinde de Bruyckere
Author: Berlinde De Bruyckere
Publisher:
ISBN: 3863357094
Pages: 160
Year: 2015
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Belgium-based Berlinde de Bruyckere (born 1964) makes sculptures in wax, wood, wool, horse skin and hair. Here, texts from Rudolf Sagmeister and De Bruyckere explore the work in relation to Christian iconography and the theme of metamorphosis.
Berlinde de Bruyckere
Author: Murat Alat, Berlinde De Bruyckere, Gary Carrion-Murayari, Emmanuel Alloa, Caroline Lamarche, Philippe van Cauteren
Publisher: Mercatorfonds
ISBN: 0300204450
Pages: 304
Year: 2014-03-01
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The Belgian artist Berlinde De Bruyckere (born 1964) owes her fame in the contemporary art world in the very innovative way in which she approaches sculpture. This publication is the first monograph devoted to De Bruyckere. This book gives us a definitive and comprehensive look at the variety of her work over the past twenty years. The book includes the first sculptures of De Bruyckere from the 1990s, especially reflections on the human figure made of wax and wool, her later sculptures of horses who assured her international fame, as well as the fascinating installation she made recently for the Belgian Pavilion at the Biennale di Venezia (2013). The work of De Bruyckere, which are discussed here in more than two hundred beautiful illustrations, full of strange contradictions - they are both inviting and confusing, anatomical and abstract. This book is an invaluable source of information about an artist whose provocative works exert a decisive impact on the contemporary art canon. The work contains two philosophical essays written by philosopher and theorist Emmanuel Alloa and art historian Angela Mengoni, while Gary Carrion-Murayari provides a sensitive reflection on the graphic work of the artist. Exhibition: SMAK, Ghent, Belgium (18.10.2014-08.02.2015) / Gemeentemuseum Den Haag, the Netherlands (28.02.-06.28.2015).
Under cover
Author: Berlinde de Bruyckere, Martin Honert, Ulrike Groos, Georg Imdahl, Beate Söntgen
Publisher: Walther Konig
ISBN:
Pages: 109
Year: 2006-12-01
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The encounter of artists Berlinde De Bruyckere and Martin Honert in the exhibition provides the Kunsthalle Düsseldorf with a great opportunity of presenting two exceptional positions in the field of contemporary sculpture. The title itself alludes to both a special approach towards the subject matter and the actual context of the works themselves; both sculptors derive their creative impetus from the realm of things concealed, from memory and remembrance, from the substrate and sediments of dreams, as well as from images and photographs.
Suture
Author: Berlinde de Bruyckere, Arno Böhler, Angela Stief
Publisher:
ISBN: 3950301895
Pages: 160
Year: 2016
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Berlinde De Bruyckere
Author: Berlinde De Bruyckere
Publisher:
ISBN:
Pages: 48
Year: 1995
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Breaking Resemblance
Author: Alena Alexandrova
Publisher: Oxford University Press
ISBN: 0823274470
Pages: 288
Year: 2017
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In recent decades curators and artists have shown a distinct interest in religion, its different traditions, manifestations in public life, gestures and images. Breaking Resemblance explores the complex relationship between contemporary art and religion by focusing on the ways artists re-work religious motifs as a means to reflect critically on our desire to believe in images, on the history of seeing them, and on their double power--iconic and political. It discusses a number of exhibitions that take religion as their central theme, and a selection of works by Bill Viola, Lawrence Malstaf, Victoria Reynolds, and Berlinde de Bruyckere--all of whom, in their respective ways and media, recycle religious motifs and iconography and whose works resonate with, or problematize the motif of, the true image.
Speculative Taxidermy
Author: Giovanni Aloi
Publisher: Columbia University Press
ISBN: 0231543212
Pages: 315
Year: 2018-01-23
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Taxidermy, once the province of natural history and dedicated to the pursuit of lifelike realism, has recently resurfaced in the world of contemporary art, culture, and interior design. In Speculative Taxidermy, Giovanni Aloi offers a comprehensive mapping of the discourses and practices that have enabled the emergence of taxidermy in contemporary art. Drawing on the speculative turn in philosophy and recovering past alternative histories of art and materiality from a biopolitical perspective, Aloi theorizes speculative taxidermy: a powerful interface that unlocks new ethical and political opportunities in human-animal relationships and speaks to how animal representation conveys the urgency of addressing climate change, capitalist exploitation, and mass extinction. A resolutely nonanthropocentric take on the materiality of one of the most controversial mediums in art, this approach relentlessly questions past and present ideas of human separation from the animal kingdom. It situates taxidermy as a powerful interface between humans and animals, rooted in a shared ontological and physical vulnerability. Carefully considering a select number of key examples including the work of Nandipha Mntambo, Maria Papadimitriou, Mark Dion, Berlinde De Bruyckere, Roni Horn, Oleg Kulik, Steve Bishop, Snæbjörnsdóttir/Wilson, and Cole Swanson, Speculative Taxidermy contextualizes the resilient presence of animal skin in the gallery space as a productive opportunity to rethink ethical and political stances in human-animal relationships.
Philippe Vandenberg, Berlinde De Bruyckere
Author: Berlinde De Bruyckere, Philippe Vandenberg, Brett Littman
Publisher: Skira - Berenice
ISBN: 8857214141
Pages: 136
Year: 2012
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A selection of drawings by two Belgian artists: Philippe Vandenberg, painter, and Berlinde De Bruyckere, sculptress. Philippe Vandenberg (Ghent, 1952 Brussels, 2009) was a foremost Belgian painter, whose oeuvre presented a series of radical stylistic and thematic shifts, reflecting both a personal trajectory and responses to varying socio-cultural changes. The creative basis of Berlinde De Bruyckeres drawings, sculptures and installations, is rooted in her childhood, and has been layered over with subsequent experiences and ideas. Its figurative points of departure render her work highly recognizable. Even though their oeuvres are so divergent in approach, sensibility, imagery, style, iconography, they show some strong affinity. As far as the content of their work is concerned, the two artists share parallel existential views, as well as a deep interest in the literary world, in the history of Western art, and in the traditions of religious imagery. The starting point is Berlinde De Bruyckeres intuitive selection from Philippe Vandenberg's legacy of drawings. For more than one year she leafed through his work. From the extensive amount of drawings that he left behind, she selected about 70 items and joined them to a selection from her own drawings. This book is the reflection of a meeting. It is a dialogue, not between artists who may, or may not, have known each other, but between their corpus of drawings.

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