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Allgemeine Enzyklopädie Der Wissenschaften und Künste
Author: Johann Samuel Ersch, Johann Gottfried Gruber
Year: 1987
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Author: Ludwig Finscher
Year: 1994
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Allgemeine deutsche Real-Enzyklopädie für die gebildeten Stände
Year: 1824
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Die Musik in Geschichte und Gegenwart
Author: Friedrich Blume
Year: 1963
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Die Musik in Geschichte und Gegenwart
Author: Ludwig Finscher
ISBN: 3476410226
Year: 2007
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Melody in Music Therapy
Author: David Aldridge, Gudrun Aldridge
Publisher: Jessica Kingsley Publishers
ISBN: 1846427622
Pages: 344
Year: 2008-02-15
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Melody is thought to be an 'essential core' of music. In the context of music therapy, looking at how patients develop their own melodies in improvisation can explain how they find their own voice, determine their position in relation to the world, and play an important role in how they relate to their therapist. Gudrun Aldridge and David Aldridge explore the concept of melody within its historical context and investigate current theories of melody. They make recommendations for choosing an appropriate method of analysing melodic improvisation, and utilise case studies to demonstrate these analyses in practice. They show how the interaction between patient and therapist is affected by the patient's melodic statements, and how the process of improvisation offers patients a chance to transform their inner emotions into externalised expressions. Melody in Music Therapy is an important addition to music therapy literature, and will be of interest to music therapists, educators and students alike, as well as musicologists.
Kosegarten's Cultural Legacy: Aesthetics, Religion, Literature, Art, and Music
Author: Lewis Holmes
Publisher: Peter Lang
ISBN: 0820479241
Pages: 218
Year: 2005
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Ludwig Gotthard (Theobul) Kosegarten (1758-1818), whose books were burned by German nationalists in 1817, has for many years been seen as a pariah figure by German literary scholars. Only recently has his influence on cultural icons such as the composer Franz Schubert and the painter Caspar David Friedrich become more clearly defined. This companion volume to Lewis M. Holmes's "Kosegarten: The Turbulent Life and Times of a Northern German Poet" (Peter Lang, 2004) explores Kosegarten's contributions to aesthetics, theology, and literature, as well as the broad reception of his works by other writers, artists, and musicians. Extensive historical and cultural contextualization make "Kosegarten's Cultural Legacy" a valuable resource for university-level courses, especially in the areas of music, art, religion, and literature.
Musica Naturalis
Author: Philipp Jeserich
Publisher: JHU Press
ISBN: 1421411245
Pages: 553
Year: 2013-10-23
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Musica Naturalis delivers the first systematic account of speculative music theory as a discursive horizon for literary poetics. The title refers to the late medieval French poet Eustache Deschamps, whose 1392 treatise on verse writing, L'Art de Dictier, famously casts verse as "natural music" in explicit distinction to song, which Deschamps defines as "artificial." Philipp Jeserich links the significance of the speculative branch of medieval musicology to literary theory and literary production, opening up a field of study that has been largely neglected. Beginning with Augustine and Boethius, he traces the discourse of speculative music theory to the late fifteenth century, giving attention to medieval Latin and vernacular sources. Ultimately, Jeserich calls for the conservatism of Deschamps’s poetics and develops a new perspective on the poetics and poetry of the Grands rhétoriqueurs. Given Jeserich's reliance on the intellectual inheritance of late medieval French poetics and poetry, this book will appeal to English-speaking specialists of Old and Middle French, as well as scholars of the French Renaissance. It will also interest English-language medievalists of several other disciplines: intellectual historians and specialists of English, as well as scholars of Italian and Iberian literature.

Publisher: Springer-Verlag
ISBN: 3476035239
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Music for a Mixed Taste
Author: Steven Zohn
Publisher: Oxford University Press
ISBN: 0198037961
Pages: 720
Year: 2008-03-27
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Georg Philipp Telemann gave us one of the richest legacies of instrumental music from the eighteenth century. Though considered a definitive contribution to the genre during his lifetime, his concertos, sonatas, and suites were then virtually ignored for nearly two centuries following his death. Yet these works are now among the most popular in the baroque repertory. In Music for a Mixed Taste, Steven Zohn considers Telemann's music from stylistic, generic, and cultural perspectives. He investigates the composer's cosmopolitan "mixed taste"--a blending of the French, Italian, English, and Polish national styles-and his imaginative expansion of this concept to embrace mixtures of the old (late baroque) and new (galant) styles. Telemann had an equally remarkable penchant for generic amalgamation, exemplified by his pioneering role in developing hybrid types such as the sonata in concerto style ("Sonate auf Concertenart") and overture-suite with solo instrument ("Concert en ouverture"). Zohn examines the extramusical meanings of Telemann's "characteristic" overture-suites, which bear descriptive texts associating them with literature, medicine, politics, religion, and the natural world, and which acted as vehicles for the composer's keen sense of musical humor. Zohn then explores Telemann's unprecedented self-publishing enterprise at Hamburg, and sheds light on the previously unrecognized borrowing by J.S. Bach from a Telemann concerto. Music for a Mixed Taste further reveals how Telemann's style polonaise generates musical and social meanings through the timeless oppositions of Orient-Occident, urban-rural, and serious-comic.
Music, Culture and Social Reform in the Age of Wagner
Author: James Garratt
Publisher: Cambridge University Press
ISBN: 1139485709
Year: 2010-01-21
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Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-political meanings and functions. Garratt argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between aesthetic and social claims is programmatic.
Enzyklopädie des gesamten positiven Rechts
Author: Albrecht Hummel
Pages: 560
Year: 1805
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Enzyklopädie der philosophischen Wissenschaften im Grundrisse
Author: Georg Wilhelm Friedrich Hegel
Publisher: BoD – Books on Demand
ISBN: 3843040052
Pages: 476
Year: 2017-05-03
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Georg Wilhelm Friedrich Hegel: Enzyklopädie der philosophischen Wissenschaften im Grundrisse Erstdruck: Heidelberg (Oßwald) 1817. Der Text folgt der 3. vermehrten Auflage: Heidelberg (Oßwald) 1830. Neuausgabe mit einer Biographie des Autors. Herausgegeben von Karl-Maria Guth. Berlin 2017. Textgrundlage sind die Ausgaben: Georg Wilhelm Friedrich Hegel: Werke. Auf der Grundlage der Werke von 1832-1845 neu edierte Ausgabe. Redaktion Eva Moldenhauer und Karl Markus Michel, Frankfurt a. M.: Suhrkamp, 1979 (Theorie-Werkausgabe). Die Paginierung obiger Ausgaben wird in dieser Neuausgabe als Marginalie zeilengenau mitgeführt. Umschlaggestaltung von Thomas Schultz-Overhage. Gesetzt aus der Minion Pro, 11 pt.
Die Juristische Enzyklopädie des Nikolaus Falck
Author: Klaus Volk
Publisher: Duncker & Humblot
Pages: 138
Year: 1970-01
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